Skip to content
  • About
    • HASTAC Scholars
    • Conferences
    • Staff
    • History of HASTAC
    • Leadership
    • Core Values
  • Go To…
    • Members
    • Groups
    • Sites
    • CORE Repository
  • Help & Support
  • Organizations
    • HC
    • ARLIS/NA
    • AUPresses
    • MLA
    • MSU
    • SAH
Register Log In
HASTAC Commons

CORE Search Results Start Search Over

  • All Deposits 0
  • HASTAC Deposits
  • Visualizing Harmony Using Chordal Glyphs and Color Mapping

    Author(s):
    Justin Lind
    Editor(s):
    Stefan Münnich (see profile) , David Rizo
    Date:
    2022
    Group(s):
    Music Encoding Initiative
    Subject(s):
    Digital humanities, Music, Musical notation
    Item Type:
    Conference proceeding
    Tag(s):
    color, glyph design, harmony, visualization, Music notation

  • Musica Ficta Lesson Plan

    Author(s):
    Megan Kaes Long (see profile)
    Date:
    2021
    Subject(s):
    Music, Early works, Musicology, History, Music theory, Books, Musical notation
    Item Type:
    Course material or learning objects
    Tag(s):
    musica ficta, Early music, Historical musicology, History of the book, Music notation

  • Audible Picasso

    Author(s):
    June Julian (see profile)
    Date:
    2020
    Subject(s):
    Sound art, Musical notation, Performance art, Art, Modern, Twenty-first century
    Item Type:
    Sound recording-non musical
    Tag(s):
    Picasso, Minotaur, Sound/sound art, Music notation, Contemporary art

  • Audible Picasso

    Author(s):
    June Julian (see profile)
    Date:
    2020
    Subject(s):
    Composition (Music), Musical notation, Music--Performance, Art, Modern, Twenty-first century, Sound art
    Item Type:
    Article
    Tag(s):
    Picasso, Minotaur, Music composition, Music notation, Music performance, Contemporary art, Sound/sound art

  • MIDI 2.0: Promises and Challenges

    Author(s):
    Paul D. Lehrman
    Editor(s):
    Elsa De Luca (see profile) , Julia Flanders
    Date:
    2020
    Group(s):
    Music Encoding Initiative
    Subject(s):
    Music, Digital humanities, Musical notation, XML (Document markup language)
    Item Type:
    Conference proceeding
    Tag(s):
    mei, Music encoding, midi, smf, Music notation, XML

  • Repurposing 'com-provisation' (script/pre-print of conference paper)

    Author(s):
    Dimitris Papageorgiou (see profile)
    Date:
    2019
    Group(s):
    Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music and philosophy, Musical notation, Music--Performance, Musicology
    Item Type:
    Conference paper
    Tag(s):
    assemblage, usership, Improvisation, comprovisation as sun-schediasmos, Music notation, Music performance, Composition

  • “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff's Remarks

    Author(s):
    Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    Popular music, Information literacy, Musical notation
    Item Type:
    Presentation
    Tag(s):
    muslib2018, Contemporary music, Music notation

  • “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes' Remarks

    Author(s):
    Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    Popular music, Information literacy, Musical notation
    Item Type:
    Presentation
    Tag(s):
    muslib2018, Contemporary music, Music notation

  • “SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides

    Author(s):
    Tom Bickley (see profile) , Ann Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    Popular music, Information literacy, Musical notation
    Item Type:
    Presentation
    Tag(s):
    musiclib2018, Contemporary music, Music notation

  • “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Tom Bickley's Remarks

    Author(s):
    Tom Bickley (see profile) , Anne Rhodes, Chris Schiff
    Date:
    2018
    Group(s):
    Music Library Association
    Subject(s):
    Popular music, Information literacy, Musical notation
    Item Type:
    Presentation
    Tag(s):
    muslib2018, Contemporary music, Music notation

  • Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music

    Author(s):
    Jason Stoessel (see profile)
    Date:
    2010
    Subject(s):
    Music, Middle Ages, Renaissance, Musical notation
    Item Type:
    Article
    Tag(s):
    Medieval music, Renaissance music, Music notation

  • Symbolic Innovation: The Notation of Jacob de Senleches

    Author(s):
    Jason Stoessel (see profile)
    Date:
    1999
    Subject(s):
    Twelfth century, Thirteenth century, Fourteenth century, Music, Middle Ages, History, Musical notation
    Item Type:
    Article
    Tag(s):
    Ars subtilior, Editing early music, Jacob de Senleches, Music Paleography, 11th to 14th century, Medieval music, Music history, Notation

  • The Use of Notational Formats at the Keyboard

    Author(s):
    Bob Judd (see profile)
    Date:
    1989
    Group(s):
    Music and Sound
    Subject(s):
    Sixteenth century, Seventeenth century, Keyboard instruments, Musical notation
    Item Type:
    Dissertation
    Tag(s):
    Merulo, 16th century, 17th century, Notation

Viewing item 1 to 13 (of 13 items)
HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION
This site is part of the HASTAC network on Humanities Commons. Explore other sites on this network or register to build your own.
Terms of ServicePrivacy PolicyGuidelines for Participation

@

Not recently active