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  • Some Transformational Representations on Elliott Carter’s Tempi Counterpoint

    Author(s):
    Erik Baqueiro-Victorín (see profile)
    Date:
    2018
    Subject(s):
    Musical analysis, Music theory, Time--Philosophy, Composition (Music)
    Item Type:
    Conference paper
    Conf. Title:
    Sixth International Conference on Mathematics and Computation in Music
    Conf. Org.:
    Society for Mathematics and Computation in Music (SMCM), Universidad Nacional Autónoma de México (UNAM).
    Conf. Loc.:
    Mexico City, Mexico.
    Conf. Date:
    26-29 June, 2017
    Tag(s):
    Elliott Carter, Transformational theory, Transformational networks, Music analysis, Theories of time and temporality, Music composition
    Permanent URL:
    http://dx.doi.org/10.17613/M6HW0R
    Abstract:
    The aim of this paper is to formally analyze some passages from Elliott Carter’s repertoire of the end of the twentieth century, with special focus on time domain through a transformational approach. About the first movement of Tempo e Tempi (1999) for soprano, violin, English horn and bass clarinet, is presented a graphical representation of the tempi counterpoint on the beginning of the piece. Second, we built a tempi modulation network of the first of the Two Diversions (1999) for piano solo, which evinces some temporal relationships at general level. Finally, we present an analysis of the final passage of Shard (1997) for guitar solo, a fragment that constantly displaces our perception of the hypothetical time-point of reference.
    Metadata:
    xml
    Status:
    Published
    Last Updated:
    5 years ago
    License:
    Attribution-NonCommercial-ShareAlike

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    Item Name: pdf baqueiro-poster-mcm2017.pdf
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    Activity: Downloads: 189

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