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• A Novena para a festa de S. Joseph de Pedro Vaz Rego: A sua integração na Catedral de Évora na primeira metade do século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2021

  Group(s):

  Historical Soundscape Studies, Music in Évora studies

  Subject(s):

  Music, Musicology, Sacred music, Soundscapes (Music), Music--Baroque influences

  Item Type:

  Book chapter

  Tag(s):

  Novena, Pedro Vaz Rego, Évora Cathedral, Historical Soundscape

  
  

• Two mid-sixteenth-century Cecilian parody masses

  Author(s):

  Luís Henriques (see profile)

  Date:

  2021

  Group(s):

  Renaissance / Early Modern Studies

  Subject(s):

  Musicology, Music, Sixteenth century, Sacred music

  Item Type:

  Blog Post

  Tag(s):

  Parody mass, motet, parody technique, imitation mass, 16th century, Polyphony

  
  

• Francisco Garro: O magnum mysterium

  Editor(s):

  Luís Henriques (see profile)

  Date:

  2021

  Subject(s):

  Music, Musicology, Seventeenth century

  Item Type:

  Other

  Tag(s):

  sheet music, motet, Music Edition, 17th century, Polyphony

  
  

• A biographical note on the composer António de Oliveira

  Author(s):

  Luís Henriques (see profile)

  Date:

  2021

  Subject(s):

  Music, Musicology, Sixteenth century, Sacred music

  Item Type:

  Blog Post

  Tag(s):

  Composer, Portuguese music, 16th century, Polyphony

  
  

• Francesco Soriano: Magnificat Primi Toni [odd verses]

  Editor(s):

  Luís Henriques (see profile)

  Date:

  2021

  Subject(s):

  Music, Musicology, Sacred music, Sixteenth century

  Item Type:

  Other

  Tag(s):

  Magnificat, sheet music, Polyphony, 16th century

  
  

• Filipe de Magalhães: Magnificat Sexti Toni [odd verses]

  Editor(s):

  Luís Henriques (see profile)

  Date:

  2021

  Subject(s):

  Seventeenth century, Sacred music

  Item Type:

  Other

  Tag(s):

  sheet music, 17th century, Polyphony

  
  

• Francisco José Perdigão: Motets for Advent

  Editor(s):

  Luís Henriques (see profile)

  Date:

  2021

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, Music, Eighteenth century

  Item Type:

  Other

  Tag(s):

  sheet music, 18th century

  
  

• Évora - São Mamede [Memórias Paroquiais]

  Editor(s):

  Luís Henriques (see profile)

  Date:

  1758

  Item Type:

  Other

  Tag(s):

  Portugal, Évora, Memórias Paroquiais, church

  
  

• Évora - Santiago [Memórias Paroquiais]

  Editor(s):

  Luís Henriques (see profile)

  Date:

  1758

  Subject(s):

  Eighteenth century

  Item Type:

  Other

  Tag(s):

  Portugal, Évora, Memórias Paroquiais, church, 18th century

  
  

• Évora - São Pedro [Memórias Paroquiais]

  Editor(s):

  Luís Henriques (see profile)

  Date:

  1758

  Subject(s):

  Eighteenth century

  Item Type:

  Other

  Tag(s):

  Portugal, Évora, church, Memórias Paroquiais, 18th century

  
  

• The motet Ave gratia plena by Cornelis Verdonck

  Author(s):

  Luís Henriques (see profile)

  Date:

  2021

  Subject(s):

  Musicology, Music, Sixteenth century, Sacred music

  Item Type:

  Blog Post

  Tag(s):

  Music Iconography, motet, 16th-century music, Polyphony

  
  

• In manus tuas attributed to Tomás Luis de Victoria

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Subject(s):

  Musicology, Music, Sixteenth century, Sacred music, Authorship

  Item Type:

  Blog Post

  Tag(s):

  16th-century music, Polyphony, Authorship attribution

  
  

• Alma Redemptoris Mater by Giovanni Pierluigi da Palestrina

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Subject(s):

  Music, Musicology, Sixteenth century, Sacred music

  Item Type:

  Blog Post

  Tag(s):

  Antiphon, Polychoral, 16th-century music, Polyphony

  
  

• The motet O magnum mysterium by Cristóbal de Morales

  Author(s):

  Luís Henriques (see profile)

  Date:

  2020

  Subject(s):

