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• Virtual Space, Voice, and Gender in Recorded Popular Music from 2008–2018

  Author(s):

  Michèle Duguay (see profile)

  Date:

  2020

  Group(s):

  DH2020

  Subject(s):

  Music, Popular music, Sound--Recording and reproducing--Digital techniques, Sound--Study and teaching

  Item Type:

  Video

  Tag(s):

  Popular music, popular music and gender, Gender, Popular Music Studies, Sound recording technologies, Sound studies

  Search term matches:

  Tag

  ... popular music and gender ...

  
  

• Review of Phillip Auslander's

  Author(s):

  Nikolaos Vourdoulas (see profile)

  Date:

  2014

  Subject(s):

  Performance art--Study and teaching, Popular music

  Item Type:

  Book review

  Tag(s):

  glam rock, Philip Auslander, popular music and gender, popular music and performance, Performance studies, Popular Music Studies

  Search term matches:

  Tag

  ... popular music and gender ...

  
  

• Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé

  Author(s):

  Russell Millard (see profile)

  Date:

  2018

  Group(s):

  Music and Sound

  Subject(s):

  Ballet, Music, France, Musical analysis, Musicology, Narration (Rhetoric), Literature--Theory, etc.

  Item Type:

  Thesis

  Tag(s):

  Daphnis & Chloe, Maurice Ravel, Musical narrative, Music and gender, Schenkerian analysis, French music, Music analysis, Narrative theory

  Search term matches:

  Tag

  ... music and gender ...

  
  

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