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Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
- Author(s):
- Frank P. Tomasulo, Ph.D. (see profile)
- Date:
- 1986
- Group(s):
- Film Studies
- Subject(s):
- Motion pictures, Motion pictures--Philosophy, California--Los Angeles--Hollywood, History, Twentieth century
- Item Type:
- Article
- Tag(s):
- american cinema, CITIZEN KANE, orson welles, Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film
- Permanent URL:
- http://dx.doi.org/10.17613/pvh9-jx08
- Abstract:
- This article examines the theoretical aspects of point of view and narrative voice in CITIZEN KANE's Thatcher Sequence, with an eye to untangling the thorny aspects of subjectivity in that reticular film. In addition, there are larger implications that pertain to ALL narrative cinema in terms of who or what generates film images and sounds.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- All Rights Reserved
citizen-kane-wide-angle.pdf