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• Preserving [Spectral] Knowledge: Indigeneity, Haunting, and Performing the Embodied Archive

  Author(s):

  Sam Regal (see profile)

  Date:

  2022

  Subject(s):

  Indigenous peoples, Indigenous peoples--Study and teaching, Archives--Administration, Archival resources--Management, Archival materials--Management, Archives--Collection management, Archival materials--Conservation and restoration, Archives, Performance art

  Item Type:

  Presentation

  Tag(s):

  2022 ARLIS/NA Conference, Indigenous studies, Archival management and conservation

  
  

• Performance en Guatemala: La Materia del Gesto

  Author(s):

  Rodrigo Arenas-Carter (see profile)

  Date:

  2021

  Subject(s):

  Art, History, Central America, Performance art

  Item Type:

  Book chapter

  Tag(s):

  Action Art, conversation, Guatemala, Roundtable, Art history, Art theory, Performance

  
  

• Review: Minor China: Method, Materialisms, and Aesthetic

  Author(s):

  Stephanie Kays

  Editor(s):

  Megan Macken (see profile) , Terrie Wilson

  Date:

  2021

  Group(s):

  ARLIS/NA Reviews Editors

  Subject(s):

  Art, Chinese, Art, Modern, Twenty-first century, Curatorship, Art, Asian, Performance art

  Item Type:

  Book review

  Tag(s):

  Chinese art, Contemporary art, Curatorial studies, Asian art

  
  

• Review: How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to the Digital Age

  Author(s):

  Amy Lucker

  Editor(s):

  Megan Macken (see profile) , Terrie Wilson

  Date:

  2021

  Group(s):

  ARLIS/NA Reviews Editors

  Subject(s):

  Photography, History, Art, Modern, Twenty-first century, Performance art, Installations (Art), Art

  Item Type:

  Book review

  Tag(s):

  History of photography, Contemporary art, Installation art, Art history

  
  

• Coming into Being (or, How I Learned to Stop Worrying and Love the Analyst)

  Author(s):

  Sara London (see profile)

  Date:

  2020

  Subject(s):

  Psychoanalysis, Performance art, Freud, Sigmund, 1856-1939, Psychology, Performance art--Study and teaching

  Item Type:

  Dissertation

  Tag(s):

  psychotherapy, Freud, Philosophical psychology, Performance studies

  
  

• « L’attentat culturel est un jeu d’enfant. Entretien avec Pierre Pinoncelli »

  Author(s):

  Lambert Dousson (see profile) , Sarah Troche

  Date:

  2008

  Subject(s):

  Art, Modern, Twenty-first century, Performance art

  Item Type:

  Interview

  Tag(s):

  Contemporary art

  
  

• Il suono, la parola e l'azione di Giuseppe Chiari

  Author(s):

  Stefano Verri (see profile)

  Date:

  2020

  Subject(s):

  Art, Twentieth century, History, Art, Modern, Twenty-first century, Performance art

  Item Type:

  Catalog

  Tag(s):

  Contemporary Classical Music, contemporary critique, 20th-century art, 20th century, Art history, Contemporary art

  
  

• The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions

  Author(s):

  Mateus Yuri Passos (see profile)

  Date:

  2017

  Group(s):

  Narrative Studies, Opera in Recording, Opera Stagings, Opera Studies, Richard Wagner Studies

  Subject(s):

  Opera, History, Opera--Stage-setting and scenery, Performance art

  Item Type:

  Article

  Tag(s):

  Director's Theater, Opera recording, Regietheater, Richard Wagner, History of opera, Opera staging, Performance

  
  

• Audible Picasso

  Author(s):

  June Julian (see profile)

  Date:

  2020

  Subject(s):

  Sound art, Musical notation, Performance art, Art, Modern, Twenty-first century

  Item Type:

  Sound recording-non musical

  Tag(s):

  Picasso, Minotaur, Sound/sound art, Music notation, Contemporary art

  
  

• Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2018

  Subject(s):

  Performance art, Conceptualism, Russia (Federation), Art, History, Art, Modern, Twenty-first century, Art, Russian, Performance art--Study and teaching

  Item Type:

  Essay

  Tag(s):

  Collective Actions, Moscow conceptualism, Art history, Contemporary art, Russian and Soviet art, Performance studies

  
  

• Who Vibrates?

