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HASTAC Deposits
Can We Buy Virtue? Implications from State University Funding On Musical Instrument Performance Teacher Mandate
Author(s):
Robin Rolfhamre
(see profile)
Date:
2021
Group(s):
Education and Pedagogy
,
Performance Studies
Subject(s):
Education, Higher
,
Music--Instruction and study
,
Music--Performance
,
Ethics
,
Rhetoric
,
Teaching
,
Learning
Item Type:
Book chapter
Tag(s):
musical instrument
,
mandate
,
Higher education
,
Music education
,
Music performance
,
Teaching and learning
Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances
Author(s):
Valério Fiel da Costa
,
Marcello Messina
(see profile)
,
Marco Scarassatti
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular music
,
Sound art
,
Composition (Music)
,
Music--Performance
,
Video art
Item Type:
Article
Tag(s):
John Cage
,
experimental music
,
covid-19
,
quarantine
,
Contemporary music
,
Music composition
,
Music performance
,
Video arts
,
Collaboration
The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist
Author(s):
Anna Kijas
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Music Library Association
Subject(s):
Musicology
,
Music--Performance
,
Biography
Item Type:
Article
Tag(s):
women composers
,
women pianists
,
Latin American musicians
,
Music performance
,
Women and performance
Audible Picasso
Author(s):
June Julian
(see profile)
Date:
2020
Subject(s):
Composition (Music)
,
Musical notation
,
Music--Performance
,
Art, Modern
,
Twenty-first century
,
Sound art
Item Type:
Article
Tag(s):
Picasso
,
Minotaur
,
Music composition
,
Music notation
,
Music performance
,
Contemporary art
,
Sound/sound art
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
Author(s):
Robin Rolfhamre
(see profile)
Date:
2014
Group(s):
Music History/Musicology Pedagogy Resource Hub
,
Performance Studies
,
Renaissance / Early Modern Studies
Subject(s):
Popular music
,
Sixteenth century
,
Seventeenth century
,
France
,
Music
,
Music--Performance
,
Culture--Study and teaching
,
Performance art--Study and teaching
Item Type:
Dissertation
Tag(s):
popular music
,
Seventeenth-century
,
lute
,
Popular Music Studies
,
Early Modern
,
Early modern France
,
17th-century music
,
Music performance
,
Cultural studies
,
Performance studies
‘Caprice de chaconne’ (1671): Symmetry and proportions in Francesco Corbetta’s work for Baroque guitar
Author(s):
Robin Rolfhamre
(see profile)
Date:
2018
Group(s):
Communication Studies
,
Rhetoric and Composition
Subject(s):
Communication
,
Sixteenth century
,
Seventeenth century
,
Music--Performance
,
Rhetoric
Item Type:
Article
Tag(s):
Baroque
,
Early Modern
,
Music performance
Through the Eyes of an Entangled Teacher: When Classical Musical Instrument Performance Tuition in Higher Education is Subject to Quality Assurance
Author(s):
Robin Rolfhamre
(see profile)
Date:
2020
Group(s):
Education and Pedagogy
Subject(s):
Educational tests and measurements
,
Education, Higher
,
Music--Performance
,
College teaching
,
Learning strategies
,
Music
Item Type:
Article
Tag(s):
Educational assessment
,
Higher education
,
Music performance
,
Teaching and learning in higher education
,
Western classical music
Rare Gems by the Pioneers of the Concert Spiritual (Pt. 2)
Author(s):
Randye Jones
(see profile)
Date:
2020
Group(s):
Afrocentric Sounds
,
American Musicological Society
,
Music and Sound
,
Music Library Association
Subject(s):
African Americans--Social life and customs
,
Music--Performance
Item Type:
Documentary
Tag(s):
Negro spirituals
,
concert spirituals
,
African American culture
,
Music performance
Rare Gems by the Pioneers of the Concert Spiritual (Pt. 1)
Author(s):
Randye Jones
(see profile)
Date:
2020
Group(s):
Afrocentric Sounds
,
American Musicological Society
,
Music and Sound
,
Music Library Association
Subject(s):
African Americans--Social life and customs
,
Culture--Study and teaching
,
Music--Performance
Item Type:
Documentary
Tag(s):
Negro spirituals
,
concert spirituals
,
African American cultural studies
,
Music performance
,
Voice
Annotated Bibliography of African American Carillon Music
Author(s):
Tiffany Ng
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Music and Sound
,
Open Music
Subject(s):
African Americans--Social life and customs
,
Culture--Study and teaching
,
Multiculturalism--Study and teaching
,
Musicology
,
Music--Performance
,
Music
Item Type:
Bibliography
Tag(s):
racial equity
,
Negro spirituals
,
gospel music
,
ragtime
,
Campanology
,
African American cultural studies
,
Diversity studies
,
Music performance
,
Classical music
Repurposing 'com-provisation' (script/pre-print of conference paper)
Author(s):
Dimitris Papageorgiou
(see profile)
Date:
2019
Group(s):
Ethnomusicology
,
Improvisation and Composition
,
Music and Sound
,
Society for Music Theory (SMT)
Subject(s):
Music and philosophy
,
Musical notation
,
Music--Performance
,
Musicology
Item Type:
Conference paper
Tag(s):
assemblage
,
usership
,
Improvisation
,
comprovisation as sun-schediasmos
