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  • Musical Mimesis in Orphans of the Storm

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society, MS Screen Arts and Culture
    Subject(s):
    Musicology, Motion pictures, Twentieth century, Culture--Study and teaching, United States, Motion picture music, Music theory
    Item Type:
    Article
    Tag(s):
    20th-century film, American cultural studies, Film music, Film
    Permanent URL:
    http://dx.doi.org/10.17613/M6HT2GB22
    Abstract:
    In this essay I explore the use of musical mimesis in the score for D. W. Griffith’s 1921 film Orphans of the Storm. I demonstrate that the score, created by Louis F. Gottschalk and William Frederick Peters, offers coherence through the use of central themes and the employment of several characteristic leitmotivs; provides recognizable musical characterizations of emotions and physical phenomena, establishing a consistent mimetic aspect to the music; and reflects the structure of the film as a whole.
    Metadata:
    xml
    Published as:
    Journal article     Show details
    Publisher:
    Society for Music Theory
    Pub. Date:
    June 2018
    Journal:
    Music Theory Online
    Volume:
    24
    Issue:
    2
    Page Range:
    na - na
    ISSN:
    na
    Status:
    Published
    Last Updated:
    5 years ago
    License:
    Attribution-NonCommercial-ShareAlike

    Downloads

    Item Name: pdf leonard_mto_orphans.pdf
      Download View in browser
    Activity: Downloads: 174

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