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'Introduction', Neil Gregor and Thomas Irvine (eds) Dreams of Germany. Musical Imaginaries from the Concert Hall to the Dance Floor (New York: Berghahn, 2019)
- Author(s):
- Neil Gregor (see profile) , Thomas Irvine
- Date:
- 2019
- Group(s):
- Cultural Studies, History, Music and Sound
- Subject(s):
- Music, History, Musicology, Transnationalism, Historiography, Nationalism, Germany, Area studies, Motion pictures, Europe
- Item Type:
- Book chapter
- Tag(s):
- Theatre Studies, Music history, Transnational history, German studies, Film, Queer studies, European history
- Permanent URL:
- http://dx.doi.org/10.17613/39a6-k802
- Abstract:
- This co-authored piece introduces our co-edited volume 'Dreams of Germany'. It explores how, where and by whom notions of 'musical Germanness' have been constituted in the modern era, and to what effect. Picking up on ideas first explored systematically by Celia Applegate and Pamela Potter in their 2002 collection 'Music and German National Identity' it asks afresh after the relationship between 'Germanness' and music, addressing how that nexus might usefully be analysed in the present.
- Metadata:
- xml
- Published as:
- Book chapter
- Status:
- Published
- Last Updated:
- 3 years ago
- License:
- All Rights Reserved
gregordreams_intro.pdf