Skip to content
  • About
    • HASTAC Scholars
    • Conferences
    • Staff
    • History of HASTAC
    • Leadership
    • Core Values
  • Go To…
    • Members
    • Groups
    • Sites
    • CORE Repository
  • Help & Support
  • Organizations
    • HC
    • ARLIS/NA
    • AUPresses
    • MLA
    • MSU
    • SAH
Register Log In
HASTAC Commons

CORE Search Results Start Search Over

  • All Deposits 0
  • HASTAC Deposits
  • Who and What Was José Antonio Nieves Conde Criticizing in the Film El inquilino (1957)?

    Author(s):
    Susan Larson (see profile) , Carlos Sambricio
    Date:
    2021
    Group(s):
    Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century Spanish and Iberian, MS Screen Arts and Culture, Prospective Forum: TC Geography and Literature, Urban Cultural Studies
    Subject(s):
    Motion pictures--Political aspects, Motion pictures--Social aspects, Spain
    Item Type:
    Book chapter
    Tag(s):
    Film and politics, Film and society, Contemporary Spain, Urban studies

  • Interrogating Impunity through Counterpublic: Rethinking Habermas’s Public Sphere in Paulaumi Duttagupta’s Onaatah of the Earth

    Author(s):
    SAKSHI SINGH ANURAG KUMAR
    Editor(s):
    Jyotirmaya Patnaik (see profile)
    Date:
    2018
    Group(s):
    Communication Studies, Digital Humanists, Electronic Literature, Film Studies, Television Studies
    Subject(s):
    Motion pictures--Social aspects, Women's studies, Women--Sexual behavior, Public relations, Broadcast journalism
    Item Type:
    Article
    Tag(s):
    Patriarchy, impunity, counterpublic, public sphere, sexual violence, Film and society, Women's gender, and sexuality studies, Gender studies

  • Disability, Deficiency, and Excess: A Cinematic Construction of Disability in Popular Odia Cinema

    Editor(s):
    Jyotirmaya Patnaik (see profile)
    Date:
    2019
    Group(s):
    Cultural Studies, Feminist Humanities, Film-Philosophy, Film Studies, Television Studies
    Subject(s):
    Motion pictures--Social aspects, Motion pictures, History, Motion pictures, Indic, Broadcast journalism, Disabilities, Identity (Psychology), Culture
    Item Type:
    Article
    Tag(s):
    Odia cinema, marginalized, media, Film and society, Cinema history, Indian cinema, Art journaling, Disability, Representation, Identity, Gender

  • Luminous Beings Are We: Star Wars and Religion Syllabus

    Author(s):
    M. Dillon (see profile)
    Date:
    2018
    Subject(s):
    Motion pictures--Social aspects, Science--Social aspects, Popular culture, Science in popular culture
    Item Type:
    Syllabus
    Tag(s):
    Film and society, Science and popular culture

  • “How I became what I am”: an aesthetics of twist cinema in films from the 1960s and 1970s

    Author(s):
    Karla Adriana Bessa (see profile)
    Date:
    2017
    Group(s):
    Red de Investigación Mujeres en el Cine Latinoamericano
    Subject(s):
    Motion pictures--Social aspects
    Item Type:
    Article
    Tag(s):
    Film and society, Queer and gender studies

  • Philomena and Ireland’s Mother-and-baby Homes

    Author(s):
    Malin Lidström Brock (see profile)
    Date:
    2015
    Group(s):
    English Literature, Film Studies, Irish Literature and Culture
    Subject(s):
    Biography, Motion pictures--Social aspects, Irish--Social life and customs, Ireland, History
    Item Type:
    Book chapter
    Tag(s):
    Biopics, Irish-american identity, Irish mother-and-baby homes, Martin Sixsmith, Stephen Frears, Adaptation, Film and society, Irish culture, Irish history

  • Precarious Intimacies: The Politics of Touch in Contemporary Western European Cinema

