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  • Embellishing lute music: Using the Renaissance Italian passaggi practice as a model and pedagogical tool for an increased improvisation vocabulary in the French Baroque style

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2016
    Group(s):
    Education and Pedagogy, Music History/Musicology Pedagogy Resource Hub, Renaissance / Early Modern Studies
    Subject(s):
    Improvisation (Music), Composition (Music), Music, Early works, Teaching, Performance practice (Music)
    Item Type:
    Article
    Tag(s):
    Compositional improvisation, Early music, Pedagogy, Performance practice
    Permanent URL:
    http://dx.doi.org/10.17613/8g38-dv14
    Abstract:
    Early seventeenth century lute improvisation — a phrase that by its mere utterance may cause debates full of uncertainties, fears and fantasies. What is proper improvisa-tion? How did they do it 360 years ago? In this article I seek to revive a systematic prac-tice of teaching ornamentation and improvisation from the Renaissance scholars — i.e. the passaggi practice — and adopt it to function as a methodology for Baroque music. This is done in order to present a practice that can be used in tuition, to have new gen-erations of musicians improvise in a comfortable manner using a broad vocabulary; to present a methodology with pedagogical, methodological and a historical value.
    Metadata:
    xml
    Published as:
    Journal article     Show details
    Pub. Date:
    2016
    Journal:
    Danish Musicology Online
    Volume:
    SPECIAL EDITION – 17TH NORDIC MUSICOLOGICAL CONGRESS
    Page Range:
    219 - 238
    ISSN:
    1904-237X
    Status:
    Published
    Last Updated:
    3 years ago
    License:
    Attribution-NonCommercial

    Downloads

    Item Name: pdf dmo_saernummer_2016_nmc_12.pdf
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    Activity: Downloads: 140

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