  Musicology, Music, Sixteenth century, Sacred music

  Item Type:

  Blog Post

  Tag(s):

  motet, 16th-century music, Polyphony

  
  

• Two Magnificat Settings by Francesco Soriano

  Author(s):

  Luís Henriques (see profile)

  Date:

  2020

  Subject(s):

  Musicology, Music, Sacred music

  Item Type:

  Blog Post

  Tag(s):

  Magnificat, Polyphony

  
  

• A Colegiada de Nossa Senhora da Conceição de Angra: A sua atividade musical e localização na paisagem sonora da cidade no final do século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in the Azores studies

  Subject(s):

  Musicology, Music, Eighteenth century, Sacred music

  Item Type:

  Article

  Tag(s):

  Soundscapes, Plainchant, Angra do Heroísmo, azores, 18th century

  
  

• A paisagem sonora de Angra no século XVII: Uma perspectiva a partir da actividade das suas instituições religiosas

  Author(s):

  Luís Henriques (see profile)

  Date:

  2017

  Group(s):

  Music in the Azores studies

  Subject(s):

  Musicology, Music, Seventeenth century, Sacred music

  Item Type:

  Article

  Tag(s):

  Soundscapes, Angra do Heroísmo, Azores, 17th century

  
  

• As parentelas e a aprendizagem da música entre a cidade de Évora e o Mosteiro de S. Bento de Cástris: o caso de António Rodrigues Vilalva

  Author(s):

  Luís Henriques (see profile)

  Date:

  2020

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, Music, Seventeenth century, Families

  Item Type:

  Book chapter

  Tag(s):

  Évora, S. Bento de Cástris, Music Learning, 17th-century music, Family

  
  

• Continuidade do repertório polifónico na Catedral de Évora no século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in Évora studies

  Subject(s):

  Sacred music, Music, Musicology, Composition (Music), Since 1500

  Item Type:

  Book chapter

  Tag(s):

  Évora Cathedral, Polyphony, Stile Antico

  
  

• Património musical na Catedral de Angra no século XVII: Três livros de polifonia vocal sacra e o seu possível contexto

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Music in the Azores studies

  Subject(s):

  Music, Musicology, Seventeenth century, Sacred music

  Item Type:

  Article

  Tag(s):

  soundscapes, Angra Cathedral, Angra do Heroísmo, Choirbook, 17th century, Polyphony

  
  

• Ecos da Sé de Angra" em Angra do Heroísmo

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Subject(s):

  Musicology, Music, Exhibitions, Sacred music

  Item Type:

  Article

  Tag(s):

  Plainchant, Exhibtions, Polyphony

  
  

• Matéria e Transcendência: Espiritualidade na Música e nas Artes Plásticas dos séculos XX e XXI

  Author(s):

  Telles Ana, Luís Henriques (see profile) , Afonso Luís, Leão Ricardo Sá, Leandro Sandra

  Date:

  2019

  Subject(s):

  Musicology, Music, Art, History, Twentieth century, Twenty-first century, Painting

  Item Type:

  Abstract

  Tag(s):

  Instrumental Music, Composition, Art history, 20th century, 21st century

  
  

• A antífona Recordare, Virgo Mater: Prática musical mariana na Sé de Évora no final do século XVII e século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Historical Soundscape Studies, Music and Sound, Music in Évora studies

  Subject(s):

  Musicology, Music, Eighteenth century, Sacred music

  Item Type:

  Book chapter

  Tag(s):

  soundscapes, Évora Cathedral, Mabinogi, 18th century

  
  

• Um órgão para a Igreja do Carmo: Exemplo de uma nova dinâmica musical nas instituições religiosas da Horta na segunda metade do século XIX

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in the Azores studies

  Subject(s):

  Musicology, Music, Musical instruments, Nineteenth century, Sacred music

  Item Type:

  Article

  Tag(s):

  Organ, Instrumental Music, azores, Organology, 19th century

  
  

• I EINEM - Encontro Internacional de Investigação de Estudantes em Música e Musicologia

  Author(s):

  CESEM/UÉvora (see profile)

  Editor(s):

  Rita Faleiro, Luís Henriques, Eduardo Lopes, João Silva

  Date:

  2019

  Subject(s):

  Musicology, Music, Musical analysis, Culture

  Item Type:

  Abstract

  Tag(s):

  University of Évora, Évora, Cultural musicology

  
  

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