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  • Plano de ensino da disciplina Teorias do Cinema (COMA86, Facom-UFBA, 2023-1)

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2023
    Group(s):
    Film Studies
    Item Type:
    Syllabus
    Tag(s):
    Film studies, Film theory

  • Cosmopoéticas da desobediência informe: leitura contra-colonial do regime da extração no catálogo Lumière

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2021
    Group(s):
    Archives, Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies
    Subject(s):
    Archives--Study and teaching, Motion pictures, History, Motion pictures--Philosophy, Motion pictures and history, Imperialism, Postcolonialism
    Item Type:
    Article
    Tag(s):
    Lumière, Early cinemas, Decolonising Archives, Archival studies, Film studies, Film history, Film theory, Film and history, Colonialism, Decolonial theory

  • Tarzan, um negro: para uma crítica da economia política do nome de “África”

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2021
    Group(s):
    Cultural Studies, Film Studies, Postcolonial Studies
    Subject(s):
    Motion pictures, Africa, Area studies, Racism, Decolonization, Postcolonialism, Imperialism
    Item Type:
    Article
    Tag(s):
    Jean Rouch, Tarzan, Film, Colonial discourse, African studies, Decolonial theory, Colonialism

  • Cosmopoéticas do espectador selvagem

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2020
    Group(s):
    Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies
    Subject(s):
    Motion pictures and history, Genocide--Study and teaching, Editing, Indigenous peoples, Indigenous films
    Item Type:
    Article
    Tag(s):
    cinema brasileiro contemporâneo, montagem, montagem anarquívica, cosmopoéticas, Film and history, Genocide studies, Indigenous cinema

  • Cosmopolíticas e cosmopoéticas do contato

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2018
    Group(s):
    Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies
    Subject(s):
    Motion pictures and history, Indigenous peoples
    Item Type:
    Article
    Tag(s):
    documentário, história, contato, Film studies, Film and history

  • O macaco com a câmera na mão: montagem anarquívica e devir-animal em Leo Pyrata

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2019
    Group(s):
    Arqueologia do sensível, Film Studies
    Item Type:
    Article
    Tag(s):
    cinema brasileiro contemporâneo, experimental, videoarte, montagem anarquívica, Leo Pyrata, Film studies

  • Teorias do Cinema (Facom-UFBA, 2017.2)

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2017
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures--Philosophy
    Item Type:
    Syllabus
    Tag(s):
    Film studies, Film theory

  • Tarzan, un noir: Pour une critique de l’économie politique du nom «Afrique»

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2009
    Group(s):
    Cultural Studies, Film Studies, Postcolonial Studies
    Subject(s):
    Africa, Area studies, Anthropology
    Item Type:
    Article
    Tag(s):
    Tarzan, cinéma, Afrique, racisme, Jean Rouch, African studies, Documentary, Film studies, Visual culture

  • Cinema Internacional: Cinemas Africanos

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2017
    Group(s):
    Film Studies
    Item Type:
    Syllabus
    Tag(s):
    African film, Film studies, Film history

  • O Mundo, o mundo: da alegoria da globalização à revelação do comum

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2013
    Group(s):
    Film Studies
    Subject(s):
    China, Twentieth century, Twenty-first century, Motion pictures--Philosophy, Globalization
    Item Type:
    Article
    Tag(s):
    allegory, Chinese cinema, Jia Zhangke, World cinema, China, modern (post-1911), Film studies, Film theory

  • Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos

    Author(s):
    Marcelo R. S. Ribeiro (see profile)
    Date:
    2017
    Group(s):
    Cultural Studies, Film Studies, Postcolonial Studies
    Subject(s):
    Imperialism, Motion pictures--Political aspects, Motion pictures, History, Motion pictures--Philosophy, Postcolonialism
    Item Type:
    Article
    Tag(s):
    African film, commons, cosmopoetics, cosmopolitics, decolonization, Colonialism, Film and politics, Film history, Film theory

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