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HASTAC Deposits
Review of Rethinking Theatrical Documents in Shakespeare’s England edited by T. Stern (Bloomsbury 2020) and Loss and the Literary Culture of Shakespeare’s Time edited by R. Knutson, D. McInnis, and M. Steggle (Palgrave 2020)
Author(s):
HC Admin
Date:
2021
Subject(s):
European drama--Renaissance
,
Shakespeare, William, 1564-1616
,
English drama
,
Sixteenth century
,
Seventeenth century
,
Theater
,
History
Item Type:
Book review
Tag(s):
William Shakespeare
Race Thinking in Margaret Cavendish's Drama
Author(s):
Sujata Iyengar
(see profile)
Date:
2021
Group(s):
2020 MLA Convention
,
CLCS Renaissance and Early Modern
,
LLC Shakespeare
Subject(s):
Women authors
,
Sixteenth century
,
Seventeenth century
,
European drama--Renaissance
,
Intersectionality (Sociology)
,
Arendt, Hannah, 1906-1975
,
Newcastle, Margaret Cavendish, Duchess of, 1624?-1674
Item Type:
Article
Tag(s):
Women dramatists
,
Race Thinking
,
social class
,
meritocracy
,
contaminatio
,
Early modern women writers
,
Renaissance drama
,
Intersectionality
,
Hannah Arendt
,
Margaret Cavendish
Jean de la Taille, The Famine
Translator(s):
RONALD VINCE
(see profile)
Date:
2020
Group(s):
Early Modern Theater
,
Renaissance / Early Modern Studies
Subject(s):
Theater
,
History
,
European drama--Renaissance
,
Drama
Item Type:
Translation
Tag(s):
Tragedy
,
renaissance humanism
,
Theater history
,
Renaissance drama
,
French theatre
David J. Amelang, “Comparing the Commercial Theaters of Early Modern London and Madrid” (Renaissance Quarterly 71.2, 2018), pp. 610-644
Author(s):
David Amelang
(see profile)
Date:
2018
Group(s):
Early Modern History
,
Early Modern Theater
,
Shakespeare
,
Spanish Golden Age Literature
,
The Renaissance Society of America
Subject(s):
Theater
,
History
,
England--London
,
Architecture
,
European drama--Renaissance
Item Type:
Article
Tag(s):
Theatre history
,
London
,
Architectural history
,
Renaissance drama
,
Golden Age theater
David J. Amelang, "Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare" (Bulletin of the Comediantes 71.1-2, 2019), pp. 119-134
Author(s):
David Amelang
(see profile)
Date:
2019
Group(s):
Digital Humanists
,
Early Modern Theater
,
Renaissance / Early Modern Studies
,
Shakespeare
,
Spanish Golden Age Literature
Subject(s):
Shakespeare, William, 1564-1616
,
Vega, Lope de, 1562-1635
,
Sex in literature
,
Race in literature
,
Theater
,
History
,
European drama--Renaissance
Item Type:
Article
Tag(s):
Shakespeare
,
Lope de Vega
,
Gender and race in literature
,
Theatre history
,
Renaissance drama
Jean de la Taille, Saul in his Madness (Saül le furieux)
Translator(s):
RONALD VINCE
(see profile)
Date:
2020
Group(s):
Early Modern Theater
,
Renaissance / Early Modern Studies
Subject(s):
European drama--Renaissance
Item Type:
Translation
Tag(s):
Tragedy
,
renaissance humanism
,
La Taille
,
French theatre
,
Renaissance drama
,
Dramatic theory
Sent Away from the Garden? The Pastoral Logic of Tasso, Marvell, and Haley
Author(s):
Ellen Spolsky
(see profile)
Date:
2018
Group(s):
TC Cognitive and Affect Studies
,
TM Literary Criticism
Subject(s):
Cognitive science--Philosophy
,
Literary form--Study and teaching
,
Italian literature
,
European drama--Renaissance
Item Type:
Article
Tag(s):
predictive processing hypothesis
,
Archetypes
,
andrew marvell
,
Tasso
,
Pastoral
,
Philosophy of cognitive science
,
Genre studies
,
