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• A Transformational Approach to Gesture in Shō Performance

  Author(s):

  Toru Momii (see profile)

  Date:

  2020

  Subject(s):

  Music, Japan, Musical analysis, Music theory, Performance practice (Music)

  Item Type:

  Article

  Tag(s):

  Gagaku, Gesture, Shō, Transformational theory, Tōgaku, Japanese music, Music analysis, Performance practice

  
  

• Embellishing lute music: Using the Renaissance Italian passaggi practice as a model and pedagogical tool for an increased improvisation vocabulary in the French Baroque style

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2016

  Group(s):

  Education and Pedagogy, Music History/Musicology Pedagogy Resource Hub, Renaissance / Early Modern Studies

  Subject(s):

  Improvisation (Music), Composition (Music), Music, Early works, Teaching, Performance practice (Music)

  Item Type:

  Article

  Tag(s):

  Compositional improvisation, Early music, Pedagogy, Performance practice

  
  

• Informed Play: Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments

  Author(s):

  Robin Rolfhamre (see profile)

  Date:

  2018

  Group(s):

  Open Access Books Network, Renaissance / Early Modern Studies, The Renaissance Society of America

  Subject(s):

  Music, Early works, Music--Instruction and study, Musical instruments, Performance practice (Music), Performance art--Study and teaching

  Item Type:

  Book

  Tag(s):

  Early music, Music education, Organology, Performance practice, Performance studies

  
  

• Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

  Author(s):

  Joshua Neumann (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies

  Subject(s):

  Information visualization, Science--Philosophy, Technology--Philosophy, Science, Technology, History, Opera, Performance practice (Music)

  Item Type:

  Article

  Tag(s):

  Creative process, Data analysis, Data visualization, History and philosophy of science and technology, Performance practice

  
  

• ‘It Would Be without Error’: Automated Technology and the Pursuit of Correct Performance in the French Enlightenment

  Author(s):

  Rebecca Cypess (see profile)

  Date:

  2017

  Subject(s):

  Performance practice (Music), Musicology

  Item Type:

  Article

  Tag(s):

  automatons, mechanical music, French Enlightenment, Performance practice

  
  

• KEYBOARD-DUO ARRANGEMENTS IN EIGHTEENTH-CENTURY MUSICAL LIFE

  Author(s):

  Rebecca Cypess (see profile)

  Date:

  2017

  Subject(s):

  Musicology, Performance practice (Music), Music, History

  Item Type:

  Article

  Tag(s):

  instruments, arrangements, Performance practice, Music history

  
  

• The Paper Cinema's Odyssey and The Factory, The Odyssey

  Author(s):

  Stephe Harrop (see profile)

  Date:

  2013

  Group(s):

  Ancient Greece & Rome, Classical Tradition

  Subject(s):

  Classsical literature, Criticism, interpretation, etc., Greek poetry, Latin poetry, Performance practice (Music), Theater

  Item Type:

  Article

  Tag(s):

  Classical reception, Greek and Latin poetry, Performance, Performance practice

  
  

• Chronic profession-limiting problems in musicians: Underlying mechanisms and neuroplastic routes to recovery

  Author(s):

  Alison Loram (see profile)

  Date:

  2013

  Group(s):

  American Musicological Society, Music and Sound, Music Librarians

  Subject(s):

  Human body, Medicine, Human mechanics, Music--Performance, Performance practice (Music), Performing arts

  Item Type:

  Thesis

  Tag(s):

  Movement, Music performance, Performance, Performance practice

  
  

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