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  • HASTAC Deposits
  • Waiting for the Great Leap Forwards: Mixing Pop, Politics, and Cultural Studies

    Author(s):
    Gil Rodman (see profile)
    Date:
    2015
    Group(s):
    Cultural Studies
    Subject(s):
    Culture--Study and teaching, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Cultural studies, Popular Music Studies

  • "The Sound of the Underground": Distinguishing Alternative Identity in Rap's Contemporary Moment

    Author(s):
    Jacob P. Cupps (see profile)
    Date:
    2022
    Subject(s):
    Hip-hop, Identity (Psychology), Music theory, Popular music
    Item Type:
    Thesis
    Tag(s):
    Hip Hop, Identity, Popular Music Studies

  • Textual Stealing?: Copyright, Race, and Elusive Justice

    Author(s):
    Gil Rodman (see profile)
    Date:
    2021
    Group(s):
    Cultural Studies
    Subject(s):
    Copyright, Racism, Mass media--Study and teaching, Culture--Study and teaching, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Robin Thicke, Marvin Gaye, Cultural appropriation, Reparations, Media studies, Cultural studies, Popular Music Studies

  • Timbre, Rhythm, and Texture within Music Theory’s White Racial Frame

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2021
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Musicology, Electronic dance music, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Roland TR-909, analysis, percussion, drum machines, Jeff Mills, Popular Music Studies

  • Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski

    Author(s):
    Toru Momii (see profile)
    Date:
    2021
    Subject(s):
    Popular music, Race relations--Study and teaching, Ethnology--Study and teaching, Critical theory, Music, Japan, Music theory
    Item Type:
    Dissertation
    Tag(s):
    21st-century music, Honjoh Hidejirō, Mitski, Miyata Mayumi, Contemporary music, Critical race and ethnic studies, Interculturality, Japanese music, Popular Music Studies

  • Savage intimacy, deviant safety: surveillance technology and club culture

    Author(s):
    Larisa Mann (see profile)
    Date:
    2017
    Group(s):
    Ethnomusicology, Law, Technology and Society, Music and Sound
    Subject(s):
    Popular music, Privacy, Spying, Area studies
    Item Type:
    Conference paper
    Tag(s):
    Popular Music Studies, Surveillance studies

  • Embodied Meaning in Jamaican Popular Music

    Author(s):
    Larisa Mann (see profile)
    Date:
    2015
    Group(s):
    Ethnomusicology, Music and Sound
    Subject(s):
    Caribbean Area, Ethnology--Fieldwork, Music, Popular music
    Item Type:
    Article
    Tag(s):
    intimacy, Caribbean, Epistemology, Ethnographic fieldwork, Popular Music Studies

  • Resistance Gazes in Recent Music Videos

    Author(s):
    Brad Osborn (see profile)
    Date:
    2021
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Motion picture music, Culture--Study and teaching, Mass media--Study and teaching, Music theory, Popular music
    Item Type:
    Article
    Tag(s):
    music video, Beyoncé, Rihanna, Film music, Cultural studies, Media studies, Popular Music Studies

  • Heavy Metal as response to Global Crises

    Author(s):
    David Burke (see profile)
    Date:
    2021
    Subject(s):
    Heavy metal (Music)--Instruction and study, Popular music, Philosophy, Postmodernism, Critical theory
    Item Type:
    Conference paper
    Tag(s):
    Metal Music Studies, Popular Music Studies

  • « Politique de l’instant musical. Résider, produire, disparaître – écouter. Entretien avec Nicolas Frize »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2008
    Subject(s):
    Popular music
    Item Type:
    Interview
    Tag(s):
    Contemporary music

  • « Anges pour l'histoire. Entretien avec Vinko Globokar »

    Author(s):
    Lambert Dousson (see profile) , Sylvain Prudhomme
    Date:
    2005
    Subject(s):
    Popular music
    Item Type:
    Interview
    Tag(s):
    Contemporary music

  • « De la structure au geste. Entretien avec Frédéric Durieux »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2007
    Subject(s):
    Popular music
    Item Type:
    Interview
    Tag(s):
    Contemporary music

  • « De l’écoute buissonnière à l’empreinte du geste. Entretien avec Gérard Pesson »

    Author(s):
    Lambert Dousson (see profile) , Sarah Troche
    Date:
    2009
    Subject(s):
    Popular music
    Item Type:
    Interview
    Tag(s):
    Gérard Pesson, Contemporary music

  • « Faire corps, (dés)assembler. Sur les pouvoirs politiques de l’écriture musicale (Wagner, Mahler, Berio) »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2005
    Subject(s):
    Popular music, Aesthetics--Philosophy
    Item Type:
    Article
    Tag(s):
    Richard Wagner, Gesamtkunstwerk, Luciano Berio, Contemporary music, Aesthetic theory

  • « Vertiges de la voix »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2020
    Subject(s):
    Popular music
    Item Type:
    Article
    Tag(s):
    Electroacoustic music, Contemporary music

  • « Les cosmophonies domestiques de Karlheinz Stockhausen. Maison-musique-machine : mystique(s) »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2008
    Subject(s):
    Popular music
    Item Type:
    Article
    Tag(s):
    Karlheinz Stockhausen, Contemporary music

  • « Un spectre habite les océans (Steve Reich, Gérard Grisey, le chant des cigales et des baleines) »

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2009
    Subject(s):
    Popular music
    Item Type:
    Article
    Tag(s):
    steve reich, Gérard Grisey, music and nature, whales, Contemporary music

  • Formalisme et ritualité chez Boulez et Stockhausen

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2013
    Subject(s):
    Popular music, Aesthetics, Art and philosophy, Structuralism, Barthes, Roland
    Item Type:
    Article
    Tag(s):
    Pierre Boulez, Karlheinz Stockhausen, Claude Lévi-Strauss, Contemporary music, Philosophy and the arts, Formalism, Roland Barthes

  • An Index to The Tuneful Yankee and Melody Magazine

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2021
    Group(s):
    MS Screen Arts and Culture, Music Library Association, Women in American Music
    Subject(s):
    Bibliography, Music--Social aspects, Popular music, Popular culture, Silent films, Music, Periodicals
    Item Type:
    Book
    Tag(s):
    index, silent film, Music and Society, Popular Music Studies, Silent cinema

  • Politique de la voix archivée

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2014
    Subject(s):
    Popular music, Music and philosophy, Opera, Voice
    Item Type:
    Article
    Tag(s):
    Contemporary music, Voice and opera

  • Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

    Author(s):
    Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Sound art, Composition (Music), Music--Performance, Video art
    Item Type:
    Article
    Tag(s):
    John Cage, experimental music, covid-19, quarantine, Contemporary music, Music composition, Music performance, Video arts, Collaboration

  • Editorial: Ubiquitous Music Making in COVID-19 Times

    Author(s):
    Leandro Costalonga, Damián Keller, Marcello Messina (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Computers, Music, Popular music, Culture--Study and teaching, Composition (Music)
    Item Type:
    Article
    Tag(s):
    Computers and music, Contemporary music, Cultural studies, Music composition

  • “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Music theory, Music, History
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies, Music history

  • "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Music theory, Music, History
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies, Music history

  • “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Music, History, Music theory
    Item Type:
    Book chapter
    Tag(s):
    Popular Music Studies, Music history

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