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  • Can We Buy Virtue? Implications from State University Funding On Musical Instrument Performance Teacher Mandate

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2021
    Group(s):
    Education and Pedagogy, Performance Studies
    Subject(s):
    Education, Higher, Music--Instruction and study, Music--Performance, Ethics, Rhetoric, Teaching, Learning
    Item Type:
    Book chapter
    Tag(s):
    musical instrument, mandate, Higher education, Music education, Music performance, Teaching and learning

  • Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances

    Author(s):
    Valério Fiel da Costa, Marcello Messina (see profile) , Marco Scarassatti
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular music, Sound art, Composition (Music), Music--Performance, Video art
    Item Type:
    Article
    Tag(s):
    John Cage, experimental music, covid-19, quarantine, Contemporary music, Music composition, Music performance, Video arts, Collaboration

  • The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist

    Author(s):
    Anna Kijas (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Music Library Association
    Subject(s):
    Musicology, Music--Performance, Biography
    Item Type:
    Article
    Tag(s):
    women composers, women pianists, Latin American musicians, Music performance, Women and performance

  • Audible Picasso

    Author(s):
    June Julian (see profile)
    Date:
    2020
    Subject(s):
    Composition (Music), Musical notation, Music--Performance, Art, Modern, Twenty-first century, Sound art
    Item Type:
    Article
    Tag(s):
    Picasso, Minotaur, Music composition, Music notation, Music performance, Contemporary art, Sound/sound art

  • The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2014
    Group(s):
    Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies
    Subject(s):
    Popular music, Sixteenth century, Seventeenth century, France, Music, Music--Performance, Culture--Study and teaching, Performance art--Study and teaching
    Item Type:
    Dissertation
    Tag(s):
    popular music, Seventeenth-century, lute, Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies

  • ‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2018
    Group(s):
    Communication Studies, Rhetoric and Composition
    Subject(s):
    Communication, Sixteenth century, Seventeenth century, Music--Performance, Rhetoric
    Item Type:
    Article
    Tag(s):
    Baroque, Early Modern, Music performance

  • Through the Eyes of an Entangled Teacher: When Classical Musical Instrument Performance Tuition in Higher Education is Subject to Quality Assurance

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2020
    Group(s):
    Education and Pedagogy
    Subject(s):
    Educational tests and measurements, Education, Higher, Music--Performance, College teaching, Learning strategies, Music
    Item Type:
    Article
    Tag(s):
    Educational assessment, Higher education, Music performance, Teaching and learning in higher education, Western classical music

  • Rare Gems by the Pioneers of the Concert Spiritual (Pt. 2)

    Author(s):
    Randye Jones (see profile)
    Date:
    2020
    Group(s):
    Afrocentric Sounds, American Musicological Society, Music and Sound, Music Library Association
    Subject(s):
    African Americans--Social life and customs, Music--Performance
    Item Type:
    Documentary
    Tag(s):
    Negro spirituals, concert spirituals, African American culture, Music performance

  • Rare Gems by the Pioneers of the Concert Spiritual (Pt. 1)

    Author(s):
    Randye Jones (see profile)
    Date:
    2020
    Group(s):
    Afrocentric Sounds, American Musicological Society, Music and Sound, Music Library Association
    Subject(s):
    African Americans--Social life and customs, Culture--Study and teaching, Music--Performance
    Item Type:
    Documentary
    Tag(s):
    Negro spirituals, concert spirituals, African American cultural studies, Music performance, Voice

  • Annotated Bibliography of African American Carillon Music

    Author(s):
    Tiffany Ng (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Music and Sound, Open Music
    Subject(s):
    African Americans--Social life and customs, Culture--Study and teaching, Multiculturalism--Study and teaching, Musicology, Music--Performance, Music
    Item Type:
    Bibliography
    Tag(s):
    racial equity, Negro spirituals, gospel music, ragtime, Campanology, African American cultural studies, Diversity studies, Music performance, Classical music

  • Repurposing 'com-provisation' (script/pre-print of conference paper)

    Author(s):
    Dimitris Papageorgiou (see profile)
    Date:
    2019
    Group(s):
    Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music and philosophy, Musical notation, Music--Performance, Musicology
    Item Type:
    Conference paper
    Tag(s):
    assemblage, usership, Improvisation, comprovisation as sun-schediasmos, Music notation, Music performance, Composition

  • Appendix 7 - Composers Brief Biographies

    Author(s):
    Randye Jones (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Music and Sound, Music Library Association
    Subject(s):
    Music, History, African Americans--Social life and customs, Musicology, Music--Performance, United States, Twentieth century
    Item Type:
    Online publication
    Tag(s):
    Negro spirituals, American composers, Vocal Music, concert spirituals, music recordings, Music history, African American culture, Historical musicology, Music performance, 20th-century American music

