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How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy
Author(s):
Douglas Shadle
(see profile)
Date:
2014
Group(s):
American Musicological Society
Subject(s):
Music
,
United States
,
Nineteenth century
,
Slavery
,
Musicology
,
Printing--Social aspects
Item Type:
Article
Tag(s):
Eduard Hanslick
,
Music Aesthetics
,
Richard Storrs Willis
,
Santa Claus
,
William Henry Fry
,
19th-century American music
,
19th-century music
,
Abolition
,
Print culture
Search term matches:
Tag
... eduard
hanslick
...
Full Text
... and Eduard
Hanslick
(1825–1904) of Vienna. Wagner and Liszt, like Fry, argued in favor of new musical forms ...
On the Musically Beautiful and "Absolute Music"
Author(s):
SANNA PEDERSON
(see profile)
Date:
2018
Subject(s):
Music
,
History
,
Aesthetics
,
Musical criticism
Item Type:
Conference paper
Tag(s):
Hanslick
,
absolute music
,
Dvorak
,
Bruckner
,
Music history
,
Music criticism
Search term matches:
Tag
...
hanslick
...
Full Text
... There is no doubt that Eduard
Hanslick
´s Vom Musikalisch-Schönen of 1854 made a big impact on the world of musical ...
Absolute Music
Author(s):
SANNA PEDERSON
(see profile)
Date:
2016
Subject(s):
Aesthetics
,
Romanticism
,
Germany
,
Romanticism in music
Item Type:
Book chapter
Tag(s):
Eduard Hanslick
,
Ludwig van Beethoven
,
Nietzsche
,
German Romanticism
,
Musical romanticism
Search term matches:
Tag
... eduard
hanslick
...
Full Text
... in Beethoven's music to Wagner's artwork (i.e., opera) of the future.
Hanslick
The _mos~ resp:c~ed music ...
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