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  • HASTAC Deposits
  • Flush (2020)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2020
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    tradigital animation, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation

  • Self-portrait (2018)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2018
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    narrative film, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • Depicting Development Issues: Thematic Trends of Documentary Films of Mindanao-Based Filmmakers

    Author(s):
    NEF T. LUCZON
    Editor(s):
    Jyotirmaya Patnaik (see profile)
    Date:
    2016
    Group(s):
    Communication Studies, Digital Humanists, Film-Philosophy, Film Studies, Television Studies
    Subject(s):
    Motion pictures, Documentary films--Production and direction, Documentary films--Authorship, Communication, Broadcast journalism, Motion pictures--Production and direction, Motion picture authorship, Phenomenology
    Item Type:
    Article
    Tag(s):
    Mindanao issues, documentary films, development themes, Film, Documentary filmmaking, Cinema, Filmmaking

  • Asphyxia by family: a constructed passage

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Motion pictures, Motion pictures--Production and direction, Motion picture authorship, Experimental films, Art
    Item Type:
    Abstract
    Tag(s):
    concept paper, film proposal, asphyxia, experimental cinema, fish tank, Film, Filmmaking, Cinema, Experimental film and video

  • The disorientation of Filipino migrant workers: an audiovisual representation

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Motion pictures, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Abstract
    Tag(s):
    concept paper, film proposal, disorientation, OFW, Film, Filmmaking, Cinema

  • After hours (2019): shooting script

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Motion pictures, Art, American, Motion pictures--Production and direction, Motion picture authorship, Art, Creative writing
    Item Type:
    Other
    Tag(s):
    script, screenplay, Film, Film arts, Filmmaking, Cinema, Film production, Screenwriting

  • Bukid (2019)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    stop-motion, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Animation

  • After hours (2019)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    film directing, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • To my beloved (2019)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Cinematography, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema, Documentary

  • Singaw (2019)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2019
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    film directing, Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • Tapon (2018)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2018
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Cinematography, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Visual art
    Tag(s):
    Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • Seek (2018)

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2018
    Subject(s):
    Art, Motion pictures, Art, American, Digital Art, Video art, Motion pictures--Production and direction, Motion picture authorship, Cinematography, Horror
    Item Type:
    Visual art
    Tag(s):
    Film, Film arts, Digital arts, Video arts, Filmmaking, Cinema

  • Flush (2020): an animation production thesis

    Author(s):
    Roland Cartagena (see profile)
    Date:
    2020
    Subject(s):
    Motion pictures, Art, American, Motion pictures--Production and direction, Motion picture authorship, Communism, Socialism
    Item Type:
    Thesis
    Tag(s):
    abjection, Animation, capitalism, class struggle, film, Film arts, Filmmaking, labor, Marxism, scatology

  • Introduction: radical documentary today

    Author(s):
    Sarah Hamblin, Ryan Watson (see profile)
    Date:
    2019
    Group(s):
    Film Studies, MS Screen Arts and Culture
    Subject(s):
    Radicalism, Art, Digital media, Motion pictures, History, Motion pictures--Production and direction, Motion picture authorship
    Item Type:
    Article
    Tag(s):
    Documentary, Radical art, New media, Film history, Filmmaking

  • Directing Actors for Non-Directors: Creative Research Strategies for Fiction Films

    Author(s):
    Edwin Culp (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures--Production and direction, Motion picture authorship, Acting, Fiction, Editing, Cinematography
    Item Type:
    Book chapter
    Tag(s):
    film directing, directing actors, Arts-based research, Film production, Filmmaking

  • ‘[H]andsome, clever, and rich’: Andrew Davies’ Emma (1996)

    Author(s):
    Ana Daniela Coelho (see profile)
    Date:
    2017
    Subject(s):
    Austen, Jane, 1775-1817, Motion picture authorship
    Item Type:
    Article
    Tag(s):
    Andrew Davies, Adaptation, Jane Austen, Screenwriting

  • ADAPTATION as Adaptation

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, Film criticism, Twentieth century, Motion picture authorship
    Item Type:
    Book chapter
    Tag(s):
    american cinema, film adaptation, Film, Film arts, Cinema, Adaptation, 20th-century film, Screenwriting

  • Raymond Carver, John Cheever, and Montana Wildhack on a Cold Winter's Night in Iowa City

    Author(s):
    James Fitzmaurice (see profile)
    Date:
    2017
    Group(s):
    Margaret Cavendish Study Group
    Subject(s):
    Critical theory, Drama, Science fiction, Motion picture authorship
    Item Type:
    Fictional work
    Tag(s):
    Screenwriting

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