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Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki \ Every object is an image: Sauerbruch Hutton according to Harun Farocki
- Author(s):
- Raphael Grazziano (see profile)
- Date:
- 2020
- Group(s):
- Architectural History and Theory, Contemporary Art, Film Studies, History of Art, Urban Studies
- Subject(s):
- Architecture--Philosophy, Art criticism, Art, Modern, Twenty-first century, Experimental films, City planning, Cities and towns--Study and teaching
- Item Type:
- Article
- Tag(s):
- Critique of Architecture, urban design, Contemporary Architecture, Theories of architecture, Contemporary art, Avant garde cinema, Urbanism/urban planning
- Permanent URL:
- http://dx.doi.org/10.17613/x91k-6m39
- Abstract:
- Harun Farocki's last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the aesthetic projects of Harun Farocki and the Sauerbruch Hutton office are aligned.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 3 years ago
- License:
- Attribution-NonCommercial-ShareAlike
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