Skip to content
  • About
    • HASTAC Scholars
    • Conferences
    • Staff
    • History of HASTAC
    • Leadership
    • Core Values
  • Go To…
    • Members
    • Groups
    • Sites
    • CORE Repository
  • Help & Support
  • Organizations
    • HC
    • ARLIS/NA
    • AUPresses
    • MLA
    • MSU
    • SAH
Register Log In
HASTAC Commons

CORE Search Results Start Search Over

  • All Deposits 0
  • HASTAC Deposits
  • Triangulating Timbre in Sigur Rós's Iceland

    Author(s):
    David K. Blake, Brad Osborn (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Tone color (Music), Iceland, Music theory, Ecomusicology, Film criticism--Study and teaching
    Item Type:
    Book chapter
    Tag(s):
    timbre, sigur ros

  • Program for Symposium in Honor of Jonathan Bernard

    Author(s):
    Brad Osborn (see profile)
    Date:
    2022
    Item Type:
    Conference proceeding

  • The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332.

    Author(s):
    Brad Osborn (see profile)
    Date:
    2021
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music, Musical analysis, Culture, Music theory, Musicology
    Item Type:
    Book review
    Tag(s):
    music video, Cultural musicology, Digital musicology, Film studies

  • Resistance Gazes in Recent Music Videos

    Author(s):
    Brad Osborn (see profile)
    Date:
    2021
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Motion picture music, Culture--Study and teaching, Mass media--Study and teaching, Music theory, Popular music
    Item Type:
    Article
    Tag(s):
    music video, Beyoncé, Rihanna, Film music, Cultural studies, Media studies, Popular Music Studies

  • The Frame and The Swerve: Music Video's Relationship to Dance

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Music theory, Popular music, Dance
    Item Type:
    Article
    Tag(s):
    Lucretius, music video, Music analysis, Popular Music Studies

  • Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999

    Author(s):
    Brad Osborn (see profile) , Emily Rossin, Kevin Weingarten
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musical analysis, Cinematography, Statistics
    Item Type:
    Article
    Tag(s):
    music video, 1990s, correlation, Music analysis, Video (history and studio)

  • Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Cinematography
    Item Type:
    Book chapter
    Tag(s):
    musical form, Rihanna, Calvin Harris, Emil Nava, music video

  • Beyond Verse and Chorus: Experimental Song Forms in Post-Millennial Rock Music

    Author(s):
    Brad Osborn (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Popular music
    Item Type:
    Dissertation
    Tag(s):
    Popular Music Studies

  • Review of Kevin Holm-Hudson: Music Theory Remixed

    Author(s):
    Brad Osborn (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Teaching, Music theory, Textbooks
    Item Type:
    Review
    Tag(s):
    Pedagogy

  • HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS

    Author(s):
    Brad Osborn (see profile)
    Date:
    2013
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Book chapter
    Tag(s):
    iceland, music video, Popular music, rock harmony, björk

  • BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES

    Author(s):
    Brad Osborn (see profile)
    Date:
    2010
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    rhythm and meter, Rhythm, meter, math rock, radiohead

  • Becoming-Music, Becoming-Intimate, Becoming-Imperceptible

    Author(s):
    Brad Osborn (see profile)
    Date:
    2012
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory, Deleuze, Gilles, 1925-1995, Musicology
    Item Type:
    Article
    Tag(s):
    Gilles Deleuze, sigur ros, rock music, Deleuze

  • Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres

    Author(s):
    Brad Osborn (see profile)
    Date:
    2011
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    form, rock music, radiohead, art rock, post-rock

  • Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms

    Author(s):
    Brad Osborn (see profile)
    Date:
    2014
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    maximally even, Rhythm, rhythm and meter, Meter, radiohead

  • Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music

    Author(s):
    Brad Osborn (see profile)
    Date:
    2013
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    form, rock music, radiohead

  • ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD

    Author(s):
    Brad Osborn (see profile)
    Date:
    2017
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Article
    Tag(s):
    harmony and voice-leading, rock harmony, Popular music, radiohead

  • Review of Christopher Doll Hearing Harmony: Toward a Tonal Theory for the Rock Era

    Author(s):
    Brad Osborn (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group
    Subject(s):
    Music theory
    Item Type:
    Book review
    Tag(s):
    chords, harmony and voice-leading, rock harmony, rock music, schema theory

Viewing item 1 to 17 (of 17 items)
HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION
This site is part of the HASTAC network on Humanities Commons. Explore other sites on this network or register to build your own.
Terms of ServicePrivacy PolicyGuidelines for Participation

@

Not recently active