    Author(s):
    Maria Stehle, Beverly Weber (see profile)
    Date:
    2020
    Subject(s):
    Motion pictures--Social aspects, Feminist criticism, Europe, Area studies, Germany
    Item Type:
    Book
    Tag(s):
    Film and society, Precarity, Feminist critique, European studies, German studies

  • Time and Identity in Folk Horror

    Author(s):
    Derek Johnston (see profile)
    Date:
    2014
    Group(s):
    Cultural Studies, Horror, Television Studies
    Subject(s):
    Television--Study and teaching, Motion pictures and history, Motion pictures--Social aspects, Group identity, Identity (Psychology), Television, Motion pictures
    Item Type:
    Conference paper
    Tag(s):
    Folk horror, Time, Television studies, Film and history, Film and society, Cultural identity, Identity, Film

  • Sexual consciousness and the 'new' Lady Chatterley

    Author(s):
    Amanda Kane Rooks (see profile)
    Date:
    2009
    Subject(s):
    Lawrence, D. H. (David Herbert), 1885-1930, Motion pictures--Social aspects, Sex (Psychology)--Study and teaching
    Item Type:
    Article
    Tag(s):
    D.H. Lawrence, Film and society, Sexuality studies

  • Syllabus: Irregular Warfare through Film

    Author(s):
    C. Christine Fair (see profile)
    Date:
    2019
    Subject(s):
    Motion pictures--Political aspects, Motion pictures--Social aspects
    Item Type:
    Syllabus
    Tag(s):
    syllabus, Film and politics, Film and society

  • Film, Television and Video productions featuring brass bands

    Author(s):
    Gavin Holman (see profile)
    Date:
    2019
    Group(s):
    North American British Music Studies Association
    Subject(s):
    Brass instruments, Music, History, Motion pictures--Social aspects, Motion pictures, Television--Study and teaching
    Item Type:
    Article
    Tag(s):
    Brass bands, Brass Instruments, Music history, Film and society, Cinema history, Television studies

  • The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Italian, Motion pictures, Motion pictures--Social aspects, Art, American, Foreign films, Social classes
    Item Type:
    Article
    Tag(s):
    Michelangelo Antonioni, L'AVVENTURA, bourgeoise, Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  • Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Motion pictures--Social aspects, California--Los Angeles--Hollywood, Ethnicity
    Item Type:
    Article
    Tag(s):
    Italian Americans in film, Italian film, representations, Film, Film and society, Hollywood cinema, Cinema

  • The Mass Psychology of Fascist Cinema: "Triumph of the Will"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    1998
    Group(s):
    Documentary Studies, Film Studies
    Subject(s):
    Motion pictures, Motion pictures--Social aspects, History, Propaganda
    Item Type:
    Book chapter
    Tag(s):
    Hitler, Leni Riefenstahl, Wilhelm Reich, Film, Film and society, Film history, Cinema, Cinema history, Documentary

  • 1976: Movies and Cultural Contradictions

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures and history, Motion pictures--Political aspects, Motion pictures--Social aspects, Motion pictures, California--Los Angeles--Hollywood, History, Twentieth century
    Item Type:
    Book chapter
    Tag(s):
    american cinema, academy award, Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film

  • The Search for a Way of Being

    Author(s):
    Patrick McEvoy-Halston (see profile)
    Date:
    2001
    Group(s):
    TC Cognitive and Affect Studies, TC Popular Culture
    Subject(s):
    Motion pictures--Social aspects, Motion pictures, Film criticism
    Item Type:
    Essay
    Tag(s):
    ridley scott, blade runner, Film and society, Film

  • “From Minimalist Representation to Excessive Interpretation: Contextualizing 4 Months, 3 Weeks and 2 Days.”

