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• "'Reggatta de Blanc': Analyzing Style in the Music of the Police."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2010

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Popular music

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies

  
  

• "Large-Scale Strategy and Compositiional Design in the Early Music of Genesis."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2008

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Popular music

  Item Type:

  Book chapter

  Tag(s):

  Popular Music Studies

  
  

• "(Ac)cumulative Form in Pop-Rock Music."

  Author(s):

  Mark Spicer (see profile)

  Date:

  2004

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Popular music

  Item Type:

  Article

  Tag(s):

  Popular Music Studies

  
  

• Beyond Verse and Chorus: Experimental Song Forms in Post-Millennial Rock Music

  Author(s):

  Brad Osborn (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Popular music

  Item Type:

  Dissertation

  Tag(s):

  Popular Music Studies

  
  

• Musical Style Affects the Strength of Harmonic Expectancy.

  Author(s):

  Bryn Hughes (see profile) , Dominique T. Vuvan

  Date:

  2019

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music, Cognition, Popular music

  Item Type:

  Article

  Tag(s):

  rock harmony, Music cognition, Popular Music Studies

  
  

• Deceptive love and denied endings: tropes in the music of Billy Joel

  Author(s):

  Sean Atkinson (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Popular music

  Item Type:

  Article

  Tag(s):

  Billy Joel, Topics, Deceptive Motion, Popular Music Studies

  
  

• Analyzing the Parameters of Flow in Rap Music

  Author(s):

  Robert Komaniecki (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Hip-hop, Popular music

  Item Type:

  Dissertation

  Tag(s):

  Hip-hop studies, Popular Music Studies

  
  

• Narrative Transformation and Music in Mediatized Moral Space in Charlie Brooker's Bandersnatch

  Author(s):

  Sara Bowden (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Interactive multimedia, Video game music, Research

  Item Type:

  Thesis

  Tag(s):

  interactive media, Ludomusicology

  
  

• What Makes It Sound ’80s?

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2019

  Group(s):

  American Musicological Society, Society for Music Theory, Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Popular music, Musicology, Musical instruments, Electronic dance music

  Item Type:

  Article

  Tag(s):

  synthesizers, yamaha dx7, timbre, 1980s, spectrograms, Popular Music Studies, Organology

  
  

• Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime

  Author(s):

  William O'Hara (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory, Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Musical analysis, Popular music, Mass media--Study and teaching

  Item Type:

  Article

  Tag(s):

  Music analysis, Popular Music Studies, Media studies, Internet/web-based media

  
  

• Review of Kevin Holm-Hudson: Music Theory Remixed

  Author(s):

  Brad Osborn (see profile)

  Date:

  2019

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Teaching, Music theory, Textbooks

  Item Type:

  Review

  Tag(s):

  Pedagogy

  
  

• HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS

  Author(s):

  Brad Osborn (see profile)

  Date:

  2013

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Book chapter

  Tag(s):

  iceland, music video, Popular music, rock harmony, björk

  
  

• BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES

  Author(s):

  Brad Osborn (see profile)

  Date:

  2010

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  rhythm and meter, Rhythm, meter, math rock, radiohead

  
  

• Becoming-Music, Becoming-Intimate, Becoming-Imperceptible

  Author(s):

  Brad Osborn (see profile)

  Date:

  2012

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory, Deleuze, Gilles, 1925-1995, Musicology

  Item Type:

  Article

  Tag(s):

  Gilles Deleuze, sigur ros, rock music, Deleuze

  
  

• Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres

  Author(s):

  Brad Osborn (see profile)

  Date:

  2011

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  form, rock music, radiohead, art rock, post-rock

  
  

• Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms

  Author(s):

  Brad Osborn (see profile)

  Date:

  2014

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  maximally even, Rhythm, rhythm and meter, Meter, radiohead

  
  

• Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music

  Author(s):

  Brad Osborn (see profile)

  Date:

  2013

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  form, rock music, radiohead

  
  

• ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD

  Author(s):

  Brad Osborn (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Article

  Tag(s):

  harmony and voice-leading, rock harmony, Popular music, radiohead

  
  

• Review of Christopher Doll Hearing Harmony: Toward a Tonal Theory for the Rock Era

  Author(s):

  Brad Osborn (see profile)

  Date:

  2018

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Music theory

  Item Type:

  Book review

  Tag(s):

  chords, harmony and voice-leading, rock harmony, rock music, schema theory

  
  

• A New Approach to the Analysis of Timbre

  Author(s):

  Megan Lavengood (see profile)

  Date:

  2017

  Group(s):

  Society for Music Theory – Popular Music Interest Group

  Subject(s):

  Musicology, Music--Technological innovations, Music theory, Popular music

  Item Type:

  Dissertation

  Tag(s):

  1980s, fm synthesis, synthesizers, timbre, yamaha dx7, Music technology, Popular Music Studies

  
  

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