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  • The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images

    Author(s):
    James Elkins (see profile)
    Date:
    2017
    Group(s):
    Philosophy, TC Philosophy and Literature, TC Translation Studies, Theory and Modernism, TM Literary and Cultural Theory
    Subject(s):
    Art, History, French literature
    Item Type:
    Article
    Tag(s):
    affect theory, Expressionism, Gilles Deleuze, painting, sensation, Art history, Literary criticism, Literary theory, Visual studies
    Permanent URL:
    http://dx.doi.org/10.17613/M6WG01
    Abstract:
    Very short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement provides a visual version of the argument proposed in the text.) Krauss does this in "The Optical Unconscious," but there are few other examples of this way of letting images argue.
    Metadata:
    xml
    Published as:
    Book chapter     Show details
    Publisher:
    Leuven University Press
    Pub. Date:
    2017
    Book Title:
    Art History after Deleuze and Guattari
    Author/Editor:
    Sjoerd van Tuinen and Stephen Zepke, editors
    Page Range:
    61 - 67
    ISBN:
    978 94 6270 115 1
    Status:
    Published
    Last Updated:
    6 years ago
    License:
    Attribution

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