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  • One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams

    Author(s):
    Marc Edward Hannaford (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory, Society for Music Theory – Jazz Interest Group
    Subject(s):
    Race relations--Study and teaching, Ethnology--Study and teaching, Critical theory, Cognition, Jazz--Instruction and study, Musical analysis, Music theory
    Item Type:
    Dissertation
    Tag(s):
    AACM, Analysis, experimental music, Improvisation, Critical race and ethnic studies, Embodied cognition, Jazz studies, Music analysis

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