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  • La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX

    Author(s):
    Paulino Capdepon (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, History, Music and Sound, Religious Studies, Society for Music Theory (SMT)
    Subject(s):
    Church music
    Item Type:
    Article
    Tag(s):
    music

  • La transición al siglo XIX en la Catedral de Jaén: el maestro de capilla Ramón Garay (1761-1823) [The transition to the 19th century in Jaén Cathedral: the maestro de capilla Ramón Garay (1761-1823)]

    Author(s):
    Paulino Capdepon (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Music and Sound, Religious Studies, Society for Music Theory (SMT)
    Subject(s):
    Music, Sacred music, Religion, Chapels, Eighteenth century, Nineteenth century
    Item Type:
    Article
    Tag(s):
    sacred music

  • Academic (In)Discipline, Research (In)Sanity and the Conundrum of (Indigenous) Timescapes

    Author(s):
    Bernd Brabec de Mori (see profile)
    Date:
    2022
    Group(s):
    Anthropology, Ethnomusicology, Indigenous Studies, Music and Sound
    Subject(s):
    Indigenous peoples, Musicology, Psychiatry, Philosophy, History
    Item Type:
    Book chapter
    Tag(s):
    discipline, indiscipline

  • El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas]

    Author(s):
    Paulino Capdepon (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music, Beethoven, Ludwig van, 1770-1827, Spain--Madrid
    Item Type:
    Article
    Tag(s):
    music, Beethoven, madrid

  • Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art]

    Author(s):
    Paulino Capdepon (see profile)
    Date:
    2021
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music, History, History, Modern
    Item Type:
    Article
    Tag(s):
    music, history

  • Domenico Scarlatti, in Diccionario Biográfico Electrónico

    Author(s):
    Paulino Capdepon (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music, Composers, Scarlatti, Domenico, 1685-1757, Sonatas
    Item Type:
    Article
    Tag(s):
    music, sonata

  • La música en la Real Capilla de Madrid (Siglo XVIII)

    Author(s):
    Paulino Capdepon (see profile)
    Date:
    1992
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Music, Sacred music, Chapels (Music), Courts
    Item Type:
    Book
    Tag(s):
    music, court

  • Articles ‘Carreño, Teresa’, ‘Colbrán, Isabella’ y ‘Viardot Garcia, Pauline’, in Lexikon Musik und Gender

    Author(s):
    Paulino Capdepon (see profile)
    Date:
    2010
    Group(s):
    American Musicological Society, Gender Studies, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music, Women
    Item Type:
    Article
    Tag(s):
    music, women

  • Atmospheric resonance: Sonic motion and the question of religious mediation

    Author(s):
    Patrick Eisenlohr (see profile)
    Date:
    2022
    Group(s):
    Aesthetics of Religion – Research Network, Anthropology, Music and Sound, Religious Studies, Society for Music Theory (SMT)
    Subject(s):
    Atmosphere
    Item Type:
    Article
    Tag(s):
    Sonic religion, religious media, Religion and media, media and religion, atmospheres

  • L’activité d’Aristide Cavaillé-Coll dans le nord d’Espagne : L’orgue Cavaillé-Coll de l’église paroissiale d’Irun

    Author(s):
    Paulino Capdepon (see profile)
    Date:
    2012
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT), Society for Music Theory—Autographs & Archival Documents Interest Group
    Subject(s):
    Music, Musical instruments in art, Organ music, Cavaillé-Coll, Aristide, 1811-1899
    Item Type:
    Article
    Tag(s):
    music, Organ

  • Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures.

    Author(s):
    Joel Edelman (see profile)
    Date:
    2023
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Consonance (Music), Dissonance (Music), Tone color (Music), Spectrum analysis, Beats (Acoustics)
    Item Type:
    Abstract

  • 'Antennas Have Long Since Invaded Our Brains.’ Listening to the ‘Other Music’ in Friedrich Kittler.

    Author(s):
    Melle Jan Kromhout (see profile)
    Date:
    2015
    Group(s):
    International Musicological Society (IMS), Music and Sound, Open Music
    Subject(s):
    Musicology, Kittler, Friedrich A., Sound, Listening, Noise
    Item Type:
    Book chapter

  • Voice Based Affinity; A Recipe for Auditory Cheesecake

    Author(s):
    Joel Edelman (see profile)
    Date:
    2022
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music, Music theory, Consonance (Music)
    Item Type:
    Book chapter
    Tag(s):
    consonance, dissonance, harmonicity, beats

  • Teaching Music and Disability Through Disclosure-Oriented Pedagogy

    Author(s):
    Tekla Babyak (see profile)
    Date:
    2022
    Group(s):
    American Musicological Society, Education and Pedagogy, Music and Sound, Society for Music Theory (SMT), TC Disability Studies
    Subject(s):
    Critical pedagogy, Disabilities, Music, Nineteenth century, Beethoven, Ludwig van, 1770-1827, Berlioz, Hector, 1803-1869
    Item Type:
    Conference paper
    Tag(s):
    Music, Disability, Pedagogy, Multiple Sclerosis