    Author(s):
    Oana Godeanu-Kenworthy, Oana Popescu-Sandu (see profile)
    Date:
    2014
    Group(s):
    LLC Romanian, LLC Slavic and East European, TM Literary and Cultural Theory
    Subject(s):
    Motion pictures--Social aspects, Romanians--Social life and customs, Gender identity, Literary form
    Item Type:
    Article
    Tag(s):
    Film and society, Romanian culture, Gender and genre, Gender studies

  • The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah

    Author(s):
    Doris Hambuch (see profile)
    Date:
    2016
    Group(s):
    MS Screen Arts and Culture, MS Visual Culture
    Subject(s):
    Motion pictures--Social aspects, Film criticism, Foreign films, Motion pictures
    Item Type:
    Article
    Tag(s):
    film discourse, Arab cinema, polyglossia, Film and society, world cinema, Polyphony, Film, Film studies

  • The Return to the Social through the Collective “I”: Disrupting the Uneventful Face of Neoliberal Precariousness in the Chilean Documentary El otro día

    Author(s):
    Walescka Pino-Ojeda (see profile)
    Date:
    2018
    Group(s):
    Latin America and the Caribbean
    Subject(s):
    Latin Americans--Social life and customs, Culture--Study and teaching, Motion pictures--Social aspects, Neoliberalism
    Item Type:
    Article
    Tag(s):
    Latin American cultural studies, Film and society

  • Latent Image: Chilean Cinema and the Abject.

    Author(s):
    Walescka Pino-Ojeda (see profile)
    Date:
    2009
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures--Social aspects, Latin America, Area studies
    Item Type:
    Article
    Tag(s):
    Chile, Collective memory, neoliberalism, Social trauma, Film and society, Latin American studies

  • Forensic Memory, Responsibility, and Judgment: The Chilean Documentary in the Postauthoritarian Era.

    Author(s):
    Walescka Pino-Ojeda (see profile)
    Date:
    2012
    Group(s):
    Latin America and the Caribbean
    Subject(s):
    Motion pictures--Social aspects, Latin America, Area studies
    Item Type:
    Article
    Tag(s):
    Banality of thought, Chile, documentary films, Film and society, Latin American studies

  • Uneasy social and psychological landscapes in the cinemas of Chile and New Zealand

    Author(s):
    Walescka Pino-Ojeda (see profile)
    Date:
    2016
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures--Social aspects
    Item Type:
    Article
    Tag(s):
    Film and society

  • American road narratives: reimagining mobility in literature and film

    Author(s):
    Shaun Huston (see profile)
    Date:
    2016
    Group(s):
    Cultural Studies, Feminist Humanities, Film Studies, Place Studies
    Subject(s):
    American literature, Motion pictures--Social aspects, Race, Ethnicity
    Item Type:
    Book review
    Tag(s):
    genre studies, national identity, mobility, road narratives, Film and society, Gender studies, Race/ethnicity

  • Filming Postbourgeois Suburbia:Office Spaceand the New American Suburb

    Author(s):
    Shaun Huston (see profile)
    Date:
    2009
    Group(s):
    Cultural Studies, Feminist Humanities, Film Studies
    Subject(s):
    Cultural geography, Motion pictures--Social aspects, Landscapes, Popular culture--Study and teaching
    Item Type:
    Article
    Tag(s):
    20th century film, geography, Office Space, representations, suburbs, Film and society, Landscape, Popular culture studies

  • “’Space is the Place”: The Politics of Birth in Minority Report”

    Author(s):
    Todd Comer (see profile)
    Date:
    2017
    Group(s):
    Film Studies, Speculative and Science Fiction
    Subject(s):
    Action and adventure films, Motion pictures--Social aspects
    Item Type:
    Conference paper
    Tag(s):
    birth, hermeneutics, Post traumatic stress disorder, science fiction, Spielberg, Film and society

Viewing item 1 to 25 (of 30 items)
1 2 →
HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION
This site is part of the HASTAC network on Humanities Commons. Explore other sites on this network or register to build your own.
Terms of ServicePrivacy PolicyGuidelines for Participation

@

Not recently active