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• La Real Capilla de Madrid durante el magisterio del compositor italiano Francisco Corselli (1705-1778) [The Madrid Royal Chapel at the time of Italian composer Francesco Corselli (1705-1778)]

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2021

  Group(s):

  Arts and Humanities Funding, Digital Humanists, International Musicological Society (IMS), Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group

  Subject(s):

  Musicology, History, Chapels, Sacred music, Dramatic music

  Item Type:

  Book chapter

  Tag(s):

  music, history, opera, religion

  
  

• A Novena para a festa de S. Joseph de Pedro Vaz Rego: A sua integração na Catedral de Évora na primeira metade do século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2021

  Group(s):

  Historical Soundscape Studies, Music in Évora studies

  Subject(s):

  Music, Musicology, Sacred music, Soundscapes (Music), Music--Baroque influences

  Item Type:

  Book chapter

  Tag(s):

  Novena, Pedro Vaz Rego, Évora Cathedral, Historical Soundscape

  
  

• Neue Ursprungsthese zur Melodie des Quirinusliedes Neuss

  Author(s):

  Bruno Buike (see profile)

  Date:

  2022

  Subject(s):

  Musicology, History, Sacred music

  Item Type:

  Essay

  Tag(s):

  Gregorian chanting, First Protestant Prayerbook, Neuss/Germany, St.Quirinus

  
  

• Preparing the Way: From the Desert of Judea to the French Forests

  Author(s):

  Samuel Robles (see profile)

  Date:

  2001

  Subject(s):

  Middle Ages, Sacred music, Counterpoint, Motets, Roman de Fauvel

  Item Type:

  Article

  Tag(s):

  Codex Montpelliler, Florence Manuscript, IOHANNE tenor, Medieval Polyphony, Wolfenbuttel W1

  
  

• Comme Femme Desconfortée: A Vision of Our Lady of Sorrows as a Disconsolate Woman

  Author(s):

  Samuel Robles (see profile)

  Date:

  2005

  Subject(s):

  Binchois, Gilles, approximately 1400-1460, Polyphonic chansons, Symbolism in art, Sacred music, Josquin, des Prez, -1521

  Item Type:

  Conference paper

  Tag(s):

  Allegory and Symbolism, Music of the Middle Ages

  
  

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