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HASTAC Deposits
"Un bacio"---ancora? Un altro "bacio"! Examples CORRECTED
Author(s):
Arthur Maisel
(see profile)
Date:
2022
Subject(s):
Musical analysis
,
Opera
,
Shakespeare, William, 1564-1616
Item Type:
Article
Tag(s):
Verdi
,
Music analysis
,
Shakespeare
"Un bacio"---ancora? Un altro "bacio"! CORRECTED
Author(s):
Arthur Maisel
(see profile)
Date:
2022
Subject(s):
Musical analysis
,
Opera
,
Shakespeare, William, 1564-1616
Item Type:
Article
Tag(s):
Verdi
,
Music analysis
,
Shakespeare
The Musicology Lab: Teamwork and the Musicological Toolbox
Author(s):
Ana Llorens
,
Álvaro Torrente
Editor(s):
Stefan Münnich
(see profile)
,
David Rizo
Date:
2022
Group(s):
Music Encoding Initiative
Subject(s):
Digital humanities
,
Music
,
Musicology
,
Opera
Item Type:
Conference proceeding
Tag(s):
Music encoding
,
MusicXML
,
Teamwork
The Death of Tamaki Miura: Performing Madama Butterfly during the Allied Occupation of Japan
Author(s):
Kunio Hara
(see profile)
Date:
2017
Group(s):
American Musicological Society – Global East Asian Music Research (Study Group)
Subject(s):
Death
,
Music
,
Japan
,
Opera
Item Type:
Article
Tag(s):
Japanese music
,
Performance
,
Radio
Recognizing the Politics of Visual Imagery through Transplanted Traditions in Indian Television Soap Operas
Author(s):
KAIFIA ANCER LASKAR
Editor(s):
Jyotirmaya Patnaik
(see profile)
Date:
2015
Group(s):
Communication Studies
,
Cultural Studies
,
Digital Humanists
,
Feminist Humanities
,
Television Studies
Subject(s):
Opera
,
Television
,
Politics and government
,
Journalism
Item Type:
Article
Tag(s):
Soap opera devotees
,
discursive practices
,
dominant discourse
,
mediated devotion
,
Politics
,
Visual studies
Politique de la voix archivée
Author(s):
Lambert Dousson
(see profile)
Date:
2014
Subject(s):
Popular music
,
Music and philosophy
,
Opera
,
Voice
Item Type:
Article
Tag(s):
Contemporary music
,
Voice and opera
‘Found in Translation’: Review of Richard Wagner, _The Ring of the Nibelung_, trans. John Deathridge (Penguin, 2018)
Author(s):
Jeremy Coleman
(see profile)
Date:
2019
Group(s):
Translation Studies
Subject(s):
Translating and interpreting
,
Opera
,
Mythology
,
Poetry
Item Type:
Review
Tag(s):
Richard Wagner
,
Translation
Redemption from the Redeemer? Review Article on Roger Scruton and _Wagner's Parsifal_
Author(s):
Jeremy Coleman
(see profile)
Date:
2021
Subject(s):
Music
,
Musicology
,
Aesthetics
,
Philosophy
,
Religion
,
Sex
,
Opera
,
Kant, Immanuel, 1724-1804
Item Type:
Article
Tag(s):
Richard Wagner
,
redemption
,
Sexuality
,
Immanuel Kant
The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.
Author(s):
Jeremy Coleman
(see profile)
Date:
2017
Group(s):
International Musicological Society (IMS)
,
Music History/Musicology Pedagogy Resource Hub
Subject(s):
Musicology
,
Editing
,
Opera
,
Theater
,
German drama
Item Type:
Review
Tag(s):
German theatre
Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.