Renaissance drama
Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre by Janet Clare
Author(s):
HC Admin
Date:
2016
Subject(s):
English literature
,
European drama--Renaissance
Item Type:
Book review
Tag(s):
William Shakespeare
The Chariot in ‘II Tamburlaine’, ‘The Wounds of Civil War’, and ‘The Reign of King Edward III’
Author(s):
HC Admin
Date:
2016
Group(s):
Early Modern Theater
Subject(s):
Theater
,
History
,
European drama--Renaissance
Item Type:
Article
A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596
Author(s):
HC Admin
Date:
2016
Subject(s):
Theater
,
History
,
European drama--Renaissance
,
Shakespeare, William, 1564-1616
Item Type:
Article
Super Troupers; or, Supplemented Playing before 1594
Author(s):
HC Admin
Date:
2017
Subject(s):
European drama--Renaissance
,
Theater
,
History
Item Type:
Article
Théodore de Bèze, Abraham Sacrificing
Translator(s):
RONALD VINCE
(see profile)
Date:
2018
Group(s):
Early Modern Theater
Subject(s):
Drama
,
Bible and literature
,
European drama--Renaissance
,
Reformation
,
French literature
,
Theater
Item Type:
Translation
Tag(s):
Dramatic literature
,
Renaissance drama
,
Dramatic genre
"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina
Author(s):
Sara Sánchez-Hernández
(see profile)
Date:
2017
Group(s):
Performance Studies
,
Renaissance / Early Modern Studies
Subject(s):
Spanish literature
,
Sixteenth century
,
European drama--Renaissance
Item Type:
Book chapter
Tag(s):
Juan del Encina
,
music and theatre
,
tan buen ganadico
,
Villancico
,
égloga en recuesta de unos amores
,
16th-century Spanish literature
,
Performance
,
Renaissance drama
"Bruised with Adversity": Reading Race in The Comedy of Errors
Author(s):
pakhimie
(see profile)
Date:
2016
Group(s):
LLC 16th-Century English
,
LLC 17th-Century English
,
LLC Shakespeare
,
TC Race and Ethnicity Studies
Subject(s):
Shakespeare, William, 1564-1616
,
Race
,
European drama--Renaissance
,
Sixteenth century
,
Seventeenth century
,
Violence
Item Type:
Book chapter
Tag(s):
Comedy of Errors
,
Bruise
,
Slave
,
servant
,
Shakespeare
,
Renaissance drama
,
Early Modern
,
Critical race studies
"To Bark With Judgement": Playing Baboon in Early Modern London
Author(s):
Holly Dugan
(see profile)
Date:
2013
Subject(s):
Animals--Study and teaching
,
Critical theory
,
Performance art--Study and teaching
,
Sixteenth century
,
Seventeenth century
,
European drama--Renaissance
,
Culture
Item Type:
Article
Tag(s):
Critical animal studies
,
Early modern performance studies
,
Renaissance drama
,
Early modern culture
,
Gender and sexualities
"Jacobean Witchcraft and Feminine Power"
Author(s):
Stephanie Spoto
(see profile)
Date:
2010
Subject(s):
British literature
,
Sixteenth century
,
Seventeenth century
,
English literature
,
English drama
,
1603-1625
,
European drama--Renaissance
,
Shakespeare, William, 1564-1616
,
Witchcraft
Item Type:
Article
Tag(s):
Macbeth
,
The Tempest
,
Early modern British literature
,
Jacobean drama
,
Renaissance drama
,
Shakespeare
Hubert’s Encounters with the Succession in Shakespeare’s King John
Author(s):
Marcia T. Eppich-Harris
(see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC 16th-Century English
,
LLC Shakespeare
,
TM The Teaching of Literature
Subject(s):
Shakespeare, William, 1564-1616
,
Theater
,
History
,
Theater--Political aspects
,
British literature
,
Sixteenth century
,
Seventeenth century
,
European drama--Renaissance
,
Drama
Item Type:
