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HASTAC Deposits
Virtual Space, Voice, and Gender in Recorded Popular Music from 2008–2018
Author(s):
Michèle Duguay
(see profile)
Date:
2020
Group(s):
DH2020
Subject(s):
Music
,
Popular music
,
Sound--Recording and reproducing--Digital techniques
,
Sound--Study and teaching
Item Type:
Video
Tag(s):
Popular music
,
popular music and gender
,
Gender
,
Popular Music Studies
,
Sound recording technologies
,
Sound studies
Search term matches:
Tag
... popular
music
and
gender
...
Review of Phillip Auslander's
Author(s):
Nikolaos Vourdoulas
(see profile)
Date:
2014
Subject(s):
Performance art--Study and teaching
,
Popular music
Item Type:
Book review
Tag(s):
glam rock
,
Philip Auslander
,
popular music and gender
,
popular music and performance
,
Performance studies
,
Popular Music Studies
Search term matches:
Tag
... popular
music
and
gender
...
Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé
Author(s):
Russell Millard
(see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Ballet
,
Music
,
France
,
Musical analysis
,
Musicology
,
Narration (Rhetoric)
,
Literature--Theory, etc.
Item Type:
Thesis
Tag(s):
Daphnis & Chloe
,
Maurice Ravel
,
Musical narrative
,
Music and gender
,
Schenkerian analysis
,
French music
,
Music analysis
,
Narrative theory
Search term matches:
Tag
...
music
and
gender
...
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