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• A manifesto to decentre theatre and performance studies

  Author(s):

  Swati Arora (see profile)

  Date:

  2021

  Group(s):

  Feminist Humanities, GeoHumanities, Performance Studies, Postcolonial Studies

  Subject(s):

  Performing arts, Theater, Decolonization in art, Decolonization, Anti-racism, Social justice, Research--Methodology, Postcolonialism, Postcolonialism and the arts

  Item Type:

  Article

  Tag(s):

  Theatre Studies, performing arts, anti-racism, statues, Research methodology, Ethics of care, feminist methodology, caste, Postcolonialism, decolonial theory

  
  

• State of Emergency: A Verbatim Theatre Production

  Author(s):

  Kendrick Jones

  Date:

  2013

  Group(s):

  MSU EDA University Center: Regional Economic Innovation

  Subject(s):

  Economic development, Sustainable development, Rural development, Community development, Urban, Michigan, Sustainable urban development, United States. Economic Development Administration, Theater

  Item Type:

  Report

  Tag(s):

  #EDA, Development, Economic, Economic development, equity, innovation, Michigan, REI, Theater

  
  

• History, Haunting through the Layers in Contemporary Staged Ghost Stories

  Author(s):

  Vicky Brewster (see profile)

  Date:

  2023

  Subject(s):

  Theater, Ghost stories, Haunted places, Gentrification, Gothic fiction

  Item Type:

  Conference paper

  Tag(s):

  contemporary theatre, gentrification, Ghost stories, gothic theatre, nightmares, Theater, time loops

  
  

• Contemporary Transgender Performance of Shakespeare, Special Issue of Borrowers and Lenders: The Journal of Shakespeare and Appropriation 14.2 (2023)

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2023

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America

  Subject(s):

  Shakespeare, William, 1564-1616, Transgender people, Feminism, Sex role, Performance art, Theater

  Item Type:

  Book

  
  

• Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832)

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2011

  Group(s):

  International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT)

  Subject(s):

  Operas, Theater, Music, Mozart, Wolfgang Amadeus, 1756-1791, García, Manuel, 1775-1832

  Item Type:

  Article

  Tag(s):

  Composer, musical composition, musical culture, Singer, theatre

  
  

• "Local Habitations of A Midsummer Night’s Dream." Shakespeare Bulletin 40.3 (Fall 2022): pp. 417-437.

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2022

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America

  Subject(s):

  Shakespeare, William, 1564-1616, Film adaptations, Globalization, Theater, COVID-19 (Disease)

  Item Type:

  Article

  
  

• Deicide and the Drama of the Holocaust: Gian Paolo Callegari’s Cristo ha ucciso (1948)

  Author(s):

  Charles L. Leavitt IV (see profile)

  Date:

  2022

  Group(s):

  LLC 20th- and 21st-Century Italian

  Subject(s):

  Holocaust, Jewish (1939-1945) in literature, Theater, Antisemitism, Realism in literature, Fascism, Passion-plays, Prostitution, Drama, Jewish Holocaust (1939-1945), Italian literature

  Item Type:

  Article

  
  

• Review: Gawkers: Art and Audience in Late Nineteenth-Century France

  Author(s):

  Heather Saunders

  Editor(s):

  Megan Macken (see profile) , Terrie Wilson

  Date:

  2022

  Group(s):

  ARLIS/NA Reviews Editors

  Subject(s):

  Nineteenth century, France, Art, Audiences, Theater, Culture

  Item Type:

  Book review

  Tag(s):

  badaud

  
  

• "Transgender Theory and Global Shakespeare," Performing Shakespearean Appropriations Essays in Honor of Christy Desmet, ed. Darlena Ciraulo, Matthew Kozusko, Robert Sawyer (Lanham, MD: Fairleigh Dickinson University Press, 2022), 161-176

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2022

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, The Renaissance Society of America

  Subject(s):

  Transgender people, Feminism, Theater, Motion pictures, Appropriation (Art), Shakespeare, William, 1564-1616, Globalization

  Item Type:

  Book chapter

  Tag(s):

  Transgender, Film criticism, Adaptation Studies, gender ambiguity, translation and mistranslation, subtitles, feminist film theory, global shakespeare, intercultural theatre

  
  

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