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  • HASTAC Deposits
  • Our Carnal Hearts (interview with Rachel Mars)

    Author(s):
    Roberta Mock (see profile)
    Date:
    2017
    Group(s):
    Performance Studies
    Subject(s):
    Theater--Political aspects
    Item Type:
    Blog Post
    Tag(s):
    Resistance, theatre, women in performance, Gender studies, Performance, Theatre and politics

  • Memories, Hauntings & Exorcisms in Brad Fraser's Snake in Fridge

    Author(s):
    Roberta Mock (see profile)
    Date:
    2008
    Subject(s):
    Twentieth century, Canadian literature, Sexual minority culture, Theater, Drama, America
    Item Type:
    Book chapter
    Tag(s):
    Postwar Canadian literature, Theatre Studies, cultural memory, Brad Fraser, 20th century, Queer theatre, Theatre and drama of the Americas

  • Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus

    Author(s):
    Roberta Mock (see profile)
    Date:
    2010
    Group(s):
    Cultural Studies, Performance Studies
    Subject(s):
    Performance art, Sexual minority culture, Theater
    Item Type:
    Book chapter
    Tag(s):
    Georges Bataille, La Fura dels Baus, Marquis de Sade, Ron Athey, Theatre Studies, Gender and sexualities, Performance and politics, Queer theatre

  • Introduction to screening of ‘Stories We Tell’ (2012)

    Author(s):
    Roberta Mock (see profile)
    Date:
    2016
    Group(s):
    Performance Studies
    Subject(s):
    Canada, Area studies, Performance art--Study and teaching
    Item Type:
    Blog Post
    Tag(s):
    autobiography, Sarah Polley, Stories We tell, storytelling, Canadian studies, Film studies, Performance studies

  • Reflections on the Arts and Humanities Doctoral Thesis and Training

    Author(s):
    Roberta Mock (see profile)
    Date:
    2016
    Group(s):
    Doctoral Research in the Arts
    Subject(s):
    Art--Research
    Item Type:
    Blog Post
    Tag(s):
    doctoral training, PhD, postgraduate research, research skills, UK, Artistic research

  • Performing the Toxic Body

    Author(s):
    Roberta Mock (see profile)
    Date:
    2017
    Group(s):
    Cultural Studies, Performance Studies
    Subject(s):
    Performance art--Study and teaching, Popular music, Human body--Sociological aspects
    Item Type:
    Blog Post
    Tag(s):
    Absence Presence, Amy Winehouse, performance, Prince, the body, Performance studies, Popular Music Studies, Sociology of the body

  • Remembering Archaos: Circus with Attitude

    Author(s):
    Roberta Mock (see profile)
    Date:
    2016
    Group(s):
    Performance Studies
    Subject(s):
    Twentieth century, Performing arts, Popular culture--Study and teaching
    Item Type:
    Blog Post
    Tag(s):
    Archaos, circus, 20th century, French theatre, Popular culture studies

  • Lynn Hershman and the Creation of Multiple Robertas

    Author(s):
    Roberta Mock (see profile)
    Date:
    2012
    Group(s):
    Performance Studies
    Subject(s):
    Twentieth century, Art, History, Performance art
    Item Type:
    Book chapter
    Tag(s):
    alter ego, digital performance, Lynn Hershman, second life, 20th century, Art history, Gender studies

  • Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009

    Editor(s):
    Roberta Mock (see profile)
    Date:
    2009
    Group(s):
    Performance Studies
    Subject(s):
    Performance art, Performance art--Study and teaching, Theater and society, Theater, History, Theater--Philosophy
    Item Type:
    Abstract
    Tag(s):
    Book of Abstracts, Conference, Performance Studies, Theatre Studies, Performance studies, Theatre and society, Theatre history, Theatre theory

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