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  • HASTAC Deposits
  • Digitale Vermittlung ohne Facebook und Co

    Author(s):
    Lukas Fuchsgruber (see profile)
    Date:
    2021
    Group(s):
    Digital Art History
    Subject(s):
    Social media, Mass media--Social aspects, Museums
    Item Type:
    Article

  • Leitfaden für die Annotation von Named Entities (NE) in Biographien

    Author(s):
    Maximilian Kaiser (see profile)
    Date:
    2022
    Group(s):
    Digital Art History, Digital Humanists
    Subject(s):
    Digital humanities
    Item Type:
    Book chapter
    Tag(s):
    National Biographical Encyclopedia, digital humanities

  • Introduction to Digital Humanities Syllabus Spring 2022 Duke University

    Author(s):
    Hannah Jacobs (see profile)
    Date:
    2022
    Group(s):
    Digital Art History, Digital Humanists
    Subject(s):
    Digital humanities, Teaching, Inclusive education
    Item Type:
    Syllabus
    Tag(s):
    syllabus, Digital pedagogy, Inclusive pedagogy

  • Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset

    Author(s):
    Michael Lyons (see profile)
    Date:
    2021
    Group(s):
    Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)
    Subject(s):
    Machine learning, Artificial intelligence, Big data, Data mining, Affect (Psychology), Art, Modern, Twenty-first century, Computer vision
    Item Type:
    Article
    Tag(s):
    facial expression, informed consent, critique, datasets, Data science, Theories of affect, Contemporary art

  • Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset

    Author(s):
    Michael Lyons (see profile)
    Date:
    2021
    Group(s):
    Archives, Digital Art History, Digital Humanists, Science and Technology Studies (STS)
    Subject(s):
    Affect (Psychology), Art, Modern, Twenty-first century, Machine learning, Computer vision, Ethics, Fair use (Copyright)
    Item Type:
    Essay
    Tag(s):
    dataset, visual psychology, affective computing, informed consent, Affect, Contemporary art, Fair use

  • Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset

    Author(s):
    Michael Lyons (see profile)
    Date:
    2021
    Group(s):
    Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)
    Subject(s):
    Affect (Psychology), Art, Modern, Twenty-first century, Critical theory, Data mining, Art and science, Science--Study and teaching, Technology--Study and teaching, Machine learning
    Item Type:
    Article
    Tag(s):
    facial expression, affective computing, dataset, Ethics of Emerging Technologies, Affect, Contemporary art, Critical data studies, Science and art, STS

  • AMS Preliminary Program

    Author(s):
    Melia Wong (see profile)
    Date:
    2021
    Group(s):
    Digital Art History, Global & Transnational Studies, MusicID Community, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Ethnomusicology, Music, History, Musicology, Music theory
    Item Type:
    Conference poster
    Tag(s):
    Music history

  • “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset

    Author(s):
    Michael Lyons (see profile)
    Date:
    2021
    Group(s):
    Archives, Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)
    Subject(s):
    Affect (Psychology), Artificial intelligence, Critical theory, Data mining, Information technology--Moral and ethical aspects, Machine learning
    Item Type:
    Article
    Tag(s):
    facial expression, training sets, affective computing, dataset, Affect, Critical data studies, Information ethics

  • A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in "Big Data and Society"

    Author(s):
    Jasmine Burns (see profile)
    Date:
    2021
    Group(s):
    Digital Art History, Library & Information Science
    Subject(s):
    Critical theory, Data mining, Data sets, Open access publishing, Digital libraries, Digital humanities
    Item Type:
    Review
    Tag(s):
    Commodification, Critical data studies, Open data, Appropriation

  • Excavating 'Excavating AI': The Elephant in the Gallery

    Author(s):
    Michael Lyons (see profile)
    Date:
    2021
    Group(s):
    Archives, Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)
    Subject(s):
    Affect (Psychology), Artificial intelligence, Critical theory, Data mining, Information technology--Moral and ethical aspects, Machine learning
    Item Type:
    Article
    Tag(s):
    data ethics, dataset, digital ethics, Affect, Critical data studies, Information ethics, Theories of affect

  • A Digital Humanities Bibliography

    Author(s):
    John Taormina (see profile)
    Date:
    2019
    Group(s):
    Digital Art History, Digital Humanists
    Subject(s):
    Bibliography, Digital humanities, Research, Methodology, Digital libraries, Learning and scholarship--Data processing
    Item Type:
    Bibliography
    Tag(s):
    digital cultural heritage, digital humanities librarianship, digital humanities research, digital humanities teaching, Digital humanities research and methodology, Digital pedagogy, Digital scholarship/history

  • Art Style, Art & Culture International Magazine, no. 6

    Editor(s):
    Christiane Wagner (see profile)
    Date:
    2020
    Group(s):
    Architectural History and Theory, Cultural Studies, Digital Art History, Diversity in the Arts, History of Art
    Subject(s):
    Art, History, Culture--Study and teaching, Interdisciplinary approach in education, Communication, Aesthetics
    Item Type:
    Online publication
    Tag(s):
    art and culture, aesthetics and politics, moving images, media, cinema and photography, Art history, Visual arts, Interdisciplinary cultural studies, Communications

  • Künstlerbiographien und historische Netzwerkforschung: Anwendungsbeispiele aus dem Bereich der digitalen Kunstgeschichte

