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• Digitale Vermittlung ohne Facebook und Co

  Author(s):

  Lukas Fuchsgruber (see profile)

  Date:

  2021

  Group(s):

  Digital Art History

  Subject(s):

  Social media, Mass media--Social aspects, Museums

  Item Type:

  Article

  
  

• Leitfaden für die Annotation von Named Entities (NE) in Biographien

  Author(s):

  Maximilian Kaiser (see profile)

  Date:

  2022

  Group(s):

  Digital Art History, Digital Humanists

  Subject(s):

  Digital humanities

  Item Type:

  Book chapter

  Tag(s):

  National Biographical Encyclopedia, digital humanities

  
  

• Introduction to Digital Humanities Syllabus Spring 2022 Duke University

  Author(s):

  Hannah Jacobs (see profile)

  Date:

  2022

  Group(s):

  Digital Art History, Digital Humanists

  Subject(s):

  Digital humanities, Teaching, Inclusive education

  Item Type:

  Syllabus

  Tag(s):

  syllabus, Digital pedagogy, Inclusive pedagogy

  
  

• Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset

  Author(s):

  Michael Lyons (see profile)

  Date:

  2021

  Group(s):

  Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)

  Subject(s):

  Machine learning, Artificial intelligence, Big data, Data mining, Affect (Psychology), Art, Modern, Twenty-first century, Computer vision

  Item Type:

  Article

  Tag(s):

  facial expression, informed consent, critique, datasets, Data science, Theories of affect, Contemporary art

  
  

• Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset

  Author(s):

  Michael Lyons (see profile)

  Date:

  2021

  Group(s):

  Archives, Digital Art History, Digital Humanists, Science and Technology Studies (STS)

  Subject(s):

  Affect (Psychology), Art, Modern, Twenty-first century, Machine learning, Computer vision, Ethics, Fair use (Copyright)

  Item Type:

  Essay

  Tag(s):

  dataset, visual psychology, affective computing, informed consent, Affect, Contemporary art, Fair use

  
  

• Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset

  Author(s):

  Michael Lyons (see profile)

  Date:

  2021

  Group(s):

  Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)

  Subject(s):

  Affect (Psychology), Art, Modern, Twenty-first century, Critical theory, Data mining, Art and science, Science--Study and teaching, Technology--Study and teaching, Machine learning

  Item Type:

  Article

  Tag(s):

  facial expression, affective computing, dataset, Ethics of Emerging Technologies, Affect, Contemporary art, Critical data studies, Science and art, STS

  
  

• AMS Preliminary Program

  Author(s):

  Melia Wong (see profile)

  Date:

  2021

  Group(s):

  Digital Art History, Global & Transnational Studies, MusicID Community, Society for Music Theory – Popular Music Interest Group (SMT PMIG)

  Subject(s):

  Ethnomusicology, Music, History, Musicology, Music theory

  Item Type:

  Conference poster

  Tag(s):

  Music history

  
  

• “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset

  Author(s):

  Michael Lyons (see profile)

  Date:

  2021

  Group(s):

  Archives, Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)

  Subject(s):

  Affect (Psychology), Artificial intelligence, Critical theory, Data mining, Information technology--Moral and ethical aspects, Machine learning

  Item Type:

  Article

  Tag(s):

  facial expression, training sets, affective computing, dataset, Affect, Critical data studies, Information ethics

  
  

• A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in "Big Data and Society"

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2021

  Group(s):

  Digital Art History, Library & Information Science

  Subject(s):

  Critical theory, Data mining, Data sets, Open access publishing, Digital libraries, Digital humanities

  Item Type:

  Review

  Tag(s):

  Commodification, Critical data studies, Open data, Appropriation

  
  

• Excavating 'Excavating AI': The Elephant in the Gallery

  Author(s):

  Michael Lyons (see profile)

  Date:

  2021

  Group(s):

  Archives, Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)

  Subject(s):

  Affect (Psychology), Artificial intelligence, Critical theory, Data mining, Information technology--Moral and ethical aspects, Machine learning

  Item Type:

  Article

  Tag(s):

  data ethics, dataset, digital ethics, Affect, Critical data studies, Information ethics, Theories of affect

  
  

• A Digital Humanities Bibliography

  Author(s):

  John Taormina (see profile)

  Date:

  2019

  Group(s):

  Digital Art History, Digital Humanists

  Subject(s):

  Bibliography, Digital humanities, Research, Methodology, Digital libraries, Learning and scholarship--Data processing

  Item Type:

  Bibliography

  Tag(s):

  digital cultural heritage, digital humanities librarianship, digital humanities research, digital humanities teaching, Digital humanities research and methodology, Digital pedagogy, Digital scholarship/history

  
  

• Art Style, Art & Culture International Magazine, no. 6

  Editor(s):

  Christiane Wagner (see profile)

  Date:

  2020

  Group(s):

  Architectural History and Theory, Cultural Studies, Digital Art History, Diversity in the Arts, History of Art

  Subject(s):

  Art, History, Culture--Study and teaching, Interdisciplinary approach in education, Communication, Aesthetics

  Item Type:

  Online publication

  Tag(s):

  art and culture, aesthetics and politics, moving images, media, cinema and photography, Art history, Visual arts, Interdisciplinary cultural studies, Communications

  
  

• Künstlerbiographien und historische Netzwerkforschung: Anwendungsbeispiele aus dem Bereich der digitalen Kunstgeschichte

  Author(s):

  Maximilian Kaiser (see profile)

  Date:

  2020

  Group(s):

  Digital Art History, Digital Humanists, History of Art

  Subject(s):