Author(s):
Jeremy Coleman
(see profile)
Date:
2013
Group(s):
International Musicological Society (IMS)
Subject(s):
Musicology
,
Feminism
,
Sex
,
Opera
Item Type:
Review
Tag(s):
Sexuality
,
Gender
‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide
Author(s):
Jeremy Coleman
(see profile)
Date:
2019
Group(s):
Global & Transnational Studies
,
International Musicological Society (IMS)
,
Music History/Musicology Pedagogy Resource Hub
,
Society for Music Theory (SMT)
Subject(s):
Musicology
,
History
,
National characteristics
,
Nationalism
,
Opera
,
Translating and interpreting
Item Type:
Article
Tag(s):
Historical musicology
,
National identity
,
Translation
The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions
Author(s):
Mateus Yuri Passos
(see profile)
Date:
2017
Group(s):
Narrative Studies
,
Opera in Recording
,
Opera Stagings
,
Opera Studies
,
Richard Wagner Studies
Subject(s):
Opera
,
History
,
Opera--Stage-setting and scenery
,
Performance art
Item Type:
Article
Tag(s):
Director's Theater
,
Opera recording
,
Regietheater
,
Richard Wagner
,
History of opera
,
Opera staging
,
Performance
The Volta: A Galant Gesture of Culmination
Author(s):
Nathaniel Mitchell
(see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
Opera
,
History
,
Musicology
,
Music theory
Item Type:
Article
Tag(s):
abnegation
,
chromaticism
,
clausula
,
Cleofide
,
galant
,
Hasse
,
Koch
,
Pergolesi
,
schema
,
Vinci
,
History of opera
Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making
Author(s):
Miklos Mezosi
(see profile)
Date:
2009
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
,
Literary theory
Subject(s):
Russian literature
,
Nineteenth century
,
Russia (Federation)
,
Music
,
History
,
Opera
,
Metaphor
,
Poetics
Item Type:
Article
Tag(s):
Opera semiotics
,
synecdoche
,
Gogolian mask
,
19th-century Russian literature
,
Russian musical history
How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making
Author(s):
Miklos Mezosi
(see profile)
Date:
2009
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
,
Literary theory
Subject(s):
Russian literature
,
Nineteenth century
,
Opera
,
Russia (Federation)
,
Music
,
History
,
Comparative literature
Item Type:
Article
Tag(s):
Gogol
,
Musorgsky
,
Mandelstam
,
Dante Alighieri
,
Opera semiotics
,
19th-century Russian literature
,
Russian musical history
Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Ethnomusicology
,
International Musicological Society (IMS)
Subject(s):
Cross-cultural studies
,
Opera
,
History
,
Opera--Stage-setting and scenery
Item Type:
Book chapter
Tag(s):
Opera semiotics
,
E. Th. A. Hoffmann
,
S. Kierkegaard
,
W. A. M. Mozart
,
Literature and opera
,
Comparative cultural studies
,
History of opera
,
Opera staging
Charting the Phenomenology of Music Rhetoresis and Imagery in Opera (Musorgsky and Mozart)
Author(s):
Miklos Mezosi
(see profile)
Date:
2016
Subject(s):
Opera
,
Semiotics
,
Cross-cultural studies
,
Mozart, Wolfgang Amadeus, 1756-1791
Item Type:
Book chapter
Tag(s):
Opera semiotics
,
Musorgsky
,
Gogol
,
Dante Alighieri
,
Comparative cultural studies
,
Mozart
Államférfiak családi körben. Muszorgszkij hősei az összeomlás előtt
Author(s):
Miklos Mezosi
(see profile)
Date:
2013
Subject(s):
Russia (Federation)
,
Music
,
History
,
Opera
,
Semiotics
Item Type:
Book chapter
Tag(s):
Musorgsky
,
Khovanshchina
,
Boris Godunov
,
Russian musical history
Aranykor és sex appeal: Mnémosyné leányai / The Golden Age and Sex Appeal: Mnemosyne's Daughters
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Subject(s):
Comparative literature
,
Greek poetry
,
Latin poetry
,
Opera
,
Semiotics
,
Poetics
,
Cross-cultural studies
Item Type:
Book
Tag(s):
Semiotics of opera
,
Mythopoetics
,
Hungarian poetry
,
Greek and Latin poetry
,
Comparative cultural studies
,
Literary criticism
"How to Talk about Opera at a Time of Crisis"
Author(s):
Samuel Dorf
(see profile)
Date:
2020
Group(s):
American Musicological Society
Subject(s):
Opera
Item Type:
Article
Tag(s):
Public humanities
,
Trauma
Zene, szó, dráma – színjátékok és szín(e)változások. A történelem szemantikája Puskin és Muszorgszkij művészi szkepszisében / Music, Word, Drama – Stagecraft and Transfigurations. The Semantics of History in the Artistic Skepticism of Pushkin and Musorgsky
Author(s):
Miklos Mezosi
(see profile)
Date:
2006
Subject(s):
Opera
,
History
,
Musical analysis
,
Music and literature
,
Semiotics
Item Type:
Book
Tag(s):
Comparative studies
,
History of opera
,
Music analysis
Recorded Concert Spirituals: A Guide for the Solo Vocalist
Author(s):
Randye Jones
(see profile)
Date:
2020
Group(s):
American Musicological Society
,
Music and Sound
,
Music Library Association
Subject(s):
African Americans
,
Music
,
Voice
,
Opera
,
Sacred music
Item Type:
Book
Tag(s):
Negro spirituals
,
African American
,
Voice and opera
Appendix 9 -Spirituals in Choral Music Anthologies
Author(s):
Randye Jones
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Music Library Association
Subject(s):
Choral music--Instruction and study
,
Music
,
United States
,
Twentieth century
,
African Americans
,
Voice
,
Opera
Item Type:
Online publication
Tag(s):
Negro spirituals
,
Choral music
,
Choral studies
,
20th-century American music
,
African American
,
Voice and opera
Appendix 3 - Spirituals in Musical Anthologies
Author(s):
Randye Jones
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Music and Sound
,
Music Library Association
Subject(s):
African Americans--Social life and customs
,
Music
,
Composition (Music)
,
Music libraries
,
Voice
,
Opera
Item Type:
Online publication
Tag(s):
African American music
,
Negro spirituals
,
African American culture
,
Music composition
,
Voice and opera
Writing the City: The Cosmopolitan Realism of Offenbach's La Vie parisienne
Author(s):
Jack Blaszkiewicz
(see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
France
,
Nineteenth century
,
Area studies
,
Music
,
Musicology
,
Opera
Item Type:
Article
Tag(s):
19th-century French studies
,
French music
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