  • Appendix 5 – Relevant Resources

    Author(s):
    Randye Jones (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Music and Sound, Music Library Association
    Subject(s):
    African Americans--Social life and customs, Composition (Music), Music libraries, Musicology, Music--Performance
    Item Type:
    Online publication
    Tag(s):
    African American music, Music bibliographies, Music composers, Negro spirituals, vocal performance, African American culture, Music composition, Music performance

  • Appendix 4 - Song Literature Classification

    Author(s):
    Randye Jones (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Music and Sound, Music Library Association
    Subject(s):
    African Americans--Social life and customs, Musicology, History, Music libraries, Music--Instruction and study, Music--Performance
    Item Type:
    Online publication
    Tag(s):
    African American music, music research, Negro spirituals, vocal performance, African American culture, Biblical studies, Historical musicology, Music pedagogy, Music performance

  • Appendix 2 – Concert Spiritual Singers and Their Recordings

    Author(s):
    Randye Jones (see profile)
    Date:
    2019
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    African Americans--Social life and customs, Music, Music--Performance
    Item Type:
    Online publication
    Tag(s):
    African American music, Negro spirituals, vocal performance, African American culture, Classical music, Music performance

  • Appendix 1 – Recommended Recordings

    Author(s):
    Randye Jones (see profile)
    Date:
    2019
    Group(s):
    Music and Sound, Music Library Association
    Subject(s):
    African Americans--Social life and customs, Folk music, Music libraries, Music--Instruction and study, Music--Performance
    Item Type:
    Online publication
    Tag(s):
    Negro spirituals, vocal performance, African American culture, Music pedagogy, Music performance

  • Notas de programa (Liszt, Schoenberg e Dallapiccola)

    Author(s):
    Júlia Azevedo (see profile)
    Date:
    2017
    Subject(s):
    Music--Performance, Musical analysis
    Item Type:
    Other
    Tag(s):
    Concert, piano, Arnold Schoenberg, Franz Liszt, Luigi Dallapiccola, Music performance, Music analysis

  • Further Ruminations on Music

    Author(s):
    Arnold Berleant (see profile)
    Date:
    2017
    Subject(s):
    Aesthetics, Music and philosophy, Music, Music--Performance, Perception
    Item Type:
    Article
    Tag(s):
    Music Aesthetics, aesthetic engagement, perceptual experience, Music performance, Performance

  • Explaining the Alexander Technique to clinicians and scientists: Psycho-physical re-education - an introduction to cognitive-motor system-level causes of performance-related problems.

    Author(s):
    Alison Loram (see profile) , Ian Loram
    Date:
    2017
    Subject(s):
    Performing arts, Medicine, Music--Performance, Human mechanics, Human body
    Item Type:
    Presentation
    Tag(s):
    Music performance, Movement

  • Chronic profession-limiting problems in musicians: Underlying mechanisms and neuroplastic routes to recovery

    Author(s):
    Alison Loram (see profile)
    Date:
    2013
    Group(s):
    American Musicological Society, Music and Sound, Music Librarians
    Subject(s):
    Human body, Medicine, Human mechanics, Music--Performance, Performance practice (Music), Performing arts
    Item Type:
    Thesis
    Tag(s):
    Movement, Music performance, Performance, Performance practice

  • Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice

    Author(s):
    Adewale Bankole Ajayi (see profile)
    Date:
    2012
    Group(s):
    GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, MS Opera and Musical Performance, TC Popular Culture, TC Postcolonial Studies
    Subject(s):
    Africa, Area studies, Culture--Study and teaching, Ethnomusicology, Music--Performance, Performance art--Study and teaching
    Item Type:
    Article
    Tag(s):
    ethnomusicology, performance, orality, African studies, Cultural studies, Music performance, Performance studies

  • Estêvão Lopes Morago: O salutaris Hostia

    Author(s):
    Luís Henriques (see profile)
    Date:
    2012
    Subject(s):
    Music--Performance
    Item Type:
    Music
    Tag(s):
    17th Century, Angra do Heroísmo, Ensemble da Sé de Angra, motet, polyphony, Music performance

  • Estêvão Lopes Morago: O bone Jesu

    Author(s):
    Luís Henriques (see profile)
    Date:
    2012
    Subject(s):
    Music--Performance
    Item Type:
    Music
    Tag(s):
    17th Century, Angra do Heroísmo, Ensemble da Sé de Angra, motet, polyphony, Music performance

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