  • Overtone Invariants are the Framework for Musical Consonance; An Illustrated Overview

    Author(s):
    Joel Edelman (see profile)
    Date:
    2022
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music, Cognition, Music theory
    Item Type:
    Article
    Tag(s):
    consonance, dissonance, harmonic, overtone, Music cognition, Prosody, theory

  • Atmospheric citizenship: Sonic movement and public religion in Shi‘i Mumbai

    Author(s):
    Patrick Eisenlohr (see profile)
    Date:
    2021
    Group(s):
    Aesthetics of Religion – Research Network, Anthropology, Music and Sound, Place Studies
    Subject(s):
    Islam, Twenty-first century, Citizenship, Sound--Study and teaching, Shīʻah
    Item Type:
    Article
    Tag(s):
    Atmospheres, Mumbai, Indian Muslims, Contemporary Islam, Urban studies, Sound studies, Shi`ism

  • Booming at the Margins: Ethnic Radio, Intimacy, and Nonlinear Innovation in Media

    Author(s):
    Larisa Mann (see profile)
    Date:
    2019
    Group(s):
    Ethnomusicology, Law, Technology and Society, Music and Sound
    Subject(s):
    Ethnology--Study and teaching, Identity (Psychology), Technology
    Item Type:
    Article
    Tag(s):
    Radio, Piracy, Ethnic studies, Identity and technology

  • White Faces in Intimate Spaces: Jamaican Popular Music in Global Circulation

    Author(s):
    Larisa Mann (see profile)
    Date:
    2016
    Group(s):
    Ethnomusicology, Law, Technology and Society, Music and Sound
    Subject(s):
    Performance, Technology, Caribbean Area, Area studies, Imperialism--Social aspects, Mass media--Study and teaching
    Item Type:
    Article
    Tag(s):
    Performance and technology, Caribbean studies, Colonialism and culture, Media studies, Emerging media

  • Savage intimacy, deviant safety: surveillance technology and club culture

    Author(s):
    Larisa Mann (see profile)
    Date:
    2017
    Group(s):
    Ethnomusicology, Law, Technology and Society, Music and Sound
    Subject(s):
    Popular music, Privacy, Spying, Area studies
    Item Type:
    Conference paper
    Tag(s):
    Popular Music Studies, Surveillance studies

  • Embodied Meaning in Jamaican Popular Music

    Author(s):
    Larisa Mann (see profile)
    Date:
    2015
    Group(s):
    Ethnomusicology, Music and Sound
    Subject(s):
    Caribbean Area, Ethnology--Fieldwork, Music, Popular music
    Item Type:
    Article
    Tag(s):
    intimacy, Caribbean, Epistemology, Ethnographic fieldwork, Popular Music Studies

  • RESOUNDING THE VOICE. On repurposing the archival material of voice, from analogue to digital.

    Author(s):
    Olivia Louvel (see profile)
    Date:
    2020
    Group(s):
    Music and Sound
    Subject(s):
    Archival materials, Sound art, Library materials--Digitization, Archival materials--Digitization, Archives
    Item Type:
    Thesis
    Tag(s):
    resounding, Electroacoustic music, Digitisation, Voice

  • Post-Secular Musicals in a Post-Truth World

    Author(s):
    Jake Johnson (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musical theater, Religious thought, United States, Mormons, Theater and society, Theater, American drama
    Item Type:
    Book chapter
    Tag(s):
    Post-Truth, post-secular, american musical theater, Book of Mormon, Leonard Bernstein, American religious thought, Mormon studies, Theatre and society, American theatre

  • 'The Sculptor Speaks': resounding the archival voice of Barbara Hepworth.

    Author(s):
    Olivia Louvel (see profile)
    Date:
    2020
    Group(s):
    Music and Sound, Paper Music, Women in the Arts
    Subject(s):
    Sound art, Sculpture, Narration (Rhetoric), Voice, Speech
    Item Type:
    Article
    Tag(s):
    resounding, archival footage, British Library, legacy, Barbara Hepworth, Sound/sound art, Narrative, Audiovisual narratives, Voice and speech

  • Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Music and Sound, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
    Subject(s):
    Music theory, Musicology, Affect (Psychology)
    Item Type:
    Video
    Tag(s):
    rhythm and meter, Time and temporality, Phenomenography, Temporality, Affect, Embodiment

  • “This Is Ghetto Row”: Musical Segregation in American College Football

    Author(s):
    John Michael McCluskey (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Ethnomusicology, Music and Sound
    Subject(s):
    Music, Musicology, Ethnomusicology, Sports, Education, Higher, Race, Politics and government, Ethnology
    Item Type:
    Article
    Tag(s):
    College Football, Soundscapes, Sport, Higher education, Politics, Ethnography

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