    Author(s):
    Maximilian Kaiser (see profile)
    Date:
    2020
    Group(s):
    Digital Art History, Digital Humanists, History of Art
    Subject(s):
    Artists--Biography, Social networks, Art, Nineteenth century, Twentieth century
    Item Type:
    Book chapter
    Tag(s):
    Artist biography, 19th-century art, 20th-century art

  • Reassembling Elephants: A Multi-Spatiotemporal Visualization Method for History and Humanities Data

    Author(s):
    Florian Windhager (see profile)
    Date:
    2020
    Group(s):
    Cultural Heritage, DH2020, Digital Art History, Digital Heritage, Museums
    Subject(s):
    Information visualization
    Item Type:
    Presentation
    Tag(s):
    cultural collections, information integration, multiple views, visualization, Data visualization

  • Modeling Performing Arts: On the Representations of Agency

    Author(s):
    Birk Weiberg (see profile)
    Date:
    2020
    Group(s):
    Digital Art History, Digital Humanists
    Subject(s):
    Performing arts, Ontology
    Item Type:
    Article
    Tag(s):
    data modeling, CIDOC-CRM, Agency

  • Images as Research Data and the Role of the Information Professional

    Author(s):
    Jasmine Burns (see profile)
    Date:
    2020
    Group(s):
    Digital Art History, Library & Information Science
    Subject(s):
    Library science
    Item Type:
    Article
    Tag(s):
    research data, image management

  • The Design History of Robert M. Pirsig’s Books

    Author(s):
    Christoph Bartneck (see profile)
    Date:
    2019
    Group(s):
    Archives, Digital Art History, Digital Humanists, History of Illustration and Illustration Studies, Visual Arts Advocacy
    Subject(s):
    Books, History, Graphic arts, Design, Art
    Item Type:
    Article
    Tag(s):
    book cover, metaphysics of quality, pirsig, Book history, Design (graphic), Design history, Visual art

  • Structure, Network, Discourse. Anatomy of an Artists Association

    Author(s):
    Maximilian Kaiser (see profile)
    Date:
    2014
    Group(s):
    Digital Art History, Digital Humanists, History of Art
    Subject(s):
    Digital humanities, Avant-garde (Aesthetics)
    Item Type:
    Article
    Tag(s):
    historical network analyses, artist association, Avant-garde

  • Museum Photo Archives and the History of the Art Market: A Digital Approach

    Author(s):
    Lukas Fuchsgruber (see profile)
    Date:
    2019
    Group(s):
    Digital Art History, Digital Humanists, History of Art
    Subject(s):
    Art, Markets, Museums, Archives, Forgery
    Item Type:
    Article
    Tag(s):
    Verband von Museums-Beamten zur Abwehr von Fälschungen und unlauterem Geschäftsgebahren, Association of Museum Officials for Defense against Fakes and Improper Business Practices, Art market, Fakes/forgeries

  • On the Crisis of Creation: A Short Comic

    Author(s):
    Kay Sohini (see profile)
    Date:
    2019
    Group(s):
    Comics Scholarship/Comics Studies, Digital Art History, GS Comics and Graphic Narratives
    Subject(s):
    Comic books, strips, etc., Art--Study and teaching, Digital humanities, Art
    Item Type:
    Visual art
    Tag(s):
    Comics, Art education

  • Project: Building a Research Collection

    Author(s):
    Yelena Kalinsky (see profile)
    Date:
    2019
    Group(s):
    Digital Art History, Digital Humanists, Education and Pedagogy
    Subject(s):
    Art, History, Computer art, Research--Methodology, Teaching
    Item Type:
    Course material or learning objects
    Tag(s):
    assignment, digital project, Art history, Digital art history, Research methods, Pedagogy

  • To the Stars and Beyond: Perceptions on The Starry Night

    Author(s):
    Kay Sohini (see profile)
    Date:
    2018
    Group(s):
    Comics Scholarship/Comics Studies, Digital Art History, Humanities Commons Summer Camp, Rhetoric and Composition, TC Ecocriticism and Environmental Humanities
    Subject(s):
    Art
    Item Type:
    Essay
    Tag(s):
    Non-fiction, reflection, Visual arts

  • Artist migration through the biographer’s lens: A case study based on biographical data retrieved from the Austrian Biographical Dictionary

    Author(s):
    Maximilian Kaiser (see profile) , Katalin Lejtovicz, Peter Alexander Rumpolt, Matthias Schlögl
    Date:
    2018
    Group(s):
    Digital Art History, Digital Humanists
    Subject(s):
    Art, History, Digital humanities, Computer art, Prosopography, Nineteenth century
    Item Type:
    Article
    Tag(s):
    biographical dictionary, spatial history of art, Art history, Digital art history, 19th-century art

  • The Biographical Formula: Types and Dimensions of Biographical Networks

    Author(s):
    Ágoston Zénó Bernád, Maximilian Kaiser (see profile)
    Date:
    2018
    Group(s):
    Digital Art History, Digital Humanists
    Subject(s):
    Biography--Study and teaching, Digital humanities, Art, History
    Item Type:
    Conference proceeding
    Tag(s):
    biographical dictionary, biographical research, historical network research, source criticism, Biography Studies, History of art

  • Was uns Biographien über Künstlernetzwerke sagen

    Author(s):
    Maximilian Kaiser (see profile)
    Date:
    2017
    Group(s):
    Digital Art History, Digital Humanists
    Subject(s):
    Art, History, Biography--Study and teaching, Computer art, Digital humanities
    Item Type:
    Article
    Tag(s):
    artist biographies, historical network research, Art history, Biography Studies, Digital art history

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