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HASTAC Deposits
Post-Secular Musicals in a Post-Truth World
Author(s):
Jake Johnson
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Musical theater
,
Religious thought
,
United States
,
Mormons
,
Theater and society
,
Theater
,
American drama
Item Type:
Book chapter
Tag(s):
Post-Truth
,
post-secular
,
american musical theater
,
Book of Mormon
,
Leonard Bernstein
,
American religious thought
,
Mormon studies
,
Theatre and society
,
American theatre
PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE
Author(s):
Jake Johnson
(see profile)
Date:
2014
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Musicology
,
Popular music
,
Avant-garde (Aesthetics)
Item Type:
Article
Tag(s):
musicology
,
los angeles
,
Patronage
,
Avant-garde
,
Contemporary music
,
Patronage discourse
,
Women and performance
“Unstuck in time”: Harry Partch's Bilocated Life
Author(s):
Jake Johnson
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Musicology
,
Music
,
United States
,
Twentieth century
,
Popular music
Item Type:
Article
Tag(s):
musicology
,
Harry Partch
,
Time and temporality
,
Queer Studies
,
20th-century American music
,
Contemporary music
,
Narrative and time
“That's Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline
Author(s):
Jake Johnson
(see profile)
Date:
2016
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Music
,
United States
,
Twentieth century
,
Aging--Study and teaching
,
Musical theater
,
Musicology
,
Popular music
Item Type:
Article
Tag(s):
aging
,
American music
,
american musical theater
,
regionalism
,
20th-century American music
,
Age studies
,
Musical theatre
,
Popular Music Studies
Calling out the nameless: CocoRosie's Posthuman sound world
Author(s):
Jake Johnson
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Musicology
,
Popular music
,
Sound--Study and teaching
Item Type:
Article
Tag(s):
Popular music
,
posthumanism
,
Queer Studies
,
sound studies
,
voice
,
Popular Music Studies
,
Queer and feminist performance
,
Sound studies
,
Voice
The Music Room: Betty Freeman's Musical Soirées
Author(s):
Jake Johnson
(see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
Music
,
United States
,
Twentieth century
,
Area studies
,
Avant-garde (Aesthetics)
,
Popular music
,
Musicology
Item Type:
Article
Tag(s):
American music
,
los angeles
,
Patronage
,
women in music
,
20th-century American music
,
American studies
,
Avant-garde
,
Contemporary music
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