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  • Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki \ Every object is an image: Sauerbruch Hutton according to Harun Farocki

    Author(s):
    Raphael Grazziano (see profile)
    Date:
    2020
    Group(s):
    Architectural History and Theory, Contemporary Art, Film Studies, History of Art, Urban Studies
    Subject(s):
    Architecture--Philosophy, Art criticism, Art, Modern, Twenty-first century, Experimental films, City planning, Cities and towns--Study and teaching
    Item Type:
    Article
    Tag(s):
    Critique of Architecture, urban design, Contemporary Architecture, Theories of architecture, Contemporary art, Avant garde cinema, Urbanism/urban planning
    Permanent URL:
    http://dx.doi.org/10.17613/x91k-6m39
    Abstract:
    Harun Farocki's last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the aesthetic projects of Harun Farocki and the Sauerbruch Hutton office are aligned.
    Metadata:
    xml
    Published as:
    Journal article     Show details
    Pub. DOI:
    https://doi.org/10.11606/issn.2525-8354.v8i8p167-189
    Publisher:
    FAUUSP
    Pub. Date:
    06/02/2020
    Journal:
    Revista Ara
    Volume:
    8
    Issue:
    8
    Page Range:
    167 - 189
    ISSN:
    2525-8354
    Status:
    Published
    Last Updated:
    3 years ago
    License:
    Attribution-NonCommercial-ShareAlike

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    Item Name: pdf grazziano-2020-todo-objeto-e-uma-imagem.pdf
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