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  • Music All Up and Down the Street: Listening to Childhood in James Baldwin's Little Man, Little Man

    Author(s):
    Kyle DeCoste (see profile)
    Date:
    2019
    Subject(s):
    Affect (Psychology), African Americans--Music, Popular music, American literature--African American authors, Blacks--Study and teaching
    Item Type:
    Article
    Tag(s):
    affect theory, childhood, innocence, James Baldwin, Popular music, Affect, African-American popular music, African American literature, Black studies, Popular Music Studies

  • Street Queens: New Orleans Brass Bands and the Problem of Intersectionality

    Author(s):
    Kyle DeCoste (see profile)
    Date:
    2017
    Subject(s):
    African Americans--Music, Popular music, Women's studies, Blacks--Study and teaching, Feminist theory, Ethnomusicology, Intersectionality (Sociology), Jazz
    Item Type:
    Article
    Tag(s):
    New Orleans, Popular music, African-American popular music, Black feminist theory, Intersectionality, Popular Music Studies

  • "Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."

    Author(s):
    Mark Spicer (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    African Americans--Music, Popular music, Music theory
    Item Type:
    Article
    Tag(s):
    African-American popular music, Popular Music Studies

  • STOMPING THE UNDEAD: A BLUES THEORY OF ZOMBIE CULTURE

    Author(s):
    Adam Golub
    Editor(s):
    Kreg Abshire (see profile)
    Date:
    2017
    Subject(s):
    African Americans--Music, Popular music, Culture--Study and teaching, United States, Horror, Zombie films
    Item Type:
    Article
    Tag(s):
    blues, zombies, African-American popular music, American cultural studies

  • Beyond Beyoncé: Intersections of Race, Gender, and Sexuality in Contemporary American Hip-Hop ca. 2010-2016

    Author(s):
    Lauron Kehrer (see profile)
    Date:
    2017
    Subject(s):
    African Americans--Music, Popular music, Hip-hop, Gay and lesbian studies, Queer theory
    Item Type:
    Dissertation
    Tag(s):
    African-American popular music, Gender and sexualities, Hip Hop, LGBTQ Studies, Popular Music Studies

  • “Havana Reads the Harlem Renaissance: Langston Hughes, Nicolás Guillén, and the Dialectics of Transnational American Literature”

    Author(s):
    John Patrick Leary (see profile)
    Date:
    2010
    Subject(s):
    African Americans--Music, Popular music, American literature--African American authors, Latin American literature
    Item Type:
    Article
    Tag(s):
    African-American popular music, African American literature

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