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The 'new' Ophelia in Michael Almereyda's Hamlet
- Author(s):
- Amanda Kane Rooks (see profile)
- Date:
- 2020
- Subject(s):
- Film criticism, Motion pictures and literature, Shakespeare, William, 1564-1616
- Item Type:
- Article
- Tag(s):
- Literature and film, Shakespeare
- Permanent URL:
- http://dx.doi.org/10.17613/z8za-hc78
- Abstract:
- Amanda Kane Rooks explores the representation of Ophelia in Michael Almereyda's film adaptation of Hamlet. Rooks argues that Almereyda's film does not conform to the tendency in film adaptations to reduce Ophelia to the status of tragic prop and that it instead imbues this character with an ideological potency to rival Hamlet himself.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Journal:
- Literature/Film Quarterly
- Volume:
- 42
- Issue:
- 2
- Page Range:
- 475 - 485
- Status:
- Published
- Last Updated:
- 3 years ago
- License:
- All Rights Reserved
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