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HASTAC Deposits
A manifesto to decentre theatre and performance studies
Author(s):
Swati Arora
(see profile)
Date:
2021
Group(s):
Feminist Humanities
,
GeoHumanities
,
Performance Studies
,
Postcolonial Studies
Subject(s):
Performing arts
,
Theater
,
Decolonization in art
,
Decolonization
,
Anti-racism
,
Social justice
,
Research--Methodology
,
Postcolonialism
,
Postcolonialism and the arts
Item Type:
Article
Tag(s):
Theatre Studies
,
performing arts
,
anti-racism
,
statues
,
Research methodology
,
Ethics of care
,
feminist methodology
,
caste
,
Postcolonialism
,
decolonial theory
State of Emergency: A Verbatim Theatre Production
Author(s):
Kendrick Jones
Date:
2013
Group(s):
MSU EDA University Center: Regional Economic Innovation
Subject(s):
Economic development
,
Sustainable development
,
Rural development
,
Community development, Urban
,
Michigan
,
Sustainable urban development
,
United States. Economic Development Administration
,
Theater
Item Type:
Report
Tag(s):
#EDA
,
Development
,
Economic
,
Economic development
,
equity
,
innovation
,
Michigan
,
REI
,
Theater
History, Haunting through the Layers in Contemporary Staged Ghost Stories
Author(s):
Vicky Brewster
(see profile)
Date:
2023
Subject(s):
Theater
,
Ghost stories
,
Haunted places
,
Gentrification
,
Gothic fiction
Item Type:
Conference paper
Tag(s):
contemporary theatre
,
gentrification
,
Ghost stories
,
gothic theatre
,
nightmares
,
Theater
,
time loops
Contemporary Transgender Performance of Shakespeare, Special Issue of Borrowers and Lenders: The Journal of Shakespeare and Appropriation 14.2 (2023)
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2023
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Shakespeare, William, 1564-1616
,
Transgender people
,
Feminism
,
Sex role
,
Performance art
,
Theater
Item Type:
Book
Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832)
Author(s):
Paulino Capdepon
(see profile)
Date:
2011
Group(s):
International Musicological Society (IMS)
,
Musical Theater Interest Group – Society for Music Theory (SMT MTIG)
,
Society for Music Theory (SMT)
Subject(s):
Operas
,
Theater
,
Music
,
Mozart, Wolfgang Amadeus, 1756-1791
,
García, Manuel, 1775-1832
Item Type:
Article
Tag(s):
Composer
,
musical composition
,
musical culture
,
Singer
,
theatre
"Local Habitations of A Midsummer Night’s Dream." Shakespeare Bulletin 40.3 (Fall 2022): pp. 417-437.
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2022
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Shakespeare, William, 1564-1616
,
Film adaptations
,
Globalization
,
Theater
,
COVID-19 (Disease)
Item Type:
Article
Deicide and the Drama of the Holocaust: Gian Paolo Callegari’s Cristo ha ucciso (1948)
Author(s):
Charles L. Leavitt IV
(see profile)
Date:
2022
Group(s):
LLC 20th- and 21st-Century Italian
Subject(s):
Holocaust, Jewish (1939-1945) in literature
,
Theater
,
Antisemitism
,
Realism in literature
,
Fascism
,
Passion-plays
,
Prostitution
,
Drama
,
Jewish Holocaust (1939-1945)
,
Italian literature
Item Type:
Article
Review: Gawkers: Art and Audience in Late Nineteenth-Century France
Author(s):
Heather Saunders
Editor(s):
Megan Macken
(see profile)
,
Terrie Wilson
Date:
2022
Group(s):
ARLIS/NA Reviews Editors
Subject(s):
Nineteenth century
,
France
,
Art
,
Audiences
,
Theater
,
Culture
Item Type:
Book review
Tag(s):
badaud
"Transgender Theory and Global Shakespeare," Performing Shakespearean Appropriations Essays in Honor of Christy Desmet, ed. Darlena Ciraulo, Matthew Kozusko, Robert Sawyer (Lanham, MD: Fairleigh Dickinson University Press, 2022), 161-176
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2022
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Transgender people
,
Feminism
,
Theater
,
Motion pictures
,
Appropriation (Art)
,
Shakespeare, William, 1564-1616
,
Globalization
Item Type:
Book chapter
Tag(s):
Transgender
,
Film criticism
,
Adaptation Studies
,
gender ambiguity
,
translation and mistranslation
,
subtitles
,
feminist film theory
,
global shakespeare
,
intercultural theatre
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