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  • "Un bacio"---ancora? Un altro "bacio"! Examples CORRECTED

    Author(s):
    Arthur Maisel (see profile)
    Date:
    2022
    Subject(s):
    Musical analysis, Opera, Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    Verdi, Music analysis, Shakespeare

  • "Un bacio"---ancora? Un altro "bacio"! CORRECTED

    Author(s):
    Arthur Maisel (see profile)
    Date:
    2022
    Subject(s):
    Musical analysis, Opera, Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    Verdi, Music analysis, Shakespeare

  • The Musicology Lab: Teamwork and the Musicological Toolbox

    Author(s):
    Ana Llorens, Álvaro Torrente
    Editor(s):
    Stefan Münnich (see profile) , David Rizo
    Date:
    2022
    Group(s):
    Music Encoding Initiative
    Subject(s):
    Digital humanities, Music, Musicology, Opera
    Item Type:
    Conference proceeding
    Tag(s):
    Music encoding, MusicXML, Teamwork

  • The Death of Tamaki Miura: Performing Madama Butterfly during the Allied Occupation of Japan

    Author(s):
    Kunio Hara (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society – Global East Asian Music Research (Study Group)
    Subject(s):
    Death, Music, Japan, Opera
    Item Type:
    Article
    Tag(s):
    Japanese music, Performance, Radio

  • Recognizing the Politics of Visual Imagery through Transplanted Traditions in Indian Television Soap Operas

    Author(s):
    KAIFIA ANCER LASKAR
    Editor(s):
    Jyotirmaya Patnaik (see profile)
    Date:
    2015
    Group(s):
    Communication Studies, Cultural Studies, Digital Humanists, Feminist Humanities, Television Studies
    Subject(s):
    Opera, Television, Politics and government, Journalism
    Item Type:
    Article
    Tag(s):
    Soap opera devotees, discursive practices, dominant discourse, mediated devotion, Politics, Visual studies

  • Politique de la voix archivée

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2014
    Subject(s):
    Popular music, Music and philosophy, Opera, Voice
    Item Type:
    Article
    Tag(s):
    Contemporary music, Voice and opera

  • ‘Found in Translation’: Review of Richard Wagner, _The Ring of the Nibelung_, trans. John Deathridge (Penguin, 2018)

    Author(s):
    Jeremy Coleman (see profile)
    Date:
    2019
    Group(s):
    Translation Studies
    Subject(s):
    Translating and interpreting, Opera, Mythology, Poetry
    Item Type:
    Review
    Tag(s):
    Richard Wagner, Translation

  • Redemption from the Redeemer? Review Article on Roger Scruton and _Wagner's Parsifal_

    Author(s):
    Jeremy Coleman (see profile)
    Date:
    2021
    Subject(s):
    Music, Musicology, Aesthetics, Philosophy, Religion, Sex, Opera, Kant, Immanuel, 1724-1804
    Item Type:
    Article
    Tag(s):
    Richard Wagner, redemption, Sexuality, Immanuel Kant

  • The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.

    Author(s):
    Jeremy Coleman (see profile)
    Date:
    2017
    Group(s):
    International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub
    Subject(s):
    Musicology, Editing, Opera, Theater, German drama
    Item Type:
    Review
    Tag(s):
    German theatre

  • Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.

    Author(s):
    Jeremy Coleman (see profile)
    Date:
    2013
    Group(s):
    International Musicological Society (IMS)
    Subject(s):
    Musicology, Feminism, Sex, Opera
    Item Type:
    Review
    Tag(s):
    Sexuality, Gender

  • ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide

    Author(s):
    Jeremy Coleman (see profile)
    Date:
    2019
    Group(s):
    Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)
    Subject(s):
    Musicology, History, National characteristics, Nationalism, Opera, Translating and interpreting
    Item Type:
    Article
    Tag(s):
    Historical musicology, National identity, Translation

  • The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions

    Author(s):
    Mateus Yuri Passos (see profile)
    Date:
    2017
    Group(s):
    Narrative Studies, Opera in Recording, Opera Stagings, Opera Studies, Richard Wagner Studies
    Subject(s):
    Opera, History, Opera--Stage-setting and scenery, Performance art
    Item Type:
    Article
    Tag(s):
    Director's Theater, Opera recording, Regietheater, Richard Wagner, History of opera, Opera staging, Performance

