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HASTAC Deposits
Satan, Subliminals, and Suicide: The Formation and Development of an Antirock Discourse in the United States During the 1980s
Author(s):
John Brackett
(see profile)
Date:
2019
Subject(s):
Musicology
,
Popular music
,
Music
,
United States
,
Twentieth century
,
Devil
Item Type:
Article
Tag(s):
Popular music
,
satanism
,
American music
,
Moral panic
,
Popular Music Studies
,
20th-century American music
,
Satan
“Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde
Author(s):
John Brackett
(see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Musicology
,
History
,
Musical analysis
,
Music theory
,
Popular music
Item Type:
Book chapter
Tag(s):
Blonde
,
drugs
,
Frank Ocean
,
marijuana
,
Historical musicology
,
Music analysis
,
Popular Music Studies
Some Notes on John Zorn’s Cobra
Author(s):
John Brackett
(see profile)
Date:
2010
Group(s):
Music and Sound
Subject(s):
Musicology
,
History
,
Musical analysis
,
Music theory
Item Type:
Article
Tag(s):
Avant-garde
,
experimental music
,
File-card
,
John Zorn
,
Historical musicology
,
Music analysis
Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I)
Author(s):
John Brackett
(see profile)
Date:
2015
Group(s):
Music and Sound
Subject(s):
Musicology
,
History
,
Musical analysis
,
Music theory
Item Type:
Article
Tag(s):
12-tone
,
Arnold Schoenberg
,
Piano Suite
,
Twelve-tone composition
,
Historical musicology
,
Music analysis
‘Hand in Glove’ and the Development of The Smiths’ Sound
Author(s):
John Brackett
(see profile)
Date:
2013
Group(s):
Music and Sound
Subject(s):
Musicology
,
History
,
Musical analysis
,
Music theory
,
Popular music
Item Type:
Article
Tag(s):
Hand in Glove
,
Johnny Marr
,
Morrissey
,
Recording Technology
,
The Smiths
,
Historical musicology
,
Music analysis
,
Popular Music Studies
John Zorn: Tradition and Transgression
Author(s):
John Brackett
(see profile)
Date:
2008
Group(s):
Music and Sound
Subject(s):
Musicology
,
History
,
Jazz
,
Musical analysis
,
Music theory
Item Type:
Book
Tag(s):
Avant-garde
,
Collage
,
Contemporary Classical Music
,
Experimental
,
John Zorn
,
Historical musicology
,
Music analysis
Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style
Author(s):
John Brackett
(see profile)
Date:
2008
Group(s):
Music and Sound
Subject(s):
Musicology
,
History
,
Musical analysis
,
Music theory
,
Popular music
Item Type:
Article
Tag(s):
Led Zeppelin
,
Meter
,
Popular music
,
Rhythm
,
Style Analysis
,
Historical musicology
,
Music analysis
,
Popular Music Studies
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