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  • Who's 'I' in Music?: Unmasking the Musical Persona

    Author(s):
    Lodewijk Muns (see profile)
    Date:
    2021
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    Music and literature, Music and philosophy, Musical analysis, Aesthetics, Musicology
    Item Type:
    Article
    Tag(s):
    aesthetics of music, persona, Ludwig van Beethoven, Stephen Davies, Peter Kivy, Music analysis

  • Fiction, Truth, and Lies: The Nonassertion Theory, Quotation, and Music as Fiction

    Author(s):
    Lodewijk Muns (see profile)
    Date:
    2021
    Group(s):
    Analytic Philosophy
    Subject(s):
    Fiction, Aesthetics, Music and philosophy, Music and literature, Analysis (Philosophy)
    Item Type:
    Essay
    Tag(s):
    philosophy of art, fictionality, Mimesis, Analytical philosophy

  • Politique de la voix archivée

    Author(s):
    Lambert Dousson (see profile)
    Date:
    2014
    Subject(s):
    Popular music, Music and philosophy, Opera, Voice
    Item Type:
    Article
    Tag(s):
    Contemporary music, Voice and opera

  • Metal is radical

    Author(s):
    David Burke (see profile)
    Date:
    2020
    Subject(s):
    Politics and culture, Culture--Philosophy, Heavy metal (Music)--Instruction and study, Music and philosophy, Subculture
    Item Type:
    Essay
    Tag(s):
    Cultural politics, Cultural theory, Metal Music Studies, Subcultures

  • Music, Language, and the Deceptive Charms of Recursive Grammars

    Author(s):
    Lodewijk Muns (see profile)
    Date:
    2014
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    Music, Music and philosophy, Music theory
    Item Type:
    Conference paper
    Tag(s):
    Generative Theory, music and language, recursion

  • Repurposing 'com-provisation' (script/pre-print of conference paper)

    Author(s):
    Dimitris Papageorgiou (see profile)
    Date:
    2019
    Group(s):
    Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music and philosophy, Musical notation, Music--Performance, Musicology
    Item Type:
    Conference paper
    Tag(s):
    assemblage, usership, Improvisation, comprovisation as sun-schediasmos, Music notation, Music performance, Composition

  • British Experimental Music After Nyman, in

    Author(s):
    Virginia Anderson (see profile)
    Date:
    2014
    Subject(s):
    Music and philosophy
    Item Type:
    Book chapter
    Tag(s):
    experimental music, minimalism, postminimalism

  • The Aesthetics of Music: An Anthology of Essays by Arnold Berleant

    Author(s):
    Arnold Berleant (see profile)
    Date:
    2018
    Subject(s):
    Music, Music and philosophy, Aesthetics
    Item Type:
    Other
    Tag(s):
    Arnold Berleant, musical experience, aesthetics of music

  • Musical De-Composition

    Author(s):
    Arnold Berleant (see profile)
    Date:
    1994
    Subject(s):
    Music, Aesthetics, Music and philosophy
    Item Type:
    Book chapter
    Tag(s):
    musical composition, perceptual experience, aesthetics of music, Composition

  • Further Ruminations on Music

    Author(s):
    Arnold Berleant (see profile)
    Date:
    2017
    Subject(s):
    Aesthetics, Music and philosophy, Music, Music--Performance, Perception
    Item Type:
    Article
    Tag(s):
    Music Aesthetics, aesthetic engagement, perceptual experience, Music performance, Performance

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