Article
Tag(s):
King John
,
Shakespeare in performance
,
Shakespeare
,
Theatre and history
,
Theatre and politics
,
Early modern British literature
,
Renaissance drama
,
Early modern drama
Writing Woodstock: The Prehistory of Richard II and Shakespeare’s Dramatic Method
Author(s):
Bradley Irish
(see profile)
Date:
2013
Group(s):
LLC 16th-Century English
,
LLC Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
,
European drama--Renaissance
Item Type:
Article
Tag(s):
Richard II
,
Source Study
,
Thomas of Woodstock
,
Shakespeare
,
Renaissance drama
Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama
Author(s):
Bradley Irish
(see profile)
Date:
2009
Group(s):
LLC 16th-Century English
,
LLC Shakespeare
Subject(s):
European drama--Renaissance
,
Revenge tragedies
,
Shakespeare, William, 1564-1616
,
English drama
,
Sixteenth century
,
Seventeenth century
Item Type:
Article
Tag(s):
revenge
,
kyd
,
Renaissance drama
,
Shakespeare and early modern drama
,
Shakespeare
“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus
Author(s):
Penelope Geng
(see profile)
Date:
2011
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
TC Law and the Humanities
,
TM Book History, Print Cultures, Lexicography
Subject(s):
European drama--Renaissance
Item Type:
Article
Tag(s):
Renaissance drama
,
Stoicism
Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock
Author(s):
Emma Smith
(see profile)
Date:
2010
Subject(s):
European drama--Renaissance
,
Drama
,
Sixteenth century
,
Seventeenth century
,
Theater and society
Item Type:
Book chapter
Tag(s):
ben jonson
,
Alfred Hitchcock
,
Renaissance drama
,
Early modern drama
,
Theatre and society
Mirth that Fills the Veins with Blood
Author(s):
Emma Smith
(see profile)
Date:
2014
Subject(s):
Theater
,
History
,
European drama--Renaissance
Item Type:
Review
Tag(s):
The Duchess of Malfi
,
The Knight of the Burning Pestle
,
Blackfriars
,
Theatre history
,
Renaissance drama
Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2017
Group(s):
Global Shakespeares
,
GS Drama and Performance
,
Interdisciplinary Approaches to Culture and Society
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Theater
,
Sixteenth century
,
Seventeenth century
,
Globalization
,
European drama--Renaissance
,
Shakespeare, William, 1564-1616
Item Type:
Article
Tag(s):
adaptation
,
Film studies
,
Global Shakespeare
,
intercultural performance
,
Shakespeare
,
Adaptation
,
Early modern theatre
,
Renaissance drama
Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of
Epicene
Author(s):
Eric Dunnum
(see profile)
Date:
2015
Group(s):
EMDC: The Early Modern Digital Collaboratory
,
Performance Studies
Subject(s):
Sixteenth century
,
Seventeenth century
,
Renaissance
,
European drama--Renaissance
Item Type:
Article
Tag(s):
ben jonson
,
early modern England
,
masque
,
Renaissance drama
,
16th century
,
17th century
,
Early Modern
Looking for Goneril and Regan
Author(s):
Cristina León Alfar
(see profile)
Date:
2003
Group(s):
CLCS Renaissance and Early Modern
,
LLC 17th-Century English
,
LLC Shakespeare
,
TC Women’s and Gender Studies
,
TM Literary and Cultural Theory
Subject(s):
Seventeenth century
,
English literature
,
Feminist theory
,
European drama--Renaissance
,
Shakespeare, William, 1564-1616
Item Type:
Book chapter
Tag(s):
17th Century
,
drama
,
Evil
,
Power
,
women and gender
,
17th century
,
Renaissance drama
,
Shakespeare
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