  • The Volta: A Galant Gesture of Culmination

    Author(s):
    Nathaniel Mitchell (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    Opera, History, Musicology, Music theory
    Item Type:
    Article
    Tag(s):
    abnegation, chromaticism, clausula, Cleofide, galant, Hasse, Koch, Pergolesi, schema, Vinci, History of opera

  • Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2009
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Literary theory
    Subject(s):
    Russian literature, Nineteenth century, Russia (Federation), Music, History, Opera, Metaphor, Poetics
    Item Type:
    Article
    Tag(s):
    Opera semiotics, synecdoche, Gogolian mask, 19th-century Russian literature, Russian musical history

  • How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2009
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Literary theory
    Subject(s):
    Russian literature, Nineteenth century, Opera, Russia (Federation), Music, History, Comparative literature
    Item Type:
    Article
    Tag(s):
    Gogol, Musorgsky, Mandelstam, Dante Alighieri, Opera semiotics, 19th-century Russian literature, Russian musical history

  • Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Ethnomusicology, International Musicological Society (IMS)
    Subject(s):
    Cross-cultural studies, Opera, History, Opera--Stage-setting and scenery
    Item Type:
    Book chapter
    Tag(s):
    Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera, Comparative cultural studies, History of opera, Opera staging

  • Charting the Phenomenology of Music Rhetoresis and Imagery in Opera (Musorgsky and Mozart)

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2016
    Subject(s):
    Opera, Semiotics, Cross-cultural studies, Mozart, Wolfgang Amadeus, 1756-1791
    Item Type:
    Book chapter
    Tag(s):
    Opera semiotics, Musorgsky, Gogol, Dante Alighieri, Comparative cultural studies, Mozart

  • Államférfiak családi körben. Muszorgszkij hősei az összeomlás előtt

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2013
    Subject(s):
    Russia (Federation), Music, History, Opera, Semiotics
    Item Type:
    Book chapter
    Tag(s):
    Musorgsky, Khovanshchina, Boris Godunov, Russian musical history

  • Aranykor és sex appeal: Mnémosyné leányai / The Golden Age and Sex Appeal: Mnemosyne's Daughters

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2019
    Subject(s):
    Comparative literature, Greek poetry, Latin poetry, Opera, Semiotics, Poetics, Cross-cultural studies
    Item Type:
    Book
    Tag(s):
    Semiotics of opera, Mythopoetics, Hungarian poetry, Greek and Latin poetry, Comparative cultural studies, Literary criticism

  • "How to Talk about Opera at a Time of Crisis"

    Author(s):
    Samuel Dorf (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society
    Subject(s):
    Opera
    Item Type:
    Article
    Tag(s):
    Public humanities, Trauma

  • Zene, szó, dráma – színjátékok és szín(e)változások. A történelem szemantikája Puskin és Muszorgszkij művészi szkepszisében / Music, Word, Drama – Stagecraft and Transfigurations. The Semantics of History in the Artistic Skepticism of Pushkin and Musorgsky

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2006
    Subject(s):
    Opera, History, Musical analysis, Music and literature, Semiotics
    Item Type:
    Book
    Tag(s):
    Comparative studies, History of opera, Music analysis

  • Recorded Concert Spirituals: A Guide for the Solo Vocalist

    Author(s):
    Randye Jones (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Music and Sound, Music Library Association
    Subject(s):
    African Americans, Music, Voice, Opera, Sacred music
    Item Type:
    Book
    Tag(s):
    Negro spirituals, African American, Voice and opera

  • Appendix 9 -Spirituals in Choral Music Anthologies

    Author(s):
    Randye Jones (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Music Library Association
    Subject(s):
    Choral music--Instruction and study, Music, United States, Twentieth century, African Americans, Voice, Opera
    Item Type:
    Online publication
    Tag(s):
    Negro spirituals, Choral music, Choral studies, 20th-century American music, African American, Voice and opera

  • Appendix 3 - Spirituals in Musical Anthologies

    Author(s):
    Randye Jones (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Music and Sound, Music Library Association
    Subject(s):
    African Americans--Social life and customs, Music, Composition (Music), Music libraries, Voice, Opera
    Item Type:
    Online publication
    Tag(s):
    African American music, Negro spirituals, African American culture, Music composition, Voice and opera

  • Writing the City: The Cosmopolitan Realism of Offenbach's La Vie parisienne

    Author(s):
    Jack Blaszkiewicz (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society
    Subject(s):
    France, Nineteenth century, Area studies, Music, Musicology, Opera
    Item Type:
    Article
    Tag(s):
    19th-century French studies, French music

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