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  • The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Italian, Motion pictures, Motion pictures--Social aspects, Art, American, Foreign films, Social classes
    Item Type:
    Article
    Tag(s):
    Michelangelo Antonioni, L'AVVENTURA, bourgeoise, Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class

  • Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Motion pictures--Social aspects, California--Los Angeles--Hollywood, Ethnicity
    Item Type:
    Article
    Tag(s):
    Italian Americans in film, Italian film, representations, Film, Film and society, Hollywood cinema, Cinema

  • Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2007
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, Japan, Foreign films
    Item Type:
    Article
    Tag(s):
    Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema, Film, Film arts, Cinema, world cinema

  • IDENTIFICATION OF A WOMAN

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2012
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Italian, Motion pictures, Art, American, Foreign films
    Item Type:
    Review
    Tag(s):
    Michelangelo Antonioni, Italian film, Italian cinema, Film, Film arts, Cinema, world cinema

  • Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Motion pictures--Political aspects, History, Mythology
    Item Type:
    Article
    Tag(s):
    Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark, Film, Film and politics, Cinema, Cinema history

  • "'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2006
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, History, Intertextuality
    Item Type:
    Book chapter
    Tag(s):
    Alfred Hitchcock, film modernism, Michelangelo Antonioni

  • The Mass Psychology of Fascist Cinema: "Triumph of the Will"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    1998
    Group(s):
    Documentary Studies, Film Studies
    Subject(s):
    Motion pictures, Motion pictures--Social aspects, History, Propaganda
    Item Type:
    Book chapter
    Tag(s):
    Hitler, Leni Riefenstahl, Wilhelm Reich, Film, Film and society, Film history, Cinema, Cinema history, Documentary

  • The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2001
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Motion pictures--Political aspects, California--Los Angeles--Hollywood
    Item Type:
    Article
    Tag(s):
    Steven Spielberg, E.T, christian iconography, Film, Film and politics, Cinema, Hollywood cinema

  • Empire of the Gun: Steven Spielberg's SAVING PRIVATE RYAN and American Chauvinism

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2001
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Motion pictures and history, California--Los Angeles--Hollywood
    Item Type:
    Book chapter
    Tag(s):
    Steven Spielberg, SAVING PRIVATE RYAN, war movies, Film, Film and history, Cinema, Hollywood cinema

  • "I'll See It When I Believe It": Rodney King and the Prison-House of Video

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    1996
    Group(s):
    Documentary Studies, Film Studies
    Subject(s):
    Documentary films--Production and direction, Documentary films--Authorship, Motion pictures, Phenomenology
    Item Type:
    Book chapter
    Tag(s):
    documentary films, Race and film, Documentary, Documentary filmmaking, Film, Cinema

  • EROS and Civilization: Sexuality and the Contemporary International Art Cinema

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2008
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, Sex, Foreign films
    Item Type:
    Article
    Tag(s):
    Transnational film, Film, Film arts, Sexuality, Cinema, world cinema

  • EL TOPO and the Midnight Movie Craze

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Surrealism, Motion pictures, Art, American, Foreign films
    Item Type:
    Article
    Tag(s):
    Alejandro Jodorowsky, Surrealist Cinema, EL TOPO, Film arts, Cinema, world cinema

  • Colonel North Goes to Washington: Observations on the Intertextual Re-Presentation of History

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    1989
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures--Political aspects, Television--Study and teaching, Television
    Item Type:
    Article
    Tag(s):
    Oliver North, Frank Capra, TV, Film and politics, Television studies, Documentary

  • Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    1986
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Motion pictures--Philosophy, California--Los Angeles--Hollywood, History, Twentieth century
    Item Type:
    Article
    Tag(s):
    american cinema, CITIZEN KANE, orson welles, Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film

  • The Sounds of Silence: Minimalist Acting in BLOW-UP

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, History, Acting
    Item Type:
    Book chapter
    Tag(s):
    performamnce, film acting, film directing, minimalism, Film arts, Film history, Cinema history, Cinema, Modernism

  • BICYCLE THIEVES: A Re-reading

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Italian, Motion pictures, History, Motion pictures and history, Foreign films
    Item Type:
    Article
    Tag(s):
    neorealism, Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema

  • The Politics of Ambivalence: APOCALYPSE NOW as Pro-War and Anti-War Film

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Motion pictures and history, Motion pictures--Political aspects, Twentieth century
    Item Type:
    Book chapter
    Tag(s):
    APOCALYPSE NOW, Cinema Art Criticism, american cinema, francis coppola, Film, Film and history, Film and politics, 20th-century film, Cinema

  • The Architectonics of Alienation: Antonioni's Edifice Complex

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Film criticism, Motion pictures, Italian, Foreign films, Architecture, History
    Item Type:
    Article
    Tag(s):
    film modernism, Film, Italian cinema, world cinema, Film history, Cinema

  • ADAPTATION as Adaptation

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Art, American, Film criticism, Twentieth century, Motion picture authorship
    Item Type:
    Book chapter
    Tag(s):
    american cinema, film adaptation, Film, Film arts, Cinema, Adaptation, 20th-century film, Screenwriting

  • 1976: Movies and Cultural Contradictions

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures and history, Motion pictures--Political aspects, Motion pictures--Social aspects, Motion pictures, California--Los Angeles--Hollywood, History, Twentieth century
    Item Type:
    Book chapter
    Tag(s):
    american cinema, academy award, Film and history, Film and politics, Film and society, Cinema, Hollywood cinema, Film history, 20th-century film

  • The Maltese Phallcon: The Oedipal Trajectory of Classical Hollywood Cinema

    Author(s):
    Frank P. Tomasulo, Ph.D. (see profile)
    Date:
    2019
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, History, Motion picture industry, California--Los Angeles--Hollywood
    Item Type:
    Article
    Tag(s):
    film adaptation, american cinema, Film history, Film, Hollywood

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