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• Review: Crisis Style: The Aesthetics of Repair

  Author(s):

  Barbara Ann Opar

  Editor(s):

  Megan Macken (see profile) , Terrie Wilson

  Date:

  2022

  Group(s):

  ARLIS/NA Reviews Editors

  Subject(s):

  Aesthetics, Art and philosophy, Art, Modern

  Item Type:

  Book review

  Tag(s):

  Philosophy and the arts, Modern art

  
  

• Review: Thought Experiments: The Art of Jonathan Keats

  Author(s):

  Greta Suiter

  Editor(s):

  Megan Macken (see profile) , Terrie Wilson

  Date:

  2021

  Group(s):

  ARLIS/NA Reviews Editors

  Subject(s):

  Art, Modern, Twenty-first century, Art and philosophy

  Item Type:

  Book review

  Tag(s):

  Contemporary art, Environmental art, Art theory, Philosophy and the arts

  
  

• The Playful Thought Experiments of Louis CK

  Author(s):

  Chris A. Kramer (see profile)

  Date:

  2016

  Group(s):

  Analytic Philosophy, Feminist Humanities, Film-Philosophy, Philosophy, Public Philosophy Journal

  Subject(s):

  Art and philosophy, Literature--Philosophy, Philosophy, Wit and humor, Education

  Item Type:

  Book chapter

  Tag(s):

  Humor, Philosophy and Film, Comedy, Philosophy and the arts, Philosophy and literature, Humor studies

  
  

• The Future Historiography of AI Art

  Author(s):

  Alvin Alagao (see profile)

  Date:

  2021

  Group(s):

  Artificial Intelligence, Cultural Studies, History of Art, Networked Art, Philosophy

  Subject(s):

  Art, History, Artificial intelligence, Consciousness, Ethics, Art--Historiography, Art and philosophy

  Item Type:

  Essay

  Tag(s):

  philippine art, philosophy of art, philosophy of artificial intelligence, Art history, Art theory, Historiography of art, Philosophy and the arts

  
  

• « Anthropologie et politique chez Richard Wagner. Un “faire-communauté” de la musique »

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2021

  Subject(s):

  Music theory, Art and philosophy

  Item Type:

  Article

  Tag(s):

  Richard Wagner, Gesamtkunstwerk, Philosophy and the arts

  
  

• Formalisme et ritualité chez Boulez et Stockhausen

  Author(s):

  Lambert Dousson (see profile)

  Date:

  2013

  Subject(s):

  Popular music, Aesthetics, Art and philosophy, Structuralism, Barthes, Roland

  Item Type:

  Article

  Tag(s):

  Pierre Boulez, Karlheinz Stockhausen, Claude Lévi-Strauss, Contemporary music, Philosophy and the arts, Formalism, Roland Barthes

  
  

• On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2021

  Group(s):

  Film-Philosophy, Film Studies, Philosophy

  Subject(s):

  Art and philosophy

  Item Type:

  Conference paper

  Tag(s):

  Film studies, Philosophy and the arts

  
  

• Philosophical Monographs Vol. 1

  Author(s):

  Allan Savage (see profile)

  Date:

  2020

  Group(s):

  Philosophy of Religion

  Subject(s):

  Art and philosophy

  Item Type:

  Book

  Tag(s):

  PHI000000 (PHILOSOPHY / General), Philosophy and the arts

  
  

• Notes on Queer: Contemplations on Susan Sontag's Notes on "Camp" in relation to queer representation at the 2019 Met Gala

  Author(s):

  María Paloma Velázquez (see profile)

  Date:

  2020

  Subject(s):

  Fashion, Gay and lesbian studies, Queer theory, Art and philosophy

  Item Type:

  Essay

  Tag(s):

  Fashion theory, LGBTQ Studies, Philosophy and the arts, Social critique

  
  

• Shooting Stars: A study on the (non)human nature of astronomical photography in relation to Joanna Zylinska's The Creative Power of Nonhuman Photography

  Author(s):

  María Paloma Velázquez (see profile)

  Date:

  2020

  Subject(s):

  Cosmology, Posthumanism, Critical theory, Ecology, Art and philosophy, Photography

  Item Type:

  Essay

  Tag(s):

  Critical posthumanism, Philosophy and the arts

  
  

• Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

  Author(s):

  John Covach (see profile)

  Date:

  1991

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music, History, Musicology, Music theory, Art and philosophy

  Item Type:

  Book review

  Tag(s):

  Music history, Philosophy and the arts

  
  

• Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

  Author(s):

  John Covach (see profile)

  Date:

  1995

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Aesthetics, Music, History, Musicology, Music theory, Art and philosophy

  Item Type:

  Book review

  Tag(s):

  Music history, Philosophy and the arts

  
  

• Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

  Author(s):

  John Covach (see profile)

  Date:

  1996

  Group(s):

  American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Musical analysis, Musicology, Music theory, Art and philosophy

  Item Type:

  Book review

  Tag(s):

  Music analysis, Philosophy and the arts

  
  

• “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.

  Author(s):

  John Covach (see profile)

  Date:

  1992

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music, History, Musicology, Music theory, Art and philosophy

  Item Type:

  Article

  Tag(s):

  Music history, Philosophy and the arts

  
  

• “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.

  Author(s):

  John Covach (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory (SMT)

  Subject(s):

  Aesthetics, Music, History, Musicology, Music theory, Art and philosophy

  Item Type:

  Article

  Tag(s):

  Music history, Philosophy and the arts

  
  

• Public Programming, Social Movements and Solidarity

  Author(s):

  Janna Graham, Valeria Graziano (see profile) , Susan Kelly

  Date:

  2017

  Group(s):

  Cultural Studies, Education and Pedagogy, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Curatorship, Museums--Study and teaching, Art and philosophy, Arts--Study and teaching, Speeches, addresses, etc.

  Item Type:

  Abstract

  Tag(s):

  public programming, Public Sphere, gallery education, contemporary culture, Curatorial studies, Museum education, Philosophy and the arts, Art theory, Arts education, Discourse

  
  

• Public Programming? Pedagogical Practices in a Missing Europe

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2016

  Group(s):

  Cultural Studies, Education and Pedagogy, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Art--Study and teaching, Art and philosophy, Curatorship, Critical pedagogy

  Item Type:

  Abstract

  Tag(s):

  post-representational, Art education, Art theory, Philosophy and the arts, Curating, Public culture

  
  

• “Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics.”

  Author(s):

  Ryan Dohoney (see profile)

  Date:

  2019

  Subject(s):

  Dance, Musicology, Art and philosophy

  Item Type:

  Article

  Tag(s):

  Modernism, Philosophy and the arts

  
  

• What is Aesthetic Engagement?

  Author(s):

  Arnold Berleant (see profile)

  Date:

  2015

  Subject(s):

  Aesthetics, Aesthetics--Philosophy, Art and philosophy

  Item Type:

  Article

  Tag(s):

  aesthetic disinterestedness, aesthetic engagement, the arts, aesthetic experience, Aesthetic theory, Philosophy and the arts, Criticism of the arts

  
  

• Surrogate Theories of Art

  Author(s):

  Arnold Berleant (see profile)

  Date:

  1969

  Subject(s):

  Art, Art and philosophy, Aesthetics--Philosophy, Aesthetics

  Item Type:

  Article

  Tag(s):

  aesthetic experience, critique of art, Art theory, Philosophy and the arts, Aesthetic theory

  
  

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