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  • Review: Katherine R. Larson, The Matter of Song in Early England

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2021
    Group(s):
    Global Shakespeares, MS Opera and Musical Performance, North American British Music Studies Association, TC Women’s and Gender Studies
    Subject(s):
    Musicology, Culture, Sixteenth century, Seventeenth century, English--Social life and customs, Music
    Item Type:
    Book review
    Tag(s):
    song, Early modern culture, Early modern English culture

  • Moon-Crossed: a play in play with All's Well That Ends Well

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2019
    Group(s):
    Global Shakespeares, LLC Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616, Literature--Adaptations, Drama, Theater
    Item Type:
    Fictional work
    Tag(s):
    parody, Adaptation, Shakespeare in adaptation

  • The Shakespeare Theatre Company ’s Oresteia

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2019
    Group(s):
    Global Shakespeares, LLC Shakespeare
    Subject(s):
    Drama, Greek drama, Latin drama, Theater
    Item Type:
    Review
    Tag(s):
    Greek and Roman drama, Adaptation

  • “Wear your eyes thus”: Toward a Cognitive Ecology of VR Shakespeare

    Author(s):
    Michael Ullyot (see profile)
    Date:
    2018
    Group(s):
    CLCS Renaissance and Early Modern, EMDC: The Early Modern Digital Collaboratory, Global Shakespeares, LLC Shakespeare
    Subject(s):
    Cognitive science--Philosophy, Shakespeare, William, 1564-1616, Literature--Adaptations, Theater, Virtual reality
    Item Type:
    Conference paper
    Tag(s):
    interfaces, orson welles, Cognitive theory, Shakespeare in adaptation, Shakespeare performance

  • "Race and the Epistemologies of Otherness." chapter 5 of Race by Alexa Alice Joubin and Martin Orkin. New Critical Idiom series (London: Routledge, 2019), pp. 193-227

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2019
    Group(s):
    East Asian Languages and Literatures after 1900, Global Shakespeares, LLC 16th-Century English, LLC East Asian, LLC Shakespeare
    Subject(s):
    Critical race theory, Social justice, Feminist criticism, Science, History, Emigration and immigration, Ethnicity, Immigrants--Social conditions, Postcolonialism, Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    race and gender, East Asian cultures, History of science, Diaspora studies, Critical race studies, Shakespeare

  • “The Wild West meets the wives of Windsor: Shakespeare and Music in the Mythological American West”

    Author(s):
    Kendra Leonard (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society, Global Shakespeares, LLC Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616, Music
    Item Type:
    Book chapter
    Tag(s):
    Shakespeare

  • Local and Global Myths in Shakespearean Performance

    Author(s):
    Alexa Joubin (see profile)
    Date:
    2018
    Group(s):
    Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
    Subject(s):
    Shakespeare, William, 1564-1616, Literature--Adaptations, Motion pictures, Postcolonialism, Globalization
    Item Type:
    Book
    Tag(s):
    Theatre Studies, Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Film studies, Translation studies

  • Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)

    Author(s):
    Alexa Joubin (see profile)
    Date:
    2018
    Group(s):
    Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies
    Subject(s):
    Shakespeare, William, 1564-1616, English language--Foreign countries, Ethics, Digital humanities, Postcolonialism, Globalization, Performance art--Study and teaching
    Item Type:
    Book chapter
    Tag(s):
    Shakespeare, Global English, Postcolonial culture, Performance studies, Cultural materialism

  • "'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)

    Author(s):
    Alexa Joubin (see profile)
    Date:
    2018
    Group(s):
    Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
    Subject(s):
    Shakespeare, William, 1564-1616, Japan, Area studies, Performance art--Study and teaching, Globalization, Aesthetics
    Item Type:
    Article
    Tag(s):
    Shakespeare, Adaptation, Japanese studies, Performance studies, Translation studies, Intercultural performance

  • "Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246

    Author(s):
    Alexa Joubin (see profile)
    Date:
    2018
    Group(s):
    CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616, Critical race theory, Literature--Adaptations, Multiculturalism
    Item Type:
    Article
    Tag(s):
    Africanism, political theatre, Shakespeare, Race critical theory, Performance and politics, Global Shakespeare, Adaptation, Critical race studies

  • "Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2017
    Group(s):
    Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
    Subject(s):
    Shakespeare, William, 1564-1616, Literature--Adaptations, Postcolonialism, Drama, Comparative literature, Motion pictures, Critical theory
    Item Type:
    Book chapter
    Tag(s):
    Shakespeare in performance, intercultural theatre, Shakespeare, Global Shakespeare, Comparative drama, Film

  • "The Fiend Gives Friendly Counsel": Laucelot Gobbo and Polyglot Economics in The Merchant of Venice

    Author(s):
    Steve Mentz (see profile)
    Date:
    2003
    Group(s):
    Global Shakespeares, LLC 16th-Century English, LLC Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    Shakespeare, Economic criticism

  • "Review of The Taming of the Shrew." Shakespeare Bulletin 35.4 (2017): 700-703

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2017
    Group(s):
    CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616, Performance art--Study and teaching, Feminist criticism, Theater, United States, American drama
    Item Type:
    Review
    Tag(s):
    Taming of the Shrew, Shakespeare in performance, Shakespeare, Performance studies, Gender studies, Feminist critique, American theatre

  • The Shakespeare User

    Author(s):
    Valerie Fazel, Louise Geddes (see profile)
    Date:
    2017
    Group(s):
    CLCS Renaissance and Early Modern, Global Shakespeares, LLC Shakespeare
    Subject(s):
    Digital humanities, Shakespeare, William, 1564-1616
    Item Type:
    Book
    Tag(s):
    adaptation, digital humanities, Shakespeare, Adaptation

  • Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2017
    Group(s):
    Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Theater, Sixteenth century, Seventeenth century, Globalization, European drama--Renaissance, Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    adaptation, Film studies, Global Shakespeare, intercultural performance, Shakespeare, Adaptation, Early modern theatre, Renaissance drama

  • "Romeo and Juliet, Allegory, and the Ethnic Vocabularies of History." Shakespeare Studies 46 (2008): 6-19

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2008
    Group(s):
    East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, TC Translation Studies
    Subject(s):
    Theater, China, Chinese drama, Globalization, Performance art--Study and teaching, Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    adaptation, China, Global Shakespeare, historiography, intercultural theatre, Adaptation, Chinese theatre, Performance studies, Shakespeare

  • “Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2017
    Group(s):
    East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    East Asian literature, Film criticism, Globalization, Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    Global Shakespeare, Film, East Asian cultures, Adaptation, East Asian literatures, Shakespeare

  • The Paradox of Female Agency: Ophelia and East Asian Sensibilities

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2012
    Group(s):
    East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, TC Translation Studies
    Subject(s):
    East Asian literature, Motion pictures, History, Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    Adaptation, East Asian literatures, Film history, Gender studies, Shakespeare

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