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Music All Up and Down the Street: Listening to Childhood in James Baldwin's Little Man, Little Man
Author(s):
Kyle DeCoste
(see profile)
Date:
2019
Subject(s):
Affect (Psychology)
,
African Americans--Music
,
Popular music
,
American literature--African American authors
,
Blacks--Study and teaching
Item Type:
Article
Tag(s):
affect theory
,
childhood
,
innocence
,
James Baldwin
,
Popular music
,
Affect
,
African-American popular music
,
African American literature
,
Black studies
,
Popular Music Studies
Street Queens: New Orleans Brass Bands and the Problem of Intersectionality
Author(s):
Kyle DeCoste
(see profile)
Date:
2017
Subject(s):
African Americans--Music
,
Popular music
,
Women's studies
,
Blacks--Study and teaching
,
Feminist theory
,
Ethnomusicology
,
Intersectionality (Sociology)
,
Jazz
Item Type:
Article
Tag(s):
New Orleans
,
Popular music
,
African-American popular music
,
Black feminist theory
,
Intersectionality
,
Popular Music Studies
"Fragile, Emergent, and Absent Tonics in Pop and Rock Songs."
Author(s):
Mark Spicer
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
African Americans--Music
,
Popular music
,
Music theory
Item Type:
Article
Tag(s):
African-American popular music
,
Popular Music Studies
STOMPING THE UNDEAD: A BLUES THEORY OF ZOMBIE CULTURE
Author(s):
Adam Golub
Editor(s):
Kreg Abshire
(see profile)
Date:
2017
Subject(s):
African Americans--Music
,
Popular music
,
Culture--Study and teaching
,
United States
,
Horror
,
Zombie films
Item Type:
Article
Tag(s):
blues
,
zombies
,
African-American popular music
,
American cultural studies
Beyond Beyoncé: Intersections of Race, Gender, and Sexuality in Contemporary American Hip-Hop ca. 2010-2016
Author(s):
Lauron Kehrer
(see profile)
Date:
2017
Subject(s):
African Americans--Music
,
Popular music
,
Hip-hop
,
Gay and lesbian studies
,
Queer theory
Item Type:
Dissertation
Tag(s):
African-American popular music
,
Gender and sexualities
,
Hip Hop
,
LGBTQ Studies
,
Popular Music Studies
“Havana Reads the Harlem Renaissance: Langston Hughes, Nicolás Guillén, and the Dialectics of Transnational American Literature”
Author(s):
John Patrick Leary
(see profile)
Date:
2010
Subject(s):
African Americans--Music
,
Popular music
,
American literature--African American authors
,
Latin American literature
Item Type:
Article
Tag(s):
African-American popular music
,
African American literature
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