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  • Critical Race Study, Traditional Literary Scholarship, and Othello's Jealousy

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2022
    Group(s):
    Shakespearean Dramatic Genres
    Subject(s):
    Othello (Shakespeare, William), Influence (Literary, artistic, etc.), Shakespearean criticism
    Item Type:
    Article
    Tag(s):
    critical race study

  • The White Fragility of Robin DiAngelo

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2020
    Subject(s):
    Racism, Race
    Item Type:
    Review

  • One Jesus for Jews, Another for Christians

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2019
    Group(s):
    Religious Studies
    Subject(s):
    Historicity of Jesus Christ, Bible. Gospels, Christianity--Origin, Paganism
    Item Type:
    Essay
    Tag(s):
    Historical Jesus, Synoptic Gospels, Christian origins

  • Race: Political Correctness vs. Scholarship in the Humanities

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2018
    Group(s):
    Public Humanities, Renaissance / Early Modern Studies, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Other
    Tag(s):
    Political criticism, Shakespeare, Critical race studies

  • Some Maladies of Early Modern Race Study in Shakespeare

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2016
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Other
    Tag(s):
    Othello, Shakespeare, Critical race studies

  • The English Profession-Tendentious Reflections of a Retired Independent Scholar.

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2017
    Group(s):
    Public Humanities, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Other
    Tag(s):
    humanities, Shakespeare, Humanities PhD, Literary criticism

  • The Dehumanizing of the Humanities and a Remedy

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2015
    Group(s):
    Public Humanities, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Other
    Tag(s):
    Political criticism, humanities, Shakespeare, Literary criticism

  • Answer the Question, Question Authority, and Read Inclusively

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2014
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Conference paper
    Tag(s):
    Macbeth, Othello, King Lear, Shakespeare, Literary criticism

  • The Shakespeare Authorship Question: E Pluribus Unum

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2018
    Group(s):
    Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Other
    Tag(s):
    Shakespeare authorship, Greene's Groatsworth, Shakespeare

  • Diana Price’s Shakespeare’s Unorthodox Biography: The Epitome of Anti-Stratfordian Scholarship

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2017
    Group(s):
    Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616, Authorship
    Item Type:
    Other
    Tag(s):
    Shakespeare's biography, Shakespeare authorship, Greene's Groatsworth, Shakespeare, Authorship attribution

  • The Origins of Colbrond in Richardson's "Pamela"

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2018
    Subject(s):
    Richardson, Samuel, 1689-1761, Fiction, Eighteenth century
    Item Type:
    Other
    Tag(s):
    Pamela, Colbrond, Samuel Richardson, 18th-century novel

  • Shakespeare's "Sonnet 73" as a Poetic Emblem

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2018
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Other
    Tag(s):
    Shakespeare sonnets, Sonnet 73, sic transit gloria mundi, Shakespeare

  • “‘Othello Is Not about Race’”

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2018
    Group(s):
    Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616, Race
    Item Type:
    Other
    Tag(s):
    Othello, Shakespeare, Critical race studies

  • Romancing the Sources: Framing Tales in Hamlet and King Lear

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2017
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
    Subject(s):
    Shakespeare, William, 1564-1616, Literary form, Literary theory
    Item Type:
    Other
    Tag(s):
    Hamlet, King Lear, Romance, chivalric romance, Shakespeare, Genre theory

  • Emending Othello; Explaining Othello: A Critique of Contemporary Principles of and Practices in Editing Shakespeare and a Historical-Literary Interpretation of Othello’s Jealousy

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2005
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare, Textual Scholarship
    Subject(s):
    Shakespeare, William, 1564-1616, Criticism, Textual
    Item Type:
    Other
    Tag(s):
    Othello, editing Shakespeare, Courtly love, Shakespeare, Textual criticism, Literary criticism

  • A Sense of the Ending: Does Malcolm Earn It?

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2011
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Conference paper
    Tag(s):
    Macbeth, Shakespeare, Literary criticism

  • Saving His Source: Shakespeare’s Use of Holinshed in Macbeth, IV, iii

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2006
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Conference paper
    Tag(s):
    Macbeth, Holinshed, exile and return, Shakespeare

  • Sources, Scholarship, and Sense: Shakespeare’s Use of Holinshed in Macbeth

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2003
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Conference paper
    Tag(s):
    Macbeth, exile and return, Holinshed, Bellona's Bridegroom, Shakespeare

  • Who Wooed Desdemona? The Crux at Othello III, iii, 94

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2017
    Group(s):
    Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Textual Scholarship
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    Othello, intermediary, Courtly love, Shakespeare

  • What Kind of Play Is Troilus and Cressida?

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2013
    Group(s):
    Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
    Subject(s):
    Shakespeare, William, 1564-1616, Literary form--Study and teaching
    Item Type:
    Article
    Tag(s):
    chivalric romance, chivalric satire, Troilus and Cressida, Shakespeare, Genre studies

  • 0. Preliminaries, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2014
    Group(s):
    Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
    Subject(s):
    Literary form, Literary theory, Literature, History, Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    New Historicism, presentism, Genre theory, Literary criticism, Literary history, Shakespeare

  • 1. Introduction, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2014
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
    Subject(s):
    Literary form, Literary theory, Literature, History, Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    romantic idealism, Genre theory, Literary history, Literary theory, Shakespeare

  • 2. The Survival of English Chivalric Romances, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2014
    Group(s):
    Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
    Subject(s):
    Bibliography, Critical, English literature, Sixteenth century, Literature, History, Manuscripts, Medieval, Printing--Social aspects, Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    Analytical bibliography, Elizabethan literature, Literary history, Medieval manuscripts, Print culture, Shakespeare

  • 3. The Significance of English Chivalric Romance, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2014
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
    Subject(s):
    Chivalry, Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    Courtly love, exile and return, Intermediaries, Single Combat, Shakespeare

  • 4. Macbeth: Loyal Stewards and Royal Succession, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

    Author(s):
    Michael L. Hays (see profile)
    Date:
    2014
    Group(s):
    Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    exile and return, false steward, Single Combat, Shakespeare

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