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Reading Redaction: Symptomatic Metadata, Erasure Poetry, and Mark Blacklock’s I’m Jack
- Author(s):
- Martin Paul Eve (see profile)
- Date:
- 2019
- Group(s):
- LLC 20th- and 21st-Century English and Anglophone, TM Book History, Print Cultures, Lexicography, TM Literary and Cultural Theory
- Subject(s):
- Mass media--Study and teaching
- Item Type:
- Article
- Tag(s):
- Literary criticism, Media studies
- Permanent URL:
- http://dx.doi.org/10.17613/kn8q-na23
- Abstract:
- In this article, through a reading of Mark Blacklock’s 2015 novel, I’m Jack, alongside the history of erasure poetry, I suggest that an apt literary-critical metaphor for reading redaction in contemporary literature comes from the term “metadata.” This article schematizes the ways in which redaction can work in literary contexts and points to the modalities through which supposedly blank surfaces are, in fact, textured depths that can be read.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 5 years ago
- License:
- Attribution
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