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  • HASTAC Deposits
  • Flush (2020)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2020
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    tradigital animation, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation

  • Self-portrait (2018)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2018
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    narrative film, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • "The Changing World of Satyajit Ray: Reflections on Anthropology and History"

    Editor(s):
    Jyotirmaya Patnaik (see profile)
    Date:
    2020
    Group(s):
    Communication Studies, Cultural Studies, Film-Philosophy, Film Studies, Television Studies
    Subject(s):
    Motion pictures and history, Motion pictures and literature, Motion pictures, Indic, Motion pictures, Art, American
    Item Type:
    Article
    Tag(s):
    : Apu’s Eye, Shakti, prem, disenchantment, world society, Film and history, Literature and film, Indian cinema, Indian culture, Film arts

  • After hours (2019): shooting script

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Motion pictures, Art, American, Motion pictures--Production and direction, Motion picture authorship, Art, Creative writing
    Item Type:
    Other
    Tag(s):
    script, screenplay, Film, Film arts, Filmmaking, Cinema, Film production, Screenwriting

  • Bukid (2019)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    stop-motion, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation

  • After hours (2019)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    film directing, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • To my beloved (2019)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Cinematography, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Documentary

  • Singaw (2019)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    film directing, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • Tapon (2018)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2018
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Cinematography, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • Seek (2018)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2018
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship, Cinematography, Horror
    Item Type:
    Visual art
    Tag(s):
    Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • Flush (2020): an animation production thesis

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2020
    Subject(s):
    Motion pictures, Art, American, Motion pictures--Production and direction, Motion picture authorship, Communism, Socialism
    Item Type:
    Thesis
    Tag(s):
    abjection, Animation, capitalism, class struggle, film, Film arts, Filmmaking, labor, Marxism, scatology

  • The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Italian, Motion pictures, Motion pictures--Social aspects, Art, American, Foreign films, Social classes
    Item Type:
    Article
    Tag(s):
    Michelangelo Antonioni, L'AVVENTURA, bourgeoise, Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  • Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2007
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, Japan, Foreign films
    Item Type:
    Article
    Tag(s):
    Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema, Film, Film arts, Cinema, world cinema

  • IDENTIFICATION OF A WOMAN

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2012
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Italian, Motion pictures, Art, American, Foreign films
    Item Type:
    Review
    Tag(s):
    Michelangelo Antonioni, Italian film, Italian cinema, Film, Film arts, Cinema, world cinema

  • "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2006
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, History, Intertextuality
    Item Type:
    Book chapter
    Tag(s):
    Alfred Hitchcock, film modernism, Michelangelo Antonioni

  • EROS and Civilization: Sexuality and the Contemporary International Art Cinema

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2008
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, Sex, Foreign films
    Item Type:
    Article
    Tag(s):
    Transnational film, Film, Film arts, Sexuality, Cinema, world cinema

  • EL TOPO and the Midnight Movie Craze

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Surrealism, Motion pictures, Art, American, Foreign films
    Item Type:
    Article
    Tag(s):
    Alejandro Jodorowsky, Surrealist Cinema, EL TOPO, Film arts, Cinema, world cinema

  • The Sounds of Silence: Minimalist Acting in BLOW-UP

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, History, Acting
    Item Type:
    Book chapter
    Tag(s):
    performamnce, film acting, film directing, minimalism, Film arts, Film history, Cinema history, Cinema, Modernism

  • ADAPTATION as Adaptation

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, Film criticism, Twentieth century, Motion picture authorship
    Item Type:
    Book chapter
    Tag(s):
    american cinema, film adaptation, Film, Film arts, Cinema, Adaptation, 20th-century film, Screenwriting

  • Los contornos del miedo. La huella del arte pictórico en el giallo italiano

    Author(s):
    Antonio Loriguillo-López (see profile) , Agustín Rubio Alcover
    Date:
    2018
    Subject(s):
    Motion pictures, Art, American, Motion pictures, Italian, Painting
    Item Type:
    Article
    Tag(s):
    Film arts, Film studies, Italian cinema

  • Šestaja čast' kadra

    Author(s):
    Adelheid Heftberger (see profile)
    Date:
    2019
    Group(s):
    Archives, Film Studies, Soviet and Russian history and culture
    Subject(s):
    Motion pictures, History, Material culture--Conservation and restoration, Art, American, Archival materials, Archives
    Item Type:
    Article
    Tag(s):
    russian film, restoration, Film history, Restoration culture, Film arts

  • Вещь в немом кино / Vešč’ v nemom kino. Bauėr, Kulešov i Barnet [The Thing in Silent Cinema. Bauer, Kuleshov, Barnet]

    Author(s):
    Natascha Drubek (see profile)
    Date:
    2012
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American
    Item Type:
    Book chapter
    Tag(s):
    Film studies, glass, Russian and Soviet Studies, Gesture, Thing, Film arts, Russia

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