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How the Aleph-Bet Got Its Shape
- Author(s):
- Glen M Golub (see profile)
- Date:
- 2010
- Group(s):
- Biblical Studies, History of Art, Narrative theory and Narratology, Religious Studies
- Subject(s):
- Archaeology and religion, Bible, Antiquities, Typology (Linguistics), Anthropological linguistics
- Item Type:
- Course material or learning objects
- Tag(s):
- Alphabetic Writing, Evolution of Writing, Evolution of the Alphabet, Semitic languages, Archaeology of religions, Biblical archaeology, Linguistic typology, Linguistic anthropology
- Permanent URL:
- http://dx.doi.org/10.17613/9dbz-g744
- Abstract:
- This thesis follows my earlier work on Aurignacian rock art by drawing a clear line between cave painting in the south of France and the holiest Hebrew script Ktav Ivrit or STA"M. This is an in depth study detailing relationships between Language, Mysticism and Kabbalah, as well as Religious Dogma that answers the question, "Why do all religions and languages seem to rhyme ?" Presented in a Carlo Ginzburg Evidentiary Paradigm.
- Metadata:
- xml
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- All Rights Reserved
aleph-bet-final.pdf