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  • Post-Secular Musicals in a Post-Truth World

    Author(s):
    Jake Johnson (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musical theater, Religious thought, United States, Mormons, Theater and society, Theater, American drama
    Item Type:
    Book chapter
    Tag(s):
    Post-Truth, post-secular, american musical theater, Book of Mormon, Leonard Bernstein, American religious thought, Mormon studies, Theatre and society, American theatre

  • PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE

    Author(s):
    Jake Johnson (see profile)
    Date:
    2014
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musicology, Popular music, Avant-garde (Aesthetics)
    Item Type:
    Article
    Tag(s):
    musicology, los angeles, Patronage, Avant-garde, Contemporary music, Patronage discourse, Women and performance

  • “Unstuck in time”: Harry Partch's Bilocated Life

    Author(s):
    Jake Johnson (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musicology, Music, United States, Twentieth century, Popular music
    Item Type:
    Article
    Tag(s):
    musicology, Harry Partch, Time and temporality, Queer Studies, 20th-century American music, Contemporary music, Narrative and time

  • “That's Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline

    Author(s):
    Jake Johnson (see profile)
    Date:
    2016
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Music, United States, Twentieth century, Aging--Study and teaching, Musical theater, Musicology, Popular music
    Item Type:
    Article
    Tag(s):
    aging, American music, american musical theater, regionalism, 20th-century American music, Age studies, Musical theatre, Popular Music Studies

  • Calling out the nameless: CocoRosie's Posthuman sound world

    Author(s):
    Jake Johnson (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musicology, Popular music, Sound--Study and teaching
    Item Type:
    Article
    Tag(s):
    Popular music, posthumanism, Queer Studies, sound studies, voice, Popular Music Studies, Queer and feminist performance, Sound studies, Voice

  • The Music Room: Betty Freeman's Musical Soirées

    Author(s):
    Jake Johnson (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society
    Subject(s):
    Music, United States, Twentieth century, Area studies, Avant-garde (Aesthetics), Popular music, Musicology
    Item Type:
    Article
    Tag(s):
    American music, los angeles, Patronage, women in music, 20th-century American music, American studies, Avant-garde, Contemporary music

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