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• Modeling Performing Arts: On the Representations of Agency

  Author(s):

  Birk Weiberg (see profile)

  Date:

  2020

  Group(s):

  Digital Art History, Digital Humanists

  Subject(s):

  Performing arts, Ontology

  Item Type:

  Article

  Tag(s):

  data modeling, CIDOC-CRM, Agency

  
  

• Classical Hollywood as an Epistemological Network

  Author(s):

  Birk Weiberg (see profile)

  Date:

  2012

  Subject(s):

  Motion pictures, Technology, History, Actor-network theory

  Item Type:

  Article

  Tag(s):

  Film, History of technology

  
  

• Image as Collective: A History of Optical Effects in Hollywood's Studio System

  Author(s):

  Birk Weiberg (see profile)

  Date:

  2016

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, History, Motion pictures--Production and direction, Actor-network theory, Technology, Motion picture studios, California--Los Angeles--Hollywood

  Item Type:

  Dissertation

  Tag(s):

  optical effects, special effects, Film history, Film production, History of technology, Studio-era Hollywood

  
  

• Maschinenbilder. Zur postsubjektiven Kamera

  Author(s):

  Birk Weiberg (see profile)

  Date:

  2014

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures, Aesthetics

  Item Type:

  Book chapter

  Tag(s):

  camera, machine, subjective camera, pov, Film, Film studies, Media arts

  
  

• The Paradigm of Streaming in Contemporary Arts

  Author(s):

  Birk Weiberg (see profile)

  Date:

  2017

  Group(s):

  Digital Art History

  Subject(s):

  Art, Modern, Twenty-first century, Digital media

  Item Type:

  Conference paper

  Tag(s):

  #streaming, Contemporary art, Media arts

  
  

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