Puškin’s ‘Virtual Scene. Some Aspects of Puškin’s Historiography. Boris Godunov as the Trivium  on the Way to the Polyphonic Novel

Miklos Mezosi

Puškin’s ‘Virtual Scene. Some Aspects of Puškin’s Historiography. Boris Godunov as the Trivium on the Way to the Polyphonic Novel

Author(s):

Miklos Mezosi (see profile)

Date:

2003

Subject(s):

Russian literature, Nineteenth century, Literary form, Literary theory, Poetics, Pushkin, Aleksandr Sergeevich, 1799-1837

Item Type:

Article

Tag(s):

Genre poetics, Russian drama, 19th-century Russian literature, Genre theory, Pushkin

Permanent URL:

http://dx.doi.org/10.17613/mfrm-5m83

Abstract:

In this paper I aim at drawing attention to one of the specific characteristics of Puškinian dramaturgy encountered in the poet’s ‘romantic tragedy’, Boris Godunov. By doing so, not only shall we be able to come across new points for the interpretation of the play or gain further insight into its genesis but we will also be able to get nearer to answering some of the questions about the after-life of Boris Godunov. This is likely to help us localize the Puškinian ‘historical drama’ in the chronotopics of literary history.

Metadata:

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Published as:

Journal article Show details

Publisher:

University of Debrecen

Pub. Date:

2003

Journal:

Slavica

Volume:

32

Page Range:

165 - 173

Status:

Published

Last Updated:

3 years ago

License:

All Rights Reserved

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Puškin’s ‘Virtual Scene. Some Aspects of Puškin’s Historiography. Boris Godunov as the Trivium on the Way to the Polyphonic Novel

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