,
Music notation
,
Music performance
,
Composition
Appendix 7 - Composers Brief Biographies
Author(s):
Randye Jones
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Music and Sound
,
Music Library Association
Subject(s):
Music
,
History
,
African Americans--Social life and customs
,
Musicology
,
Music--Performance
,
United States
,
Twentieth century
Item Type:
Online publication
Tag(s):
Negro spirituals
,
American composers
,
Vocal Music
,
concert spirituals
,
music recordings
,
Music history
,
African American culture
,
Historical musicology
,
Music performance
,
20th-century American music
Appendix 5 – Relevant Resources
Author(s):
Randye Jones
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Music and Sound
,
Music Library Association
Subject(s):
African Americans--Social life and customs
,
Composition (Music)
,
Music libraries
,
Musicology
,
Music--Performance
Item Type:
Online publication
Tag(s):
African American music
,
Music bibliographies
,
Music composers
,
Negro spirituals
,
vocal performance
,
African American culture
,
Music composition
,
Music performance
Appendix 4 - Song Literature Classification
Author(s):
Randye Jones
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Music and Sound
,
Music Library Association
Subject(s):
African Americans--Social life and customs
,
Musicology
,
History
,
Music libraries
,
Music--Instruction and study
,
Music--Performance
Item Type:
Online publication
Tag(s):
African American music
,
music research
,
Negro spirituals
,
vocal performance
,
African American culture
,
Biblical studies
,
Historical musicology
,
Music pedagogy
,
Music performance
Appendix 2 – Concert Spiritual Singers and Their Recordings
Author(s):
Randye Jones
(see profile)
Date:
2019
Group(s):
Music and Sound
,
Music Library Association
Subject(s):
African Americans--Social life and customs
,
Music
,
Music--Performance
Item Type:
Online publication
Tag(s):
African American music
,
Negro spirituals
,
vocal performance
,
African American culture
,
Classical music
,
Music performance
Appendix 1 – Recommended Recordings
Author(s):
Randye Jones
(see profile)
Date:
2019
Group(s):
Music and Sound
,
Music Library Association
Subject(s):
African Americans--Social life and customs
,
Folk music
,
Music libraries
,
Music--Instruction and study
,
Music--Performance
Item Type:
Online publication
Tag(s):
Negro spirituals
,
vocal performance
,
African American culture
,
Music pedagogy
,
Music performance
Notas de programa (Liszt, Schoenberg e Dallapiccola)
Author(s):
Júlia Azevedo
(see profile)
Date:
2017
Subject(s):
Music--Performance
,
Musical analysis
Item Type:
Other
Tag(s):
Concert
,
piano
,
Arnold Schoenberg
,
Franz Liszt
,
Luigi Dallapiccola
,
Music performance
,
Music analysis
Further Ruminations on Music
Author(s):
Arnold Berleant
(see profile)
Date:
2017
Subject(s):
Aesthetics
,
Music and philosophy
,
Music
,
Music--Performance
,
Perception
Item Type:
Article
Tag(s):
Music Aesthetics
,
aesthetic engagement
,
perceptual experience
,
Music performance
,
Performance
Explaining the Alexander Technique to clinicians and scientists: Psycho-physical re-education - an introduction to cognitive-motor system-level causes of performance-related problems.
Author(s):
Alison Loram
(see profile)
,
Ian Loram
Date:
2017
Subject(s):
Performing arts
,
Medicine
,
Music--Performance
,
Human mechanics
,
Human body
Item Type:
Presentation
Tag(s):
Music performance
,
Movement
Chronic profession-limiting problems in musicians: Underlying mechanisms and neuroplastic routes to recovery
Author(s):
Alison Loram
(see profile)
Date:
2013
Group(s):
American Musicological Society
,
Music and Sound
,
Music Librarians
Subject(s):
Human body
,
Medicine
,
Human mechanics
,
Music--Performance
,
Performance practice (Music)
,
Performing arts
Item Type:
Thesis
Tag(s):
Movement
,
Music performance
,
Performance
,
Performance practice
Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice
Author(s):
Adewale Bankole Ajayi
(see profile)
Date:
2012
Group(s):
GS Drama and Performance
,
Interdisciplinary Approaches to Culture and Society
,
MS Opera and Musical Performance
,
TC Popular Culture
,
TC Postcolonial Studies
Subject(s):
Africa
,
Area studies
,
Culture--Study and teaching
,
Ethnomusicology
,
Music--Performance
,
Performance art--Study and teaching
Item Type:
Article
Tag(s):
ethnomusicology
,
performance
,
orality
,
African studies
,
Cultural studies
,
Music performance
,
Performance studies
Estêvão Lopes Morago: O salutaris Hostia
Author(s):
Luís Henriques
(see profile)
Date:
2012
Subject(s):
Music--Performance
Item Type:
Music
Tag(s):
17th Century
,
Angra do Heroísmo
,
Ensemble da Sé de Angra
,
motet
,
polyphony
,
Music performance
Estêvão Lopes Morago: O bone Jesu
Author(s):
Luís Henriques
(see profile)
Date:
2012
Subject(s):
Music--Performance
Item Type:
Music
Tag(s):
17th Century
,
Angra do Heroísmo
,
Ensemble da Sé de Angra
,
motet
,
polyphony
,
Music performance
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