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  • Getting Noticed

    Author(s):
    Patrick McEvoy-Halston (see profile)
    Date:
    2005
    Group(s):
    CLCS Romantic and 19th-Century, LLC Victorian and Early-20th-Century English, TC Psychology, Psychoanalysis, and Literature
    Subject(s):
    British literature, Nineteenth century, English poetry
    Item Type:
    Essay
    Tag(s):
    matthew arnold, robert browning, edward fitzgerald, 19th-century British literature, Victorian poetry
    Permanent URL:
    http://dx.doi.org/10.17613/2rag-5d17
    Abstract:
    Explores select works of Matthew Arnold, as well as Robert Browning’s “Caliban Upon Setebos” and Edward Fitzgerald’s “Rubáiyát of Omar Khayyám,” for evidence that societal growth during the late 19th-century was done not entirely in hopes of leaving previous authorities behind, of accepting and dealing with felt feelings of being abandoned for their focus on their own selves rather than parental ways; there was evidence of regression, clinging back. Poetry, I am suggesting in this short paper, began to manifest the parental imago in a manner that would either flatter their preferred self-image/conception and thereby be to their liking (with Arnold), or that would presumably draw back their presumably withdrawn attention and interest through newly aroused ire, placing the poet back into a mere bratty kid rather than introducer of the new (Browning, Fitzgerald).
    Notes:
    Undergraduate paper.
    Metadata:
    xml
    Status:
    Published
    Last Updated:
    4 years ago
    License:
    Attribution-NonCommercial

    Downloads

    Item Name: pdf getting-noticed.pdf
      Download View in browser
    Activity: Downloads: 56

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