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Register and Cadence Gesture (2): Gershwin’s “Embraceable You”
Author(s):
David Neumeyer
(see profile)
Date:
2021
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Jazz Interest Group
Subject(s):
Music theory
,
Jazz--Instruction and study
Item Type:
Article
Tag(s):
Jazz studies
Rehearing “The Negro Speaks of Rivers” in an Era of Global Decolonization: ASK YOUR MAMA’s Jazz Poetics
Author(s):
Scott Challener
(see profile)
Date:
2021
Group(s):
2021 MLA Convention
,
LLC 20th- and 21st-Century American
Subject(s):
American poetry
,
Twentieth century
,
Sound--Study and teaching
,
Decolonization
,
Jazz--Instruction and study
Item Type:
Conference paper
Tag(s):
Langston Hughes
,
Black poetry
,
diasporic poetry
,
20th-century American poetry
,
Sound studies
,
Jazz studies
,
Black diaspora
Qwest TV by Quincy Jones
Author(s):
Christine Edwards
(see profile)
Date:
2020
Subject(s):
Jazz--Instruction and study
,
Music libraries
,
World music
Item Type:
Article
Tag(s):
Jazz studies
Croonette: An Elsie Carlisle Discography
Author(s):
Alexander Kozak
(see profile)
Date:
2020
Subject(s):
Music
,
Twentieth century
,
Great Britain
,
Jazz--Instruction and study
Item Type:
Book
Tag(s):
Discographies
,
Elsie Carlisle
,
20th-century music
,
British music
,
Jazz studies
Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965
Author(s):
Garrett Michaelsen
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz--Instruction and study
,
Music theory
Item Type:
Article
Tag(s):
Improvisation
,
miles davis
,
Musical interaction
,
Jazz studies
Review: 'The History of European Jazz: The Music, Musicians and Audience in Context' ed. by Francesco Martinelli
Author(s):
Lawrence Davies
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Ethnomusicology
,
Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Music
,
Jazz
,
Jazz--Instruction and study
,
Transnationalism
,
Historiography
,
Europe
,
History
Item Type:
Book review
Tag(s):
european jazz
,
jazz history
,
Jazz studies
,
Transnational history
,
European history
One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams
Author(s):
Marc Edward Hannaford
(see profile)
Date:
2019
Group(s):
Society for Music Theory
,
Society for Music Theory – Jazz Interest Group
Subject(s):
Race relations--Study and teaching
,
Ethnology--Study and teaching
,
Critical theory
,
Cognition
,
Jazz--Instruction and study
,
Musical analysis
,
Music theory
Item Type:
Dissertation
Tag(s):
AACM
,
Analysis
,
experimental music
,
Improvisation
,
Critical race and ethnic studies
,
Embodied cognition
,
Jazz studies
,
Music analysis
Implicit Learning As A Means Of Tonal Jazz Pitch-Listening Skills Acquisition
Author(s):
David Mosher
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz--Instruction and study
,
Music
,
Cognition
,
Music theory
,
Teaching
Item Type:
Dissertation
Tag(s):
jazz aural skills
,
jazz ear-training
,
music cognition and perception
,
music theory pedagogy
,
statistical learning
,
Jazz studies
,
Music cognition
,
Pedagogy
Restless Itineraries
Author(s):
Louise Bethlehem
(see profile)
Date:
2018
Group(s):
CLCS Global Anglophone
,
CLCS Global South
,
Interdisciplinary Approaches to Culture and Society
,
LLC African to 1990
,
TC Postcolonial Studies
Subject(s):
South African literature
,
Decolonization
,
Jazz--Instruction and study
,
Blacks--Study and teaching
,
Atlantic Ocean Region
Item Type:
Article
Tag(s):
Miriam Makeba
,
Ahmed Sekou Toure
,
Jazz studies
,
Black Atlantic studies
Brilliant Corners: Approaches to Jazz and Comics
Author(s):
N Pillai
,
Ernesto Priego
(see profile)
Date:
2016
Group(s):
Comics Scholarship/Comics Studies
Subject(s):
Comic books, strips, etc.
,
Graphic novels
,
Jazz
,
Jazz--Instruction and study
Item Type:
Article
Tag(s):
comics studies
,
Jazz
,
music
,
The Comics Grid
,
Comics
,
Jazz studies
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