  Author(s):

  Christopher Swithinbank (see profile)

  Date:

  2019

  Subject(s):

  Music, Materialism, Sociology, Critical race theory, Performance art, Sound--Study and teaching

  Item Type:

  Article

  Tag(s):

  Carolyn Chen, experimental music, embodied difference, white aurality, race and aesthetics, New materialism, Sound studies

  
  

• Invisible Exhibitions: Performance & the Archive in Moscow Conceptualism

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2009

  Subject(s):

  Performance art, Art, Russian, Conceptualism, Russia (Federation)

  Item Type:

  Essay

  Tag(s):

  exhibition history, conceptual art, artist archives, Russian and Soviet art, Moscow conceptualism, Alternative cultures

  
  

• The Schizoid Objects of Moscow Conceptualism

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2016

  Subject(s):

  Conceptualism, Russia (Federation), Sculpture, Performance art, Performing arts, Art objects, Art, Russian

  Item Type:

  Book chapter

  Tag(s):

  schizoid, performance objects, unofficial art, Moscow conceptualism, Performing objects, Russian and Soviet art

  
  

• Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2013

  Subject(s):

  Performance art, Art, Russian, Conceptualism, Russia (Federation), Documentation, Performance art--Study and teaching

  Item Type:

  Article

  Tag(s):

  Collective Actions, late-Soviet, Russian and Soviet art, Moscow conceptualism, Performance studies

  
  

• Christina McPhee: A Commonplace Book

  Editor(s):

  Eileen Joy (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Environmental Humanities, Feminist Humanities

  Subject(s):

  Culture--Philosophy, Environment (Aesthetics), Performance art

  Item Type:

  Book

  Tag(s):

  Art (studio), Cultural theory, Environmental aesthetics, Media arts

  
  

• Performance Art nach 1945. Intermedia und Aktionstheater.

  Author(s):

  Thomas Dreher (see profile)

  Date:

  2001

  Group(s):

  History of Art

  Subject(s):

  Performance art

  Item Type:

  Book

  Tag(s):

  Action Theatre, Happenings, Participation, Participation Art, Intermedia

  
  

• Dares as Ethical Operations.

  Author(s):

  Valeria Graziano (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture

  Subject(s):

  Performance art--Study and teaching, Culture--Study and teaching, Performance art, Affect (Psychology), Dance

  Item Type:

  Book chapter

  Tag(s):

  dare, Performance studies, Critical dance performance, Visual culture, Cultural studies, Performance, Affect

  
  

• Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance

  Author(s):

  Rea Dennis, Garrett Lynch (see profile)

  Date:

  2014

  Group(s):

  Networked Art

  Subject(s):

  Art, Modern, Twenty-first century, New media art, Performance art

  Item Type:

  Conference proceeding

  Tag(s):

  Conference, Networked Art, Networked Performance, New Media Art, Contemporary art, New media arts

  
  

• HFT The Gardener: A Network of Financial Trading, Drugs and Botany

  Author(s):

  Garrett Lynch (see profile)

  Date:

  2017

  Group(s):

  Networked Art

  Subject(s):

  Art, Modern, Twenty-first century, New media art, Performance art

  Item Type:

  Review

  Tag(s):

  Exhibition Review, Networked Art, Suzanne Treister, Contemporary art, New media arts

  
  

• Remote Encounters: a report about networking practitioners

  Author(s):

  Garrett Lynch (see profile)

  Date:

  2014

  Group(s):

  Networked Art

  Subject(s):

  New media art, Performance art, Interdisciplinary research

  Item Type:

  Article

  Tag(s):

  Networked Art, Networking, New Media Art, Virtual Worlds, New media arts, Transdisciplinary research

  
  

• Technology, Poetry, Mystery, and Pleasure

  Author(s):

  Anne Swartz (see profile)

  Date:

  2018

  Group(s):

  Women in the Arts

  Subject(s):

  Art, Modern, Twenty-first century, Performance art

  Item Type:

  Article

  Tag(s):

  Contemporary art

  
  

• Exhibition Review: 'Chinese Whispers', immersive installation-based performance directed by Rani Pramesti, Footscray, 2014

  Author(s):

  Karen Schamberger (see profile)

  Date:

  2015

  Subject(s):

  Indonesians--Social life and customs, Malays (Asian people)--Social life and customs, Migration, Internal--Study and teaching, Oral history, Performance art, Race

  Item Type:

  Other

  Tag(s):

  anti-Chinese riots, Chinese Indonesians, Racism, Indonesian/Malay culture, Migration studies

  
  

• Arte de Conducta: On Tania Bruguera’s Tatlin’s Whisper series (2006-present)

  Author(s):

  Andrés David Montenegro Rosero (see profile)

  Date:

  2017

  Subject(s):

  Art, Modern, Twenty-first century, Art, History, Performance art

  Item Type:

  Book chapter

  Tag(s):

  Tania Bruguera, Behaviour Art, Arte de Conducta, Cuba, Contemporary art, Art history, Performance and politics

  
  

• Mediating Gesture in Theory and Practice

  Author(s):

  Ana Hedberg Olenina, Irina Schulzki (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Mass media--Study and teaching, Human body--Political aspects, Motion pictures--Philosophy, Performance art

  Item Type:

  Article

  Tag(s):

  gesture, Giorgio Agamben, Sergei Eisenstei, political art, East European Studies, Film, Media studies, Body politics, Film theory

  
  

• Canadian Winter

  Author(s):

  Laurie Ringer (see profile)

  Date:

  2011

  Subject(s):

  Abstract expressionism, Creation (Literary, artistic, etc.), Critical thinking, Digital Art, Performance art

  Item Type:

  Image

  Tag(s):

  embodiment, affect, ecologies, perception, becoming, Critical making, Digital arts, Theory

  
  

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