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Materiality and Montage: Film Studies, Digital Humanities and the Visualization of Moving Images
- Author(s):
- Adelheid Heftberger (see profile)
- Date:
- 2019
- Subject(s):
- Digital humanities
- Item Type:
- Article
- Tag(s):
- Russian and Soviet Studies, visualization, Film studies
- Permanent URL:
- http://dx.doi.org/10.17613/M6BG4K
- Abstract:
- In this paper, I will highlight some recent initiatives in the study of film within the digital humanities, in which context I will also present some of my own endeavors, specifically visualizations created in collaboration with the pioneering new media theorist Lev Manovich from films made by the Soviet avant-garde director Dziga Vertov (1896-1954). Following this, I will discuss some of the issues related to the use of visualizations as an aid to scholarly research. Finally, I will address a number of possible research questions in film and media studies, answers to which may benefit significantly from the collaboration between film/media scholars and computer scientists on the one hand, and (moving image) archivists on the other.
- Metadata:
- xml
- Published as:
- Online publication Show details
- Pub. URL:
- http://doi.org/10.5281/zenodo.1161531
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- Attribution-NonCommercial-NoDerivatives
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Materiality and Montage: Film Studies, Digital Humanities and the Visualization of Moving Images