  Artists--Biography, Social networks, Art, Nineteenth century, Twentieth century

  Item Type:

  Book chapter

  Tag(s):

  Artist biography, 19th-century art, 20th-century art

  
  

• Reassembling Elephants: A Multi-Spatiotemporal Visualization Method for History and Humanities Data

  Author(s):

  Florian Windhager (see profile)

  Date:

  2020

  Group(s):

  Cultural Heritage, DH2020, Digital Art History, Digital Heritage, Museums

  Subject(s):

  Information visualization

  Item Type:

  Presentation

  Tag(s):

  cultural collections, information integration, multiple views, visualization, Data visualization

  
  

• Modeling Performing Arts: On the Representations of Agency

  Author(s):

  Birk Weiberg (see profile)

  Date:

  2020

  Group(s):

  Digital Art History, Digital Humanists

  Subject(s):

  Performing arts, Ontology

  Item Type:

  Article

  Tag(s):

  data modeling, CIDOC-CRM, Agency

  
  

• Images as Research Data and the Role of the Information Professional

  Author(s):

  Jasmine Burns (see profile)

  Date:

  2020

  Group(s):

  Digital Art History, Library & Information Science

  Subject(s):

  Library science

  Item Type:

  Article

  Tag(s):

  research data, image management

  
  

• The Design History of Robert M. Pirsig’s Books

  Author(s):

  Christoph Bartneck (see profile)

  Date:

  2019

  Group(s):

  Archives, Digital Art History, Digital Humanists, History of Illustration and Illustration Studies, Visual Arts Advocacy

  Subject(s):

  Books, History, Graphic arts, Design, Art

  Item Type:

  Article

  Tag(s):

  book cover, metaphysics of quality, pirsig, Book history, Design (graphic), Design history, Visual art

  
  

• Structure, Network, Discourse. Anatomy of an Artists Association

  Author(s):

  Maximilian Kaiser (see profile)

  Date:

  2014

  Group(s):

  Digital Art History, Digital Humanists, History of Art

  Subject(s):

  Digital humanities, Avant-garde (Aesthetics)

  Item Type:

  Article

  Tag(s):

  historical network analyses, artist association, Avant-garde

  
  

• Museum Photo Archives and the History of the Art Market: A Digital Approach

  Author(s):

  Lukas Fuchsgruber (see profile)

  Date:

  2019

  Group(s):

  Digital Art History, Digital Humanists, History of Art

  Subject(s):

  Art, Markets, Museums, Archives, Forgery

  Item Type:

  Article

  Tag(s):

  Verband von Museums-Beamten zur Abwehr von Fälschungen und unlauterem Geschäftsgebahren, Association of Museum Officials for Defense against Fakes and Improper Business Practices, Art market, Fakes/forgeries

  
  

• On the Crisis of Creation: A Short Comic

  Author(s):

  Kay Sohini (see profile)

  Date:

  2019

  Group(s):

  Comics Scholarship/Comics Studies, Digital Art History, GS Comics and Graphic Narratives

  Subject(s):

  Comic books, strips, etc., Art--Study and teaching, Digital humanities, Art

  Item Type:

  Visual art

  Tag(s):

  Comics, Art education

  
  

• Project: Building a Research Collection

  Author(s):

  Yelena Kalinsky (see profile)

  Date:

  2019

  Group(s):

  Digital Art History, Digital Humanists, Education and Pedagogy

  Subject(s):

  Art, History, Computer art, Research--Methodology, Teaching

  Item Type:

  Course material or learning objects

  Tag(s):

  assignment, digital project, Art history, Digital art history, Research methods, Pedagogy

  
  

• To the Stars and Beyond: Perceptions on The Starry Night

  Author(s):

  Kay Sohini (see profile)

  Date:

  2018

  Group(s):

  Comics Scholarship/Comics Studies, Digital Art History, Humanities Commons Summer Camp, Rhetoric and Composition, TC Ecocriticism and Environmental Humanities

  Subject(s):

  Art

  Item Type:

  Essay

  Tag(s):

  Non-fiction, reflection, Visual arts

  
  

• Artist migration through the biographer’s lens: A case study based on biographical data retrieved from the Austrian Biographical Dictionary

  Author(s):

  Maximilian Kaiser (see profile) , Katalin Lejtovicz, Peter Alexander Rumpolt, Matthias Schlögl

  Date:

  2018

  Group(s):

  Digital Art History, Digital Humanists

  Subject(s):

  Art, History, Digital humanities, Computer art, Prosopography, Nineteenth century

  Item Type:

  Article

  Tag(s):

  biographical dictionary, spatial history of art, Art history, Digital art history, 19th-century art

  
  

• The Biographical Formula: Types and Dimensions of Biographical Networks

  Author(s):

  Ágoston Zénó Bernád, Maximilian Kaiser (see profile)

  Date:

  2018

  Group(s):

  Digital Art History, Digital Humanists

  Subject(s):

  Biography--Study and teaching, Digital humanities, Art, History

  Item Type:

  Conference proceeding

  Tag(s):

  biographical dictionary, biographical research, historical network research, source criticism, Biography Studies, History of art

  
  

• Was uns Biographien über Künstlernetzwerke sagen

  Author(s):

  Maximilian Kaiser (see profile)

  Date:

  2017

  Group(s):

  Digital Art History, Digital Humanists

  Subject(s):

  Art, History, Biography--Study and teaching, Computer art, Digital humanities

  Item Type:

  Article

  Tag(s):

  artist biographies, historical network research, Art history, Biography Studies, Digital art history

  
  

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