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  • HASTAC Deposits
  • The Genealogy of Gesture: From Kira Muratova to Renata Litvinova

    Author(s):
    Irina Schulzki (see profile)
    Date:
    2021
    Group(s):
    Film-Philosophy, Film Studies
    Subject(s):
    Russia, Area studies, Women's studies, Motion pictures--Philosophy
    Item Type:
    Article
    Tag(s):
    gesture, film analysis, metalepsis, Women's cinema, monster theory, Film studies, Russian studies, Mediality, Film theory

  • Cosmopoéticas da desobediência informe: leitura contra-colonial do regime da extração no catálogo Lumière

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2021
    Group(s):
    Archives, Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies
    Subject(s):
    Archives--Study and teaching, Motion pictures, History, Motion pictures--Philosophy, Motion pictures and history, Imperialism, Postcolonialism
    Item Type:
    Article
    Tag(s):
    Lumière, Early cinemas, Decolonising Archives, Archival studies, Film studies, Film history, Film theory, Film and history, Colonialism, Decolonial theory

  • Review of Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (eds), Film, Fashion, and the 1960s

    Author(s):
    Alicia Mihalic (see profile)
    Date:
    2021
    Group(s):
    Cultural Studies, Film Studies
    Subject(s):
    Fashion, Fashion--Study and teaching, Motion pictures--Philosophy, Culture--Study and teaching, Motion pictures, Twentieth century
    Item Type:
    Book review
    Tag(s):
    Fashion History, 1960s, Fashion theory, Fashion studies, Film theory, Film studies, Cultural studies, 20th-century film

  • The Camera Shot and the Gun Sight

    Author(s):
    Anne Eakin Moss (see profile)
    Date:
    2019
    Group(s):
    Film-Philosophy, Film Studies, Soviet and Russian history and culture
    Subject(s):
    Motion pictures, History, Motion picture studios, Motion pictures--Political aspects, Motion pictures--Philosophy, Motion pictures, Soviet, California--Los Angeles--Hollywood
    Item Type:
    Article
    Tag(s):
    Film (history and studio), Film and politics, Film theory, Soviet film, Studio-era Hollywood

  • Landscapes of Disappearance

    Author(s):
    Edwin Culp (see profile)
    Date:
    2020
    Group(s):
    Film-Philosophy, Film Studies, Latin America and the Caribbean
    Subject(s):
    Motion pictures--Philosophy, Violence
    Item Type:
    Article
    Tag(s):
    Landscape art, Film theory

  • Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    1986
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Motion pictures--Philosophy, California--Los Angeles--Hollywood, History, Twentieth century
    Item Type:
    Article
    Tag(s):
    american cinema, CITIZEN KANE, orson welles, Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film

  • Realist Film Theory and Flowers of Evil: Exploring the Philosophical Possibilities of Rotoscoped Animation

    Author(s):
    Jacqueline Ristola (see profile)
    Date:
    2017
    Subject(s):
    Motion pictures--Philosophy, Rabbis, Judaism--Study and teaching
    Item Type:
    Article
    Tag(s):
    rotoscope, cel animation, Film theory, Animation, Rabbinic studies

  • Mediating Gesture in Theory and Practice

    Author(s):
    Ana Hedberg Olenina, Irina Schulzki (see profile)
    Date:
    2017
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Mass media--Study and teaching, Human body--Political aspects, Motion pictures--Philosophy, Performance art
    Item Type:
    Article
    Tag(s):
    gesture, Giorgio Agamben, Sergei Eisenstei, political art, East European Studies, Film, Media studies, Body politics, Film theory

  • Recreating Reality: Waltz With Bashir, Persepolis, and the Documentary Genre

    Author(s):
    Jacqueline Ristola (see profile)
    Date:
    2016
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures--Philosophy
    Item Type:
    Article
    Tag(s):
    animated documentary, Animation, Documentary, Film theory

  • Love at Loss: Jean-Luc Marion’s Concept of Erotic Reduction and Paul Thomas Anderson’s "Magnolia"

    Author(s):
    Irina Schulzki (see profile)
    Date:
    2015
    Subject(s):
    Cinematography, Motion pictures--Philosophy
    Item Type:
    Book chapter
    Tag(s):
    Film studies, phenomenology, subjectivity, Philosophy and Film, Postpostmodernism, Film theory

  • Teorias do Cinema (Facom-UFBA, 2017.2)

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2017
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures--Philosophy
    Item Type:
    Syllabus
    Tag(s):
    Film studies, Film theory

  • O Mundo, o mundo: da alegoria da globalização à revelação do comum

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2013
    Group(s):
    Film Studies
    Subject(s):
    China, Twentieth century, Twenty-first century, Motion pictures--Philosophy, Globalization
    Item Type:
    Article
    Tag(s):
    allegory, Chinese cinema, Jia Zhangke, World cinema, China, modern (post-1911), Film studies, Film theory

  • Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2017
    Group(s):
    Cultural Studies, Film Studies, Postcolonial Studies
    Subject(s):
    Imperialism, Motion pictures--Political aspects, Motion pictures, History, Motion pictures--Philosophy, Postcolonialism
    Item Type:
    Article
    Tag(s):
    African film, commons, cosmopoetics, cosmopolitics, decolonization, Colonialism, Film and politics, Film history, Film theory

  • (Community) Video Art: DCTV’s Expanded Documentary Practice

    Author(s):
    Joel Anderson (see profile)
    Date:
    2017
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures--Philosophy, Mass media--Study and teaching
    Item Type:
    Article
    Tag(s):
    Cinema, Film studies, Film theory, Media studies

  • Acercamientos feministas al cine español y latinoamericano: la mujer como producto y productora de imágenes

    Author(s):
    Kathryn Anne Everly (see profile)
    Date:
    2016
    Subject(s):
    Feminist films, Motion pictures--Philosophy, Spanish language
    Item Type:
    Article
    Tag(s):
    Spanish film, feminist film theory, Film theory

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