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HASTAC Deposits
"'Reggatta de Blanc': Analyzing Style in the Music of the Police."
Author(s):
Mark Spicer
(see profile)
Date:
2010
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Popular music
Item Type:
Book chapter
Tag(s):
Popular Music Studies
"Large-Scale Strategy and Compositiional Design in the Early Music of Genesis."
Author(s):
Mark Spicer
(see profile)
Date:
2008
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Popular music
Item Type:
Book chapter
Tag(s):
Popular Music Studies
"(Ac)cumulative Form in Pop-Rock Music."
Author(s):
Mark Spicer
(see profile)
Date:
2004
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Popular music
Item Type:
Article
Tag(s):
Popular Music Studies
Beyond Verse and Chorus: Experimental Song Forms in Post-Millennial Rock Music
Author(s):
Brad Osborn
(see profile)
Date:
2019
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Popular music
Item Type:
Dissertation
Tag(s):
Popular Music Studies
Musical Style Affects the Strength of Harmonic Expectancy.
Author(s):
Bryn Hughes
(see profile)
,
Dominique T. Vuvan
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music
,
Cognition
,
Popular music
Item Type:
Article
Tag(s):
rock harmony
,
Music cognition
,
Popular Music Studies
Deceptive love and denied endings: tropes in the music of Billy Joel
Author(s):
Sean Atkinson
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Popular music
Item Type:
Article
Tag(s):
Billy Joel
,
Topics
,
Deceptive Motion
,
Popular Music Studies
Analyzing the Parameters of Flow in Rap Music
Author(s):
Robert Komaniecki
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Hip-hop
,
Popular music
Item Type:
Dissertation
Tag(s):
Hip-hop studies
,
Popular Music Studies
Narrative Transformation and Music in Mediatized Moral Space in Charlie Brooker's Bandersnatch
Author(s):
Sara Bowden
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Interactive multimedia
,
Video game music
,
Research
Item Type:
Thesis
Tag(s):
interactive media
,
Ludomusicology
What Makes It Sound ’80s?
Author(s):
Megan Lavengood
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Society for Music Theory
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Popular music
,
Musicology
,
Musical instruments
,
Electronic dance music
Item Type:
Article
Tag(s):
synthesizers
,
yamaha dx7
,
timbre
,
1980s
,
spectrograms
,
Popular Music Studies
,
Organology
Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime
Author(s):
William O'Hara
(see profile)
Date:
2018
Group(s):
Society for Music Theory
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Musical analysis
,
Popular music
,
Mass media--Study and teaching
Item Type:
Article
Tag(s):
Music analysis
,
Popular Music Studies
,
Media studies
,
Internet/web-based media
Review of Kevin Holm-Hudson: Music Theory Remixed
Author(s):
Brad Osborn
(see profile)
Date:
2019
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Teaching
,
Music theory
,
Textbooks
Item Type:
Review
Tag(s):
Pedagogy
HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS
Author(s):
Brad Osborn
(see profile)
Date:
2013
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Book chapter
Tag(s):
iceland
,
music video
,
Popular music
,
rock harmony
,
björk
BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES
Author(s):
Brad Osborn
(see profile)
Date:
2010
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
rhythm and meter
,
Rhythm
,
meter
,
math rock
,
radiohead
Becoming-Music, Becoming-Intimate, Becoming-Imperceptible
Author(s):
Brad Osborn
(see profile)
Date:
2012
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
,
Deleuze, Gilles, 1925-1995
,
Musicology
Item Type:
Article
Tag(s):
Gilles Deleuze
,
sigur ros
,
rock music
,
Deleuze
Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres
Author(s):
Brad Osborn
(see profile)
Date:
2011
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form
,
rock music
,
radiohead
,
art rock
,
post-rock
Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms
Author(s):
Brad Osborn
(see profile)
Date:
2014
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
maximally even
,
Rhythm
,
rhythm and meter
,
Meter
,
radiohead
Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music
Author(s):
Brad Osborn
(see profile)
Date:
2013
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form
,
rock music
,
radiohead
ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD
Author(s):
Brad Osborn
(see profile)
Date:
2017
Group(s):
Society for Music Theory (SMT)
,
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Article
Tag(s):
harmony and voice-leading
,
rock harmony
,
Popular music
,
radiohead
Review of Christopher Doll Hearing Harmony: Toward a Tonal Theory for the Rock Era
Author(s):
Brad Osborn
(see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory
Item Type:
Book review
Tag(s):
chords
,
harmony and voice-leading
,
rock harmony
,
rock music
,
schema theory
A New Approach to the Analysis of Timbre
Author(s):
Megan Lavengood
(see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Musicology
,
Music--Technological innovations
,
Music theory
,
Popular music
Item Type:
Dissertation
Tag(s):
1980s
,
fm synthesis
,
synthesizers
,
timbre
,
yamaha dx7
,
Music technology
,
